Wealthy and decadent industrialist Georges Radamante rules over a strange secret suicide cult and wants to achieve immortality by figuring out a way to share the biochemistry of a young ... See full summary »
This erotic horror film, set in 1905, tells the story of a thief who seeks refuge in a castle owned by two women, Eva (Brigitte Lahaie) and Elizabeth (Franca Mai). The women are seductive ... See full summary »
Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest, aided by four female vampires, to find the castle and the beautiful woman who lives there.
A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.
On the run from an asylum for the insane, a feisty young girl and a forlorn female companion embark on a surreal journey with a group of traveling erotic dancers. Wandering from the fantastic to the farcical and back again,
A young man, armed with a magical bow and arrows, embarks on a mystical journey through a mystical land to rid it of all evil and joins forces with an outlaw to take down an evil witch bent on claiming the magic bow for evil.
Conrado San Martín
A woman named Elizabeth has lost her memory. After being found by a man, she is taken in but soon captured and brought to the "black tower" with other mindless women...
Whoa, a Jean Rollin film without female vampires in a castle by the sea? Yes, kids, he did make other kinds of films, and this is one of them. But he has kept his trademark excessive nudity. Plenty of nude women, at least two nude men, and some sex scenes that go on for far too long (if you cut the sex out of Rollin's work, you are not left with much).
The first half of the film is a bit slow and not particularly interesting. The second half picks up and then we really see the horror aspects come out to play. The story gets even better as the revelations are produced and we find out more about these women and why they are where they are.
I have seen the film compared to "Shivers", and I do not completely disagree. But there is more than enough here with Rollin's unique stamp, so to simply dismiss it as being like "Shivers" is a big mistake. Though, if your intent is to direct "Shivers" fans to another film, by all means, do so.
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