| Jenny Neumann | ... | Helen Selleck | |
| Gary Sweet | ... | Terry Besanko | |
| Nina Landis | ... | Judy | |
| Max Phipps | ... | George D'alberg | |
| John Michael Howson | ... | Bennett Collingswood (as John-Michael Howson) | |
| Edmund Pegge | ... | Bruce | |
| Sue Jones | ... | Fay | |
| Adele Lewin | ... | Sue | |
| Briony Behets | ... | Angela | |
| Maureen Edwards | ... | Mother | |
| Bryon Williams | ... | Father | |
| Peter Tulloch | ... | Brian | |
| Malcolm Steed | ... | Doctor | |
| Denise Peterson | ... | Bad Auditionee | |
| Tania Uren | ... | Nurse | |
| John Harris | ... | Policeman #1 | |
| Gary Day | ... | Policeman #2 | |
| Joy Westmore | ... | Matron | |
| Lise Rodgers | ... | Mousy Auditionee | |
| Doug Bowles | ... | Babysitter | |
| Rossana Zuanetti | ... | Girl in Lane | |
| Gene Van Dam | ... | Boy in Lane | |
| Angela Menzies-Wills | ... | Lover in Bed | |
| rest of cast listed alphabetically: | |||
| Jennie Lamond | ... | Young Helen Selleck (uncredited) | |
| John D. Lamond | ... | Man crossing street (uncredited) | |
Directed by | |||
| John D. Lamond | (as John Lamond) | ||
Writing credits | ||
| Colin Eggleston | (screenplay) | |
| John D. Lamond | (original idea) (as John Lamond) and | |
| John Michael Howson | (original idea) (as John-Michael Howson) | |
Produced by | |||
| Colin Eggleston | .... | producer | |
| Michael Hirsh | .... | associate producer | |
| John D. Lamond | .... | producer (as John Lamond) | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Garry Wapshott | |||
Film Editing by | |||
| Colin Eggleston | |||
Art Direction by | |||
| Paul Jones | |||
Makeup Department | |||
| Margaret Archman | .... | makeup artist | |
Production Management | |||
| Michael Hirsh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Billy Baxter | .... | second assistant director (as Bill Baxter) | |
| Ross Hamilton | .... | assistant director | |
Sound Department | |||
| Phil Judd | .... | sound mixing | |
| John Phillips | .... | sound recordist | |
| Ray Phillips | .... | second unit boom operator | |
| Geoff Wilson | .... | boom operator | |
Special Effects by | |||
| Conrad Rothmann | .... | special effects | |
Stunts | |||
| Matt Burns | .... | stunt coordinator | |
| Barbara Martin | .... | stunt team | |
| Peter Morse | .... | stunt team | |
| Arch Roberts | .... | stunt team (as Archie Roberts) | |
| Bill Stacey | .... | stunt team | |
Camera and Electrical Department | |||
| Peter Armstrong | .... | clapper/loader | |
| Geoff Collins | .... | second unit gaffer | |
| Tony Holtham | .... | gaffer | |
| Nino Martinetti | .... | second unit focus puller | |
| Noel Mudie | .... | key grip | |
| Denis Nikolic | .... | focus puller | |
| Gary Scholes | .... | assistant grip | |
| Greg Watson | .... | clapper/loader | |
| Barry M. Wilson | .... | second unit photography (as Barry Wilson) | |
| Suzy Woods | .... | still photographer | |
Costume and Wardrobe Department | |||
| Jan Barkell | .... | wardrobe | |
| Aphrodite Kondos | .... | wardrobe | |
| Joseph Saba | .... | wardrobe provider | |
Other crew | |||
| Ann Dechaineux | .... | caterer | |
| Michael Hirsh | .... | production accountant | |
| Phillip Lasky | .... | runner | |
| Anne McLeod | .... | continuity | |
| Denise Peterson | .... | production secretary | |
| Annette Philpott | .... | second unit production assistant | |
| Helen Watts | .... | production executive | |
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| Alone in the Dark | Home Sweet Home | Nurse Betty | Girls Nite Out | Black Christmas |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Australia section |
This is a rather strange early Australian attempt to ape the American slasher films, but it is only really interesting in the places where it deviates from them. It's one of a small number of slasher films that is set in a theater during a theatrical production, which not only provides a good setting, but also a lot of very worthy victims (theater actors, directors, critics, etc.) as well as a very believable reason why no one notices the initial disappearances (theater people being as self-absorbed and narcissistic as they get). Unfortunately, the back story is very lame, involving a young acting ingenue (Jenny Neumann) with a vague, troubled past (her mother died in a car accident after a sexual tryst). When she is cast in a new theater production, people start being brutally murdered. So who is the killer? Unfortunately, it's probably EXACTLY who you think it is.
The director of this movie was an unknown (at least outside Australia), but the co-writer/co-producer Collin Eggleston gave the world both the idiotic sex film "Fantasm Comes Again" and underrated nature-gone-amok thriller "Long Weekend". Jenny Neumann also appeared in American slasher semi-classic "Hell Night" where she played the English girl (you know, the one who WASN'T Linda Blair)who spends her entire screen time in bed with a guy without ever actually taking off her underwear. Regrettably, she doesn't get naked here either, but pretty much everyone else does. This movie stands apart from the rest of the slasher films in the sheer gratuitousness of its gratuitous nudity, including a LONG scene where one corpulent Aussie lass is chased butt-naked out of the theater and into the street by the killer. In this respect the movie kind of resembles Pete Walkers sexploitation/early slasher film "The Flesh and Blood Show", but it's not a patch on that one.
The film also compares pretty unfavorably with Michel Soavi's film "Stage Fright" with which it is often confused, and a lot of the decent, if micro-budgeted, horror films being made Down Under in the late 70's/early 80's. On the plus side, it's a lot better than "Cut" and some of the crap that has been seeping out of the country more recently. See it if you can find it, but don't go out of your way.