| Nancy Hendrickson | ... | Abbey | |
| Deborah Luce | ... | Jackie | |
| Tiana Pierce | ... | Trina | |
| Frederick Coffin | ... | Ike (as Holden McGuire) | |
| Michael McCleery | ... | Addley (as Billy Ray McQuade) | |
| Beatrice Pons | ... | Mother (as Rose Ross) | |
| Robert Collins | ... | Ernie | |
| Peter Fox | ... | The 'Dobber' (as Karl Sandys) | |
| Marsella Davidson | ... | Terry | |
| Kevin Lowe | ... | Ted | |
| Scott Lucas | ... | Storekeeper | |
| Ed Battle | ... | Doorman | |
| Robert Carnegie | ... | Tex | |
| Silas Davis | |||
| Stanley Kaufman | ... | Older man at Pool Party | |
| John Radom | |||
| Louie Cogie | |||
| Sondra Fortunato | |||
| Sheldon Relde | |||
| Marshall Auerbach | |||
| Timmy Leight | |||
| John Castellano | |||
| Suzy Fried | |||
| Steve Sturm | |||
| Leilani Gorre | |||
| Joe Stanton | |||
| Katya | |||
| John Fanelli | |||
| Josh Smilowitz | |||
| Vince Piccalo | |||
| Doreen Richardson | |||
| Bill Smith | |||
| Gwen Van Highland | |||
| Lawrence Mayer | |||
| Joel Greenberg | |||
| Sture Sjöstedt | |||
| rest of cast listed alphabetically: | |||
| Stanley Knapp | ... | Charlie | |
| Bob Fassbender | ... | (voice) (uncredited) | |
| Scott Gordon | ... | (voice) (uncredited) | |
| Charles Kaufman | ... | Cocaine addict (uncredited) | |
| Floyd Vivino | ... | (voice) (uncredited) | |
Directed by | |||
| Charles Kaufman | |||
Writing credits(in alphabetical order) | ||
| Charles Kaufman | ||
| Warren Leight | ||
Produced by | |||
| Alexander Beck | .... | executive producer | |
| Michael Herz | .... | associate producer | |
| Charles Kaufman | .... | producer | |
| Lloyd Kaufman | .... | associate producer | |
| Michael Kravitz | .... | producer | |
Original Music by | |||
| Phil Gallo | |||
| Clem Vicari Jr. | |||
Cinematography by | |||
| Joseph Mangine | |||
Film Editing by | |||
| Daniel Loewenthal | |||
Production Design by | |||
| Susan Kaufman | |||
Art Direction by | |||
| Sandy Hamilton | |||
Costume Design by | |||
| Ellen Lutter | |||
Makeup Department | |||
| Josie Caruso | .... | special makeup effects | |
| Rob E. Holland | .... | special makeup effects | |
Second Unit Director or Assistant Director | |||
| James Proser | .... | first assistant director | |
| Barry Shapiro | .... | additional assistant director | |
Art Department | |||
| Rex Piano | .... | assistant art director | |
Sound Department | |||
| Rolf Pardula | .... | sound mixer | |
Stunts | |||
| Scott Leva | .... | stunt coordinator | |
| Scott Leva | .... | stunts | |
Camera and Electrical Department | |||
| Joseph Bolesta | .... | key grip | |
| Stuart Deutsch | .... | best boy | |
| Phil Devonshire | .... | gaffer | |
Editorial Department | |||
| Richard W. Haines | .... | assistant editor | |
Other crew | |||
| Meta Carter | .... | script supervisor | |
| Ray Sundlin | .... | production executive | |
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| The Last House on the Left | Freeway | Pink Flamingos | Brokeback Mountain | The Hills Have Eyes |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"Mother's Day" is great. It works as a horror film, as an exploitation film, and as a satire. It's definitely one of those movies that doesn't seem to have the ability or care to decide on whether it's feminist or misogynistic, but it is a sleazy horror movie and that's where the fanbase for this cult favorite lies. Still, I'm part of this film's following, and that means I like sleazy horror movies that are done right. So many lump things together in these black-and-white perspectives. If it's a sleazy horror movie, it seems that nothing good can be said about it unless it's an overrated bandwagon movie like "TCM". In this, we do have killer rednecks, but that doesn't make it a rip-off of "TCM". These people seem to have more in common with the guys from "Deliverance" than the guys in "TCM", and that's just one of the many differences. As many people have already said, this is about some pretty women camping in the wrong woods before getting abducted by some psychos who are following the orders of their wacked-out mother. The two brothers are amoral rapists/killers who know only what their demented mom and TV have taught them. The mother is possessive and domineering, making sure that she manipulates her already screwed-up kids into never leaving her side. They live in a run-down house in the woods, where the mother teaches them the ways of a "respectable life", which, in her twisted mind, is rape, torture, and murder. This is a deceptive movie because there is some important social commentary going on here, no matter how gory and sleazy the excesses that eclipse such commentaries are. TV serves as these people's window to the world. There is almost always a TV heard going in the background of an environment where a madwoman has been sheltering her children, who have been raised by her to her sick specifications. I was expecting to see plenty of reviews with people calling this a "TCM" rip-off/piece of trash, etc., etc., and my expectations were rightful ones. But what a sorry state things are in when people judge a movie by how little a budget could possibly be afforded by the filmmakers, the name of the production company on the box, or the very basic similarities it has to inferior and less thought-out moneymakers like "TCM". Even as derivative as movies like "House of 1,000 Corpses" are, that movie itself even had more brains than the original "TCM". I hate to burst a lot of people's bubbles, but Tobe Hooper's big, little movie was not the first movie (or even the first horror movie) about killer rednecks. Also, it has been said that "TCM 2" ripped off ideas from "Mother's Day"! "Mother's Day" has more going for it than any of the "Texas Chainsaw" movies I've seen. It may be trashy, but it's well-done trash. The acting is excellent, and it amazes me how many people will trash on good actors when the movie doesn't have a great reputation. I may sound pretty agitated, but that would be fitting because this kind of small-mindedness does agitate me. I understand that everyone should have their own tastes, but if you're going to trash on a movie's reputation, you might as well do it for the right reasons. I would give this no less than a 9 out of a scale of 1 to 10.