Based on the Ed Gein case, a deranged rural farmer becomes a grave robber and murderer after the death of his possessive mother, whose corpse he keeps (among others) as his companion in a decaying farmhouse.
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters...to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left. Written by
Scott Lane <email@example.com>
The films opening title image is the neon "Motel Hello" sign with the "O" burned out. During the closing credits the entire sign is shown burning out and finally exploding after the credits end. See more »
Kevin Connor's "Motel Hell" is a tremendously fun and engaging horror comedy, impossible not to love in my humble opinion. Right from the opening sequences, the film sells itself as a light-headed and blackly humorous gem that spoofs some of the genre's biggest classics without ever disrespecting them. The references towards milestones like "Psycho" and "The Texas Chainsaw Massacre" are obvious but, unlike many haters of "Motel Hell" claim, this is certainly not a rip off! I don't think you can compare the clearly humorous premise of this film, which handles about cultivating human beings to mix the meat with pork, with dead serious stories like the above mentioned "Psycho" or "TCM". Rory Calhoun, usually a western star, is terrifically cast as the traditional and likable Farmer Vincent who's a local demigod in his county, thanks to his uniquely flavored, homemade smoked ham recipe. Of course, nobody knows that Vincent and his sister Ida are totally insane and extract their secret ingredients from nothing less than people, who they "plant" in their garden. This simply is campy entertainment, very tongue-in-cheek, fast-paced and with a couple of adorably gross make-up effects. Connor's directing is solid and he makes excellent use of the typically eerie "redneck" stereotypes, such as the clumsy sheriff and the barbaric farmers. The chainsaw-battle sequence during the finale is a real hoot. Highly recommended for horror fans who don't take themselves too seriously.
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