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Death Watch (1980)

La mort en direct (original title)
PG | | Drama, Sci-Fi | April 1982 (USA)
Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run ... See full summary »

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(novel), | 2 more credits »
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Cast

Cast overview, first billed only:
...
...
...
Thérèse Liotard ...
Tracey
...
Gerald Mortenhoe (as Max Von Sydow)
Caroline Langrishe ...
Girl in the Bar
William Russell ...
Dr.Mason (as William Russel)
Vadim Glowna ...
Harry Graves
Eva Maria Meineke ...
Dr.Klausen
Bernhard Wicki ...
Katherine's Dad (as Bernard Wicki)
Freddie Boardley ...
Technician
...
Limosine driver
Julian Hough ...
Young doctor
Peter Kelly ...
Technician
Boyd Nelson ...
Policeman
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Storyline

Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run on the popular TV series, "Death Watch"... Written by Philip Brubaker <coda@nando.net>

Plot Summary | Add Synopsis

Taglines:

She's the target of every eye...including eyes only science could create.

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

| |

Release Date:

April 1982 (USA)  »

Also Known As:

Death Watch  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Bertrand Tavernier, the young boy playing football in the park sequence is David, Romy Schneider's son, who died by accident a couple of years later. See more »

Quotes

Vincent Ferriman: Look how shy we've become about death. It's the new pornography.
See more »

Crazy Credits

Harvey Keitel wears a Seiko watch. See more »

Connections

References The Incredible Shrinking Man (1957) See more »

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User Reviews

 
sci-fi without the hardware
13 November 2010 | by (United States) – See all my reviews

Science fiction films in recent years have been noticeably lacking both credible science and original fiction, but this multi-national production is a startling exception, presenting a complex tale of emotional manipulation that engages the imagination without the crutch of special effects. The intriguing plot, set in a recognizable near future where medical advances have completely eliminated the threat of natural death, follows a young volunteer (Harvey Keitel) who after having experimental micro-cameras implanted into his eyes agrees to follow a woman known to have a rare, incurable disease, in order to record on video her final days for the entertainment of a desensitized and nostalgic TV audience. Despite the morbid premise (anticipating by two decades the current glut of tacky, ersatz 'reality TV' programming) it's a surprisingly life-affirming movie, maintaining a mood of cautious optimism even while prophesying dark days just around the corner.


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