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Death Watch (1980)

La mort en direct (original title)
PG | | Drama, Sci-Fi | April 1982 (USA)
Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run ... See full summary »

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(novel), | 2 more credits »
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1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Thérèse Liotard ...
Tracey
...
Gerald Mortenhoe (as Max Von Sydow)
Caroline Langrishe ...
Girl in the Bar
William Russell ...
Dr.Mason (as William Russel)
Vadim Glowna ...
Harry Graves
Eva Maria Meineke ...
Dr.Klausen
Bernhard Wicki ...
Katherine's Dad (as Bernard Wicki)
Freddie Boardley ...
Technician
...
Limosine driver
Julian Hough ...
Young doctor
Peter Kelly ...
Technician
Boyd Nelson ...
Policeman
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Storyline

Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run on the popular TV series, "Death Watch"... Written by Philip Brubaker <coda@nando.net>

Plot Summary | Add Synopsis

Taglines:

She's the target of every eye...including eyes only science could create.

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

| |

Release Date:

April 1982 (USA)  »

Also Known As:

Death Watch  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is Robbie Coltrane's first motion picture. See more »

Quotes

Katherine Mortenhoe: Everything's of interest, but nothing matters.
See more »

Crazy Credits

Harvey Keitel wears a Seiko watch. See more »

Connections

References X: The Man with the X-Ray Eyes (1963) See more »

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User Reviews

cult movie shot in Glasgow- Scotland in 1979
9 March 2001 | by See all my reviews

This film was shot in my home town, Glasgow, in 1979. Since then it has rarely been seen and indeed I only saw it myself for the first time this year. Our local arthouse cinema, the Glasgow Film Theatre, screened a one off presentation of what was alleged to be the last print in existence. Though the print itself was old and worn the film blew me away with its futuristic storyline, fantastic cast and phenomenal locations. It captures Glasgow as it was in the late 70's just before a period of great changes in the landscape of the city. Tavernier skillfully uses an environment that is full of eery imagery - graveyards, cranes and an industrial landscape that is grinding to a halt. The film also depicts a society fascinated with death. Harvey Keitel is excellent as the human camera that allows society the ultimate act of voyeurism - watching someone die on TV. Awesome. Someone, somewhere please commission


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