Three refugees become sworn brothers during a war. One (Kuo Chui/Philip Kwok) works in a whore house, one (Chiang Sheng) in a gambling house, and the other (Lo Mang) in a martial arts ... See full summary »
A rich young man seeks to make a name for himself by being the one to discover a lost treasure. He teams up with a streetwise kung-fu artist and together, they set out to not only find the ... See full summary »
Hung escapes Shaolin after the temple is attacked by the Ching, only to be jailed with the help of Fang (also of Shoalin) who mistakes him for a bandit. Fang must now help Hung escape so they can challenge the Ching together.
Continues the story of the sentimental swordsman three years after the events in the last film. This time the story is more melancholy and thoughtful which is a surprise for a Yuen Chor directed film. The swordsman, played by Ti Lung, is a depressed alcoholic who finds himself pulled back into the intrigues of the martial world against his will.
The "martial world" is an odd genre, sort of like a western but with almost no interaction with regular society. Imagine a Hollywood western where nearly everyone is a crack shot and spending all their time dueling each other. Even samurai dramas will spend some time with other concerns but martial world dramas are almost non-stop fighters sparring with each other or preparing to fight each other. And there are frequently dozens of characters to keep track of. Most of these films are based on published novels so the original audience had a head start. Once you are prepared for this kind of film then it'll be easier to enjoy.
This film revolves around the turmoil of the sentimental swordsman with about six other main characters to follow which is less than the usual martial world film. There's some good melodrama as a number of the characters are actually concerned about something emotional other than who is the best martial artist. There is an amount of Chinese philosophy quoted which is interesting to hear.
The photography is excellent as well as the set design which is good since 95% of the film is on sets. The music sounds a lot like Akira Ikufube (Gojira, Zatoichi) but since there is a music credit I guess it wasn't lifted. The fight scenes are very theatrical but enjoyable.
Recommended for the Shaw fan.
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