A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and ... See full summary »
Slightly traumatized and painfully shy Angela Baker is sent away to summer camp with her cousin. Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.
Frank misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna takes a picture of him in the park, and he pursues and befriends her. Is she the one he's been looking for or just another mommy wanna be? Written by
Ed Sutton <email@example.com>
The original budget of the movie was $48,000 in cash. $6,000 of which came from Joe Spinell which was part of his $10,000 salary from the movie Cruising (1980) that he recently completed before filming began. $12,000 came from Andrew W. Garroni and the rest ($30,000) came from William Lustig which was from their profits in the adult film business. The three of them put all that money into a stock market account and the amount grew to $135,000 as production continued. It was British producer Judd Hamilton who came up with the rest of the money (around $200,000) to complete the movie as part of a condition that his then-wife, 'Caroline Munroe', would be cast as the heroine. See more »
When Frank slits the woman's throat on the beach, the knife makes no contact with the throat, even though blood spurts forth from the wound. See more »
I told you not to go out tonight didn't I? Every time you go out this kind of thing happens.
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As a child, Momma was a mean hooker who used to lock him in the closet while she turned tricks. She loved those men and their money more than she ever did her own son. How's a sweet & innocent child to recover?
Kill em all!! That's how!!
As an adult, Frank Zito now wanders the lonely streets of New York nightly, looking out for his next victim. Whether it' a hooker, a cheating spouse, a snooty model, or just someone out and about in the late night hour, Frank's M.O. is always the same : Kill em, Scalp em, take their head of hair home, and nail it onto one of the several female mannequins around his scummy apartment.
Good boy Frank!
Now Frankie doesn't have to be lonely anymore. He has a department store full of victims around his apartment, all to himself! They will never leave, and will be kept always by Frank.
This guy has a lot of heart, and it shows.
Maniac isn't the fastest paced movie, but it has some of the most awesome graphic violence that 80's horror produced (thank you Tom Savini!). The late Joe Spinell (who also co-wrote) is simply irresistible as Frank Zito. He's terrifying, childish, maniacal, and downright lovable as the crazed New York madman.
Maniac is gritty, dark, horrifying, and directed in many parts as a "documentary" film, allowing the viewer to see things through Franks eyes. You feel like your right along for the ride with this fine gent!
It's a beauty of a horror film, one not to be forgotten after the credits roll.
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