A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and ... See full summary »
Slightly traumatized and painfully shy Angela Baker is sent away to summer camp with her cousin. Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.
Frank misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna takes a picture of him in the park, and he pursues and befriends her. Is she the one he's been looking for or just another mommy wanna be? Written by
Ed Sutton <email@example.com>
The 1970s dark blue Buick Electra car that is driven by the killer was owned at the time by director William Lustig which was purchased from a used car lot for $200. The car was permanently damaged late in filming when a camera mount set up by the crew to film a scene with Frank and Anna in the car inadvertently damaged the stirring wheel mechanism wire which forced Lustig to get rid of the car which became impossible to steer afterwords. See more »
When the prostitute is describing her services to Frank, she says "For 75, I'll take you around the world." But her mouth don't match what she's saying. See more »
How come all your models are women?
Well, it's just something I'm interested in, as a woman. In fact, this is my fourth series. It's called "Women Form". Not very original is it?
Well, it's not the title that matters that much.
No, I guess not.
Do you get to keep them all?
I'm hoping to sell them.
I wouldn't. I'd keep them forever.
But why? Part of my profession is to sell photographs. It's not all for art's sake you know.
I know, but why do you take pictures of women this way?
I like to make ...
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Excellent make-up FX and claustrophobic atmosphere.
I'd first like to applaud Tom Savini for his work here; MANIAC contains some of the most realistic and unrestrained gore fx I've seen; possibly THE best up until the time of its release. Anyone who says that horror film make-up men (and women) don't deserve to be called artists is an idiot. Here you get explicitly bloody murders and scalpings, plus a show-stopper head-being-blown-off-with-shotgun murder and a man being ripped apart nightmare and it all looks pretty damn convincing to me.
Aside from the effects, director William Lustig does an OK job with color schemes (especially considering the budget) and the grimy, sleazy underbelly of New York is brilliantly exploited to give this film a truly nihilistic and seedy feel. The film itself, I thought, was scary, disturbing, intense and even suspenseful in parts (the subway sequence was especially well handled), which is how it should be. Reliable character actor Joe Spinell (from TAXI DRIVER, THE GODFATHER, etc.) also offers an effective performance as the sweaty, overweight, emotionally- scarred killer.
On the down side, a plot would have been nice and it's unforgivable to waste British actress Caroline Munro on such a poorly scripted nothing role. Her beauty, charm and smile light up the screen and could have been better harnessed to counteract the ugliness on hand. Anyway, the film at least provokes some kind of reaction from its audience. Seeing a few of my squeamish female friends appalled and horrified by the film made it well worth the watch to me!
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