A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Frank misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna takes a picture of him in the park, and he pursues and befriends her. Is she the one he's been looking for or just another mommy wanna be? Written by
Ed Sutton <email@example.com>
The original budget of the movie was $48,000 in cash. $6,000 of which came from Joe Spinell which was part of his $10,000 salary from the movie Cruising (1980) that he recently completed before filming began. $12,000 came from Andrew W. Garroni and the rest ($30,000) came from William Lustig which was from their profits in the adult film business. The three of them put all that money into a stock market account and the amount grew to $135,000 as production continued. It was British producer Judd Hamilton who came up with the rest of the money (around $200,000) to complete the movie as part of a condition that his then-wife, 'Caroline Munroe', would be cast as the heroine. See more »
When the prostitute is describing her services to Frank, she says "For 75, I'll take you around the world." But her mouth don't match what she's saying. See more »
This has got to stop. It's silly, and it's not getting us anywhere. You think they don't know. They do. I heard it and I know. They all know, and I don't like it anymore. But you don't listen do you. It's got to stop. Oh, you're right about them, all of them. They're all the same. I know what they're like. Just because I can't do the things you do doesn't mean I don't see it all the same. "Fancy shmansy," and what are we supposed to do? Sit and smile and say "yes Miss, no miss, not ...
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Maniac is one of those hard to define flicks. Although, it would seem easy to lump this into one category because of the subject matter, this is actually a hard movie to categorize. It is not really a horror film and not really a slasher. Sure, it has its typical slasher suspense scenes with the random girl running and hiding from the killer and the gory moments are all there, but, there is something about this movie that separates itself from most of the others of its genre. This, in my opinion, is typical of Tom Savini special effects flicks from the early 80's. The grittiness, disturbing nature of most of those films will never be duplicated. And I am not talking about flicks like "Creepshow" or "Day of the Dead" (although, that one is disturbing), I am talking about films like "Friday the 13th", "The Prowler", "The Burning", and "Nightmare in a Damaged Brain" (even though Savini said he never worked on that flick it certainly looks like his style).
Maniac is simply about a man named Frank (played very well by actor Joe Spinell) who was tormented by his mother when he was very young. As a result of this, he grew up to be a sick person who murders woman, scalps them, and uses their hair to nail on to a collection of mannequins. He ends up falling in love with a woman named Anna (Caroline Munro), and when he sees her he seems to be a normal fellow. This all leads up to an interesting climax.
Now, the storyline is rather simple but the movie is suspenseful enough to hold your interest. I will admit, the first 40 minutes were a bit slow, but once when the story starts going more into Franks behavior when he is by himself and then when he acts towards Anna, things start picking up.
Of course, Savini's gore scenes are excellent just like the rest of his stuff. We get to see Savini in the movie himself in a rather famous scene where he gets his brains splattered all over the inside of a car. Though, as a gore fan myself, this is definitely not the goriest flick I have seen. But after listening to the cast and director talk about the movie, I don't think it was meant to be. Joe Spinell himself said that the flick wasn't as violent as a Hershell Gordan Lewis film but was meant to be more realistic and shocking. So, when watching this movie it is important to know this instead of going into the movie expecting a real gore-fest.
I enjoyed this movie, but that is just me. Many people don't like this movie, but if you haven't seen it yet this is for you to decide. I just hope this review helps out. 7/10
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