A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
Frank Zito misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna D'Antoni takes a picture of him in the park, and he pursues and befriends her. Is she the one he has been looking for or just another mother wannabe? Written by
Ed Sutton <email@example.com>
Director William Lustig stated that co-writer and star Joe Spinell had to prepare for the lead villain role of New York serial killer Frank Zito by doing research on real life serial killers such as Ted Bundy, John Wayne Gacy, David 'Son of Sam' Berkowitz, and others as well as he went to strange excite places to really get into the role. Also, Lustig stated that there was even a real murder of a prostitute in the same hotel (the Hotel St. James) where they were filming Joe as Frank's scene killing a prostitute around the same time and the real life killer was never caught. People dressed up fake mannequins with the victims clothes to see if they can identify them as well what the character Frank does in the movie with his victims. See more »
The nurse is supposedly alone in the subway station, but during one shot (from inside the subway train as it pulls away) we can see several people walking about on the platform; they all disappear in the next shot. See more »
How come all your models are women?
Well, it's just something I'm interested in, as a woman. In fact, this is my fourth series. It's called "Women Form". Not very original is it?
Well, it's not the title that matters that much.
No, I guess not.
Do you get to keep them all?
I'm hoping to sell them.
I wouldn't. I'd keep them forever.
But why? Part of my profession is to sell photographs. It's not all for art's sake you know.
I know, but why do you take pictures of women this way?
I like to make ...
[...] See more »
As a child, Momma was a mean hooker who used to lock him in the closet while she turned tricks. She loved those men and their money more than she ever did her own son. How's a sweet & innocent child to recover?
Kill em all!! That's how!!
As an adult, Frank Zito now wanders the lonely streets of New York nightly, looking out for his next victim. Whether it' a hooker, a cheating spouse, a snooty model, or just someone out and about in the late night hour, Frank's M.O. is always the same : Kill em, Scalp em, take their head of hair home, and nail it onto one of the several female mannequins around his scummy apartment.
Good boy Frank!
Now Frankie doesn't have to be lonely anymore. He has a department store full of victims around his apartment, all to himself! They will never leave, and will be kept always by Frank.
This guy has a lot of heart, and it shows.
Maniac isn't the fastest paced movie, but it has some of the most awesome graphic violence that 80's horror produced (thank you Tom Savini!). The late Joe Spinell (who also co-wrote) is simply irresistible as Frank Zito. He's terrifying, childish, maniacal, and downright lovable as the crazed New York madman.
Maniac is gritty, dark, horrifying, and directed in many parts as a "documentary" film, allowing the viewer to see things through Franks eyes. You feel like your right along for the ride with this fine gent!
It's a beauty of a horror film, one not to be forgotten after the credits roll.
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