A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a ... See full summary »
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
Frank misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna takes a picture of him in the park, and he pursues and befriends her. Is she the one he's been looking for or just another mommy wanna be? Written by
Ed Sutton <email@example.com>
Gene Siskel was so disgusted by the infamous "shotgun head explosion" scene that he walked out of the movie, saying on his TV show with Roger Ebert that the film could not redeem itself after the ultra-violence that he had seen. See more »
The nurse is supposedly alone in the subway station, but during one shot (from inside the subway train as it pulls away) we can see several people walking about on the platform. See more »
How come all your models are women?
Well, it's just something I'm interested in, as a woman. In fact, this is my fourth series. It's called "Women Form". Not very original is it?
Well, it's not the title that matters that much.
No, I guess not.
Do you get to keep them all?
I'm hoping to sell them.
I wouldn't. I'd keep them forever.
But why? Part of my profession is to sell photographs. It's not all for art's sake you know.
I know, but why do you take pictures of women this way?
I like to make ...
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William Lustig's MANIAC wasn't a critical hit in 1980, but it garnered the attention of horror fans in its gory homicidal story. It was a low-budget film with some disturbing violence which many people deemed misogynist (TOTAL BULLS**T) because he kills off women here. It's good to notice two of the best murders happen to the fellas too (Tom Savini gets it the worst obviously). But that aside, MANIAC is neither the best horror film of all time or most enjoyable, but damn is it intense.
Joe Spinell is absolutely strong in his portrayal of Frank Zito, a real man who has a nasty habit of slaughtering random individuals, mostly female ones so he can dress up mannequins with their scalped hair and clothes. This guy isn't Michael or Jason: when he bleeds, he feels pain. And because he feels guilty a bit over the tragic death of his abusive mother, he feels the urge to murder. Frank falls in love with Anna (Caroline Munro), a photographer who is unaware of Frank's dirty deeds, until Frank sets his unrested demon upon her in the end. The ending is bizarre, and the love story subplot feels a tad unsuitable (although the restaurant scene sets up some exposition, including the knowledge of Frank's mom being killed in an auto wreck). But when the gory carnage sets in, its realistic and graphic. Most other gore flicks seem timid.
The DVD version from ANCHOR BAY is a keeper, with audio commentary, a documentary on the late Spinell, the obligatory trailers/TV ads, a radio interview pitting the Spinell, Lustig and Munro against a DJ who roasts the film despite not seeing it, and some more angry comments from the critics in a "Gallery of Outrage". Tin box version contains the moody and effective Jay Chattaway film score on CD.
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