A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
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The members of an expedition in search for the last faithful of Kito, the cannibal god, land on a small island in the Moluccas (East Indies) and are soon hunted by cannibals and zombies, ... See full summary »
Alexandra Delli Colli,
A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A psychotic redneck who owns a dilapidated hotel in rural East Texas kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
One of the less gruesome cannibal tales. A woman is searching for her missing sister and she finds hope in the folly of a dead hit-man who has a film on him. The film shows some sadistic torture and a brief cameo by her sister taken by a documentary film crew who obviously didn't make it out. She then leaves for the jungle joined by cannibal film regular Robert Kerman (playing Mark Butler), where they meet up with the standard Cannibal tribe and a Jim Jones like cult leader. Of course escape is next to impossible with the always-hungry cannibals waiting them out and the crazy followers of the suicide cult leader ready to eat them on command. Written by
Sujit R. Varma
The antagonist character of Jonas, and his commune and of the climatic mass suicide, was inspired by the Jim Jones People's Temple cult in Guyana who committed mass suicide in November 1978 resulting in the deaths of over 900 people. See more »
Although this movie is set in New Guinea, you can see several animals like Green Iguanas and Macaws that only live in South and Central America. See more »
Look lady, this part of the world is known for two things: crazy religions, and the clap.
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This is not so much a film as it is a clip-show "best of" reel with about 60 minutes of original footage to fill in the gaps. Most of this film was shot in Sri Lanka with a few (quite obvious) sections shot in southern Italy and a few completely gratuitous New York scenes thrown in to try to pass the film off as American. Mel Ferrer makes a completely pointless cameo appearance as a professor who gets to interact with two porn actors playing cops (the poor guy!).
Lenzi is usually a great director, but he clearly was not on his A-game with this Cannibal turkey. Not one scene goes by without something completely laughable happening. I'll give you a few examples.
A) one scene showing Mel Ferrer entering a police station features his voice dubbed by another actor! Ferrer then can be heard with his actual voice moments later! B) Ferrer's audio is quite obviously recorded practically, while the other actors in the scene with him are dubbed. Jarringly obvious shift in quality.
C) shamelessly over-acting police-man saying "WHAT?".
D) a scene where a Sri Lankan (well this movie takes place in New Guinea though these people don't look it at all) allows an alligator to effortlessly chomp his dangling arm off. This scene gets double the embarrassment for actually being culled from another movie! E) when the actors "interact" with the Animal cruelty scenes, it's all just close-ups of them reacting intercut with shots from a different film with different filmstock.
F) When Kerman throws a spear at a native (haphazardly), it clumsily falls sideways into the dirt. The next shot shows a screaming native with a spear sticking out of his chest! G) One of the Sri Lankan helicopter pilots (who is dubbed, even) blows his line and they left it in! H) Kerman nonchalantly knocks Agren out with a punch so she doesn't see a gory evisceration.
I) whopping continuity error involving a character's body parts magically reattaching after they were eaten.
J) said scene includes a woman missing her right leg, with a native seen nearby eating a leg... but with a LEFT foot attached to it! Seriously! The list goes on and on. This film is so riotously daft, yet oddly competent in its staging and cinematography, that it's totally unique in the annals of film. The only other film coming close to the lunacy of this is Lenzi's NIGHTMARE CITY which was far more respectable.
This film, at least, is never boring and very accessible to those unfamiliar with bad Italian cinema. Personally I find it funnier than most intentional comedies, which is why it gets such a high rating from me. Whether Lenzi had this in mind or was seriously trying to make a good film is anyone's guess.
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