Directed by
| John Honey | ||
Writing Credits
| Ken Kelso | ... | (screenplay) |
| Beth Roberts | ... | (novel) |
Cast (in credits order) complete, awaiting verification
Produced by
| Gilda Baracchi | ... | producer |
| Gil Brealey | ... | executive producer |
| Malcolm Smith | ... | executive producer |
Music by
| Peter Sculthorpe | ||
Cinematography by
| Gary Hansen | ||
Editing by
| Mike Woolveridge | ||
Production Design by
| Neil Angwin | ||
Costume Design by
| Graham Purcell | ||
Production Management
| Pamela H. Vanneck | ... | production manager |
Second Unit Director or Assistant Director
| Daphne Crooks | ... | second assistant director |
| Ross Hamilton | ... | second assistant director |
| Robert Hynard | ... | first assistant director |
Art Department
| Jon Bowling | ... | construction manager (as John Bowling) |
| Harry Zettel | ... | stand-by props |
Sound Department
| Peter Burgess | ... | sound editor |
| David Cooper | ... | boom operator |
| Gethin Creagh | ... | re-recording mixer |
| Peter Fenton | ... | sound mixer |
| John Schiefelbein | ... | sound recordist |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Gary Clements | ... | grip |
| Jacquie Gardner | ... | still photographer |
| Reg Garside | ... | best boy |
| John Jastukowicz | ... | assistant grip |
| Noel McDonald | ... | key grip |
| Mick Morris | ... | gaffer |
| Paul Murphy | ... | focus puller |
| Gerald Thompson | ... | clapper loader |
Editorial Department
| Margaret Cardin | ... | negative matcher |
| Posie Graeme-Evans | ... | assistant editor (as Posy Jacobs) |
Script and Continuity Department
| John Honey | ... | script editor |
| Linda Ray | ... | continuity |
Additional Crew
| Joan McIntosh | ... | production accountant (as Joan MacIntosh) |
| François Vila | ... | press agent |
| Carol Williams | ... | production coordinator |
