6.4/10
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13 user 4 critic

The Man with Bogart's Face (1980)

A man with a fixation on Humphrey Bogart gets plastic surgery to make him look exactly like Bogart. Then he changes his name to Sam Marlowe (after Sam Spade and Phillip Marlowe, two of ... See full summary »

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(novel), (screenplay)
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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Sacchi ...
...
Hakim
...
Gena
...
Elsa
Misty Rowe ...
Duchess
...
Commodore Anastas
...
Mr. Zebra
...
Cynthia
...
Lt. Bumbera (as Dick Bakalyan)
...
Sgt. Hacksaw
Jay Robinson ...
Wolf / Zinderneuf
...
Petey Cane
...
Teresa Anastas
...
Himself
...
Mr. Chevalier
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Storyline

A man with a fixation on Humphrey Bogart gets plastic surgery to make him look exactly like Bogart. Then he changes his name to Sam Marlowe (after Sam Spade and Phillip Marlowe, two of Bogart's most famous characters), hires a ditzy blonde secretary, and opens up a detective agency. His first case is one that would do Bogie proud... Written by Afterburner <aburner@erols.com>

Plot Summary | Add Synopsis

Taglines:

The face may be familiar. The mystery is brand new. See more »

Genres:

Comedy | Crime | Mystery

Certificate:

PG | See all certifications »
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Details

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Language:

Release Date:

28 May 1980 (France)  »

Also Known As:

Sam Marlow, Private Eye  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Yvonne De Carlo appears as Teresa Anastas but has no lines. She never worked with Humphrey Bogart. See more »

Quotes

[last lines]
Sam Marlow: Well, here's looking at you, kid.
See more »

Connections

References The Lady from Shanghai (1947) See more »

Soundtracks

The Man with Bogart's Face
Music by George Duning
Lyrics by Andrew J. Fenady
Sung by Armando Compean (as Armando Compeán) during the opening credits
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User Reviews

 
Man with Bogart's Face without Bogart's Charisma or Style
2 June 2000 | by (The Land of Mortis) – See all my reviews

The Man with Bogart's Face sets it self up to mine the viewers nostalgia for the late 30's-late 40's film era. It fails miserably for several reasons. First, Sacchi, while looking reasonably like Bogart and even speaking like him on occassion and using his mannerisms, completely lacks any of Bogart's charisma or acting ability. This is really apparent whenever Sacchi is not clearly imitating a scene from one of Bogart's films. Second, the film does not have the first rate character actors Bogart was able to work with. There are no Peter Lorre's or Sydney Greenstreet's in this one, folks. Sure we are treated to performances by Victor Buaeno, Olivia Hussey and George Raft amongst others, but they just aren't of the same caliber (or aren't given enough screen time or are miscast). Third, the attempts at "modern" humor all fall through. All of the underwear jokes, having Marlowe almost *never* remove that damn hat and trench coat (even though Bogart would have), etc. just aren't funny and really pull down this film. Fourth, I've never heard a goofier theme song this side of Mitchell. Finally, the film's false reverence for Bogart (and other classic actors work) is truly irritating. Bogart almost *never* played a straight hero, on those occasions he was a hero. He played complicated characters. This movie makes Bogart out to be a trigger-happy, moralistic do-gooder. While this may have been true about some film characters, Bogart's characters rarely fit that bill. It's movies like this that make people unexposed to the cinema of the past think that all of it is hokey, "good guy beats the bad guys and gets the girl" crap with low production values.


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