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Contraband (1980)

Luca il contrabbandiere (original title)
Unrated | | Action, Crime, Drama | 8 August 1980 (Italy)
Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler. Full of violence, including a women's face being burned off with a blow torch and a... See full summary »

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(screenplay), (story) | 4 more credits »
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Cast

Cast overview, first billed only:
...
Ivana Monti ...
Adele Di Angelo
...
Saverio Marconi ...
Luigi Perlante
Enrico Maisto ...
Mickey Di Angelo
Ferdinando Murolo ...
Scherino
Fabrizio Jovine ...
Chief of Police
...
Prosecutor
Guido Alberti ...
Don Morrone
Giordano Falzoni ...
Charlie
Giulio Farnese ...
Alfredo
Ofelia Meyer ...
Ingrid
Tommaso Palladino ...
Capece
...
Captain Tarantino
...
Luisa
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Storyline

Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler. Full of violence, including a women's face being burned off with a blow torch and a graphic rape scene. Written by Humberto Amador

Plot Summary | Plot Synopsis


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Unrated | See all certifications »

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Details

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Release Date:

8 August 1980 (Italy)  »

Also Known As:

Contraband  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

When Ingrid is first seen she clearly has red nail varnish, but when she reaches into her underwear for the drug lipstick, she has clear nail varnish. See more »

Connections

Referenced in Paura: Lucio Fulci Remembered - Volume 1 (2008) See more »

Frequently Asked Questions

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User Reviews

 
A vendetta of blood and guts.
8 March 2008 | by See all my reviews

Here's another one outside the horror genre for director Lucio Fulci. He crafts a brutally biting, if disjointed Italian crime melodrama that serves to make you squirm in it gratuitous acts of extremely depraved violence and sleaziness. Fulci definitely left his calling card on this one, with many unforgettably unflinching nasty moments (like an uncomfortable face-melting scene). The superfluous gore and mean-spirited nature is great, but a lack of any real tension-building does hurt it. The twisty story is frank and unspectacular even with its shifty chain of bleak events and the script is weakly penned (the unsuitable humour when included falling flat), but being broken up by its impulsively vivid action stunts (nice use of slow-motion too) and gorgeous Naples' backdrop, leaves quite a hypnotic imprint. Sergio Salvati's brashly sharp and tight camera-work, interlocks with Fulci's kinetic visual bursts and rounding it off nicely is composer Fabio Frizzi's ever-changing, saucy music score that doesn't lye down. Performances are workably tailored. There's a humanely chiselled and honest performance by Fabio Testi. Marcel Bozuffi makes for a great smarmy, calculating French Mafia Don trying to take over Testi's character's turf. Ivana Monti, Ferdinand Murolo, Saverio Marconi and Guido Alberti provide able support. Quite an edgy, blunt and vicious crime joint that basically gets it kicks off its effectively rousing, if scandalous violence than anything more.


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