Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler. Full of violence, including a women's face being burned off with a blow torch and a...
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A young man, armed with a magical bow and arrows, embarks on a mystical journey through a mystical land to rid it of all evil and joins forces with an outlaw to take down an evil witch bent on claiming the magic bow for evil.
Conrado San Martín
In 2072 Rome, Italy, the ruthless CEO of a TV network plots to stage a modern series of gladiator games for ratings while one 'contenstant' learns of a conspiracy behind the true nature of the results.
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth ... See full summary »
Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler. Full of violence, including a women's face being burned off with a blow torch and a graphic rape scene. Written by
Here's another one outside the horror genre for director Lucio Fulci. He crafts a brutally biting, if disjointed Italian crime melodrama that serves to make you squirm in it gratuitous acts of extremely depraved violence and sleaziness. Fulci definitely left his calling card on this one, with many unforgettably unflinching nasty moments (like an uncomfortable face-melting scene). The superfluous gore and mean-spirited nature is great, but a lack of any real tension-building does hurt it. The twisty story is frank and unspectacular even with its shifty chain of bleak events and the script is weakly penned (the unsuitable humour when included falling flat), but being broken up by its impulsively vivid action stunts (nice use of slow-motion too) and gorgeous Naples' backdrop, leaves quite a hypnotic imprint. Sergio Salvati's brashly sharp and tight camera-work, interlocks with Fulci's kinetic visual bursts and rounding it off nicely is composer Fabio Frizzi's ever-changing, saucy music score that doesn't lye down. Performances are workably tailored. There's a humanely chiselled and honest performance by Fabio Testi. Marcel Bozuffi makes for a great smarmy, calculating French Mafia Don trying to take over Testi's character's turf. Ivana Monti, Ferdinand Murolo, Saverio Marconi and Guido Alberti provide able support. Quite an edgy, blunt and vicious crime joint that basically gets it kicks off its effectively rousing, if scandalous violence than anything more.
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