A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up ... See full summary »
"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the ... See full summary »
Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
The origins, exploits and the ultimate fate of the Jesse James gang is told in a sympathetic portrayal of the bank robbers made up of brothers who begin their legendary bank raids because of of revenge. Written by
Keith Loh <firstname.lastname@example.org>
The roles of Jesse James and his son, little Jesse, are played by father and son, James and Kalen Keach. See more »
The guitarist in the bordello is asked to sing "I'm a good ole rebel". The song was only copyrighted in 1915. Although it is possible that it was known in the period portrayed (early 1870s), it is unlikely that it would be so widely known that the performer would have been able to play it from memory. If so, it would beg the question why the author had not copyrighted. See more »
[Rixley is trying to get Ed Miller to inform on the James/Younger gang]
Let me tell you one damn thing. I turn 'em in and I'm gonna get killed by one of their relatives sure as hell. Now I got six months to go here for bustin' up a place drunk, so I'll just take my chances, all right? Besides, Jesse just might change his mind, and he pays better wages than you do, Pinkerton Man.
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Much attention is given to the unique casting of this movie, but what drew me to it was the music. I've been a bluegrass and mountain music fan and performer for decades, and was told before the film was released to listen for the music. Not only is it very period accurate in terms of how it's played and on what instruments, but even the dancing has not been "hollywood-ized". There is actually some real "flat footing" going on to "Jack of Diamonds" which is a rural Southern dance that not many people in Hollywood would recognize - sort of an antecedent to porch dancing, or (dare I say it) "clogging". This is one of those movies like "Jeremiah Johnson" and "Oh, Brother" where it's worth the price of admission just to hear some very accurately portrayed period music. Music played a very vital role in the lives of men and women of the West and South in this time period, and there were no radios, so it was all done live, either in churches or (more secularly) for the purpose of dancing, and the movie reflects that. Hollywood gets 'Old West' and "Southern" music wrong so often this movie stands out by contrast.
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