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The Long Good Friday (1980)

 -  Crime | Drama | Mystery  -  2 April 1982 (USA)
7.7
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Ratings: 7.7/10 from 11,906 users  
Reviews: 119 user | 68 critic

Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »

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Title: The Long Good Friday (1980)

The Long Good Friday (1980) on IMDb 7.7/10

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Nominated for 1 BAFTA Film Award. Another 3 wins. See more awards »

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Cast

Cast overview, first billed only:
...
...
Dave King ...
Parky
Bryan Marshall ...
Harris
Derek Thompson ...
Jeff
...
Charlie
...
Colin
Leo Dolan ...
Phil
...
Irish Youth
Patti Love ...
Carol Benson
...
Razors
Ruby Head ...
Harold's Mother
Charles Cork ...
Eric
Olivier Pierre ...
Chef
...
1st Irishman
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Storyline

Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his action, and Harold wants to know who they are. He finds out soon enough, and bloody mayhem ensues. Written by Marty Cassady <martyc@bev.net>

Plot Summary | Plot Synopsis

Taglines:

What should have been the greatest day of Harold's life suddenly becomes the longest. See more »


Certificate:

R | See all certifications »

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Details

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Release Date:

2 April 1982 (USA)  »

Also Known As:

A Sexta-Feira Mais Longa  »

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1.85 : 1
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Did You Know?

Trivia

The film was picked up by George Harrison's Handmade Films Ltd after being slated for a television release by ITC; upon viewing his newly-purchased production for the first time, Harrison said that he'd never have approved such a violent film had "Long Good Friday" began under Handmade. See more »

Goofs

In the last scene of the movie, Bob Hoskins gets into the left rear passenger seat of the car. When Pierce Brosnan pops up from the front passenger seat, he looks toward the vacant right rear passenger seat pointing his gun in that direction rather than at Hoskins. He continues looking in the wrong direction for the entire scene. See more »

Quotes

[first lines]
Colin: Two large Bushmills, please, darlin'.
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User Reviews

One of the finest British films ever made. No arguments, no excuses.
13 November 2001 | by (England) – See all my reviews

At the time of writing this, I've just been thoroughly impressed by a rare British TV screening of 'The Long Good Friday', a gripping, bleak and uncompromising study of a supposedly untouchable underworld kingpin whose organization collapses around his ears when a mystery adversary begins murdering his colleagues and blowing up his favourite haunts. Bob Hoskins is just incredible in this film. His performance sears the screen with its burning intensity. His character is undoubtedly a vile individual, but Hoskins employs so much depth and subtlety in his portrayal we actually find ourselves caring for him. The much-remarked-on final sequence is an absolute tour-de-force that takes your breath away. Doubtful whether any current director (let alone any current actor) would have the guts to even attempt something like that. Hoskins makes it all look so easy, the mark of a true professional. Be warned, however, that this is not a film for the faint-hearted, and the squeamish will most certainly wince more than once. The direction, editing, photography, soundtrack and acting are all top-notch, displaying a rare degree of outright quality that the British film industry rarely seems able to muster, for one reason or another. There's also some degree of fun to be had from spotting the familiar faces in the supporting cast - 'Charlie Fairhead' from Casualty, 'Denzil' from Only Fools and Horses, 'Terry' from Fawlty Towers, a couple of the sadistic warders from Alan Clarke's brutal borstal flick 'Scum' and a young Gillian Taylforth of Eastenders fame. I have one final comment to make regarding this movie. Guy Ritchie should be forced to watch this at least fifteen times in a row, in the vain hope that it teaches him something about the genre he idolizes but seems unable to make a decent job of depicting. Watch and learn, all you young 'mockney' pretenders, this film is the work of the masters.


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