Lightning Over Water (1980)

Directors:

Nicholas Ray
Wim Wenders

Writers:

Nicholas Ray (writer)
Wim Wenders (writer)

Release Date:

13 February 1981 (West Germany)

Genre:

Documentary | Drama

Plot:

Director Nicholas Ray is eager to complete a final film before his imminent death from cancer. Wim Wenders...

Plot Keywords:

Terminal Illness | Film Making | Video Footage | Avant Garde | Friendship

Awards:

1 win

Cast

Gerry Bamman	...	Himself
Ronee Blakley	...	Herself
Pierre Cottrell	...	Himself
Stefan Czapsky	...	Himself
Mitch Dubin	...	Himself
Tom Farrell	...	Himself
Becky Johnston	...	Herself
Tom Kaufman	...	Himself
Pat Kirck	...	Himself
Edward Lachman	...	Himself
Martin Müller	...	Himself
Craig Nelson	...	Himself
Nicholas Ray	...	Himself
Susan Ray	...	Herself
Timothy Ray	...	Himself
Martin Schäfer	...	Himself
Chris Sievernich	...	Himself
Wim Wenders	...	Himself

Also Known As:

Nick's Film - Lightning Over Water (West Germany)
Nicks Movie (West Germany)

Runtime:

91 min | USA:116 min (original version)

Country:

Sweden | West Germany

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

West Germany:12 | Brazil:12 | Australia:M | Finland:K-3 | Sweden:11

Filming Locations:

New York City, New York, USA

Company:

Road Movies Filmproduktion

Movie Connections:

Features We Can't Go Home Again (1976)

Soundtrack:

Lightning Over Water

not a simple film

Wenders gives the viewer the impression that this is a simple movie, but it is not. Fans of Wenders will recognize director Nicholas Ray's apartment as a location for the film, American Friend. But not only is Ray simply dying, he dies, and the "documentary" has to change, and so it does, with grace, pain, uncertainty, and a host of other emotions and observations. The music, much of it featuring Ronee Blakley, doing what sounds like an attempt at light punk rock and country-folk rock, with a definite Patti Smith influence, is very effective. Like every film I have seen by Wenders, it looks beautiful and often unusual, and the pacing is leisurely, and by Hollywood standards, slow. However, anyone who likes Wenders and likes Ray--and let's face it, if you say you are a fan of American film, and you neither like nor know Nicholas Ray, you are an ignorant piker, poser--will benefit from screening this movie, and probably be moved like hell by it.