| Bruce Davison | ... | George Orr | |
| Peyton E. Park | ... | Mannie Ahrens (as Peyton Park) | |
| Niki Flacks | ... | Penny Crouch | |
| Kevin Conway | ... | Dr. William Haber | |
| Vandi Clark | ... | Aunt Ethel | |
| Bernadette Whitehead | ... | George's Mother | |
| Jo Livingston | ... | George's Father | |
| Jane Roberts | ... | Grandmother | |
| Tom Matts | ... | Grandfather | |
| Frank Miller | ... | Parole Officer | |
| Joye Nash | ... | Woman on Subway | |
| Gena Sleete | ... | Woman on Subway | |
| Margaret Avery | ... | Heather LeLache | |
| Ben McKinley III | ... | Orderlie | |
| R.A. Mihailoff | ... | Orderlie | |
| rest of cast listed alphabetically: | |||
| James Bodean | ... | Guard | |
| John Rainone | ... | The Grey Person | |
| Ben Stephenson | ... | Scientist | |
Directed by | |||
| Fred Barzyk | |||
| David R. Loxton | (as David Loxton) | ||
Writing credits(in alphabetical order) | ||
| Diane English | ||
| Ursula K. Le Guin | novel | |
| Roger Swaybill | (as Roger E. Swaybill) | |
Produced by | |||
| Fred Barzyk | .... | producer | |
| Carol Brandenburg | .... | associate producer | |
| David R. Loxton | .... | executive producer (as David Loxton) | |
| David R. Loxton | .... | producer (as David Loxton) | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Robbie Greenberg | |||
Film Editing by | |||
| Dick Bartlett | |||
Casting by | |||
| Scott Rudin | |||
Art Direction by | |||
| John Wright Stevens | |||
Set Decoration by | |||
| Robert J. Franco | |||
| John Shaffner | |||
Costume Design by | |||
| Laura Crow | |||
Makeup Department | |||
| Tonga Knight | .... | hair stylist | |
| Jim Nielsen | .... | makeup artist (as James Nielsen) | |
Production Management | |||
| Darlene Mastro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Rich | .... | assistant director | |
Art Department | |||
| John T. Boz Jr. | .... | art department assistant | |
| Dan Orlandi | .... | set dresser | |
| Brian Reynolds | .... | art department assistant | |
| Joe Stewart | .... | assistant art director | |
| Richard Tautkus | .... | alien construction | |
Sound Department | |||
| Lee Dichter | .... | sound mixer | |
| John Fundus | .... | boom operator | |
| Dennis Maitland | .... | sound | |
Special Effects by | |||
| Jack Bennett | .... | special effects | |
| Ed Emshwiller | .... | special effects | |
| Stoney Emshwiller | .... | special effects assistant | |
| Laurie Spiegel | .... | audio special effects | |
Visual Effects by | |||
| Edmond S. Alexander | .... | special visual effects | |
| Gordon Blocker | .... | special visual effects | |
| Tex Frossard | .... | augmentor effects | |
| Steve Jander | .... | laser effects | |
| George H. Joblove | .... | computer displays (as George Joblove) | |
| Douglas S. Kay | .... | computer displays (as Douglas Scott Kay) | |
| Charles B. Rubenstein | .... | computer animator | |
| Lillian Schwartz | .... | Computer Animation | |
| Mary Snyder | .... | augmentor effects | |
Camera and Electrical Department | |||
| Jeff E. Blosser | .... | gaffer (as Jeff Blosser) | |
| Robert Decker | .... | key grip | |
| Chris Hayes | .... | assistant camera (as Christopher Hayes) | |
| Tom Leitner | .... | camera operator: second unit | |
| Gary McClendon | .... | electrician | |
| Derek W. Muirden | .... | camera operator: second unit | |
| J. Michael Popovich | .... | grip (as Mike Popovich) | |
| Josh Rich | .... | grip | |
| Scott M. Robinson | .... | best boy (as Scott Robinson) | |
| Michael Sibley | .... | camera operator: second unit | |
| Mike Townsend | .... | assistant camera | |
| Wynn Winberg | .... | still photographer | |
Casting Department | |||
| Taira Rosales | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Julianne Dechaine | .... | wardrobe supervisor | |
| Columbia Dowell | .... | wardrobe assistant | |
Editorial Department | |||
| Alfredo Portilla | .... | assistant editor | |
Music Department | |||
| John O. Adams | .... | music producer | |
| Rosemary Fischel | .... | music supervisor | |
| Bob Freedman | .... | orchestrator (as Robert M. Freedman) | |
| Frank Kulaga | .... | music recording mixer | |
| Sam Levitan | .... | orchestra coordinator | |
Other crew | |||
| Christena Alcorn | .... | production assistant (as Christine Alcorn) | |
| John Anthes | .... | title designer | |
| Evelyn Behr | .... | production secretary | |
| Anne Fischel | .... | film researcher | |
| Helen Gilbert | .... | location coordinator | |
| Walter Holland | .... | production secretary | |
| Mona D. Kligman | .... | production controller (as Mona Kligman) | |
| Chris Kogler | .... | title designer | |
| Ursula K. Le Guin | .... | creative consultant | |
| Ruby Merjan | .... | production aide | |
| Vicki L. Metz | .... | production secretary | |
| Henry Paper | .... | assistant to producer | |
| Kenn Rabin | .... | production aide | |
| Olivia Tappan | .... | production associate | |
| Jenny Townsend | .... | script supervisor | |
| Victoria Trostle | .... | production assistant | |
| Wynn Winberg | .... | production assistant | |
Thanks | |||
| Ed Borgan | .... | thanks | |
| William C. Dement | .... | thanks | |
| Gary Hahn | .... | thanks | |
| Matthew H. Herman | .... | thanks | |
| Rosemary Ingham | .... | thanks | |
| Mike Monroe | .... | thanks | |
| Stephen C. Rosen | .... | thanks | |
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| The Matrix Reloaded | The Invasion | Dark City | A Scanner Darkly | Invasion of the Body Snatchers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
I found this during late-night channel surfing. I thoroughly enjoyed it. The effects were sometimes cheesy but often cool. The direction was creative and quite effective in bringing Ursula K. LeGuin's classic story to life. But BE WARNED: this is a WEIRD MOVIE. You have to be wanting a weird movie in order to really enjoy it. It takes quite a bit of thought to really follow the plot if you haven't read the book, but it's worth watching several times. It is not an action flick (there is very little action, and some people find it boring, possibly with good reason) but it brings up all kinds of interesting ideas and possibilities that sent my mind racing. Every situation is presented in a way that makes you really look at it and ponder it. And the emotional aspect is powerful at times and made me smile more than once. The camerawork, acting, and electronic background music are artistic and place the viewer in another world, one which I personally found beautiful, exciting, and awe-inspiring. If you like artsy, strange, contemplative film, you might want to check this out.