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Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Masato Ide | ||
| Akira Kurosawa | ||
Produced by | |||
| Audie Bock | .... | assistant producer | |
| Francis Ford Coppola | .... | executive producer: international version | |
| Akira Kurosawa | .... | executive producer | |
| Akira Kurosawa | .... | producer | |
| George Lucas | .... | executive producer: international version | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Takao Saitô | |||
| Shôji Ueda | (as Shoji Ueda) | ||
Art Direction by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Seiichiro Hagakusawa | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Shigeo Tamura | .... | hair stylist | |
| Junjirô Yamada | .... | hair stylist | |
Production Management | |||
| Akira Fujita | .... | unit production manager | |
| Toshiaki Hashimoto | .... | production manager | |
| Toshiaki Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ishirô Honda | .... | second unit director | |
| Hideyuki Inoue | .... | assistant director | |
| Takashi Koizumi | .... | assistant director | |
| Fumiryo Okada | .... | chief assistant director | |
| Takao Okawara | .... | assistant director | |
Art Department | |||
| Aki Saburagi | .... | assistant art director | |
| Hatsumi Yamamoto | .... | property master | |
Sound Department | |||
| Ichirô Minami | .... | sound effects editor | |
| Mamoru Yamada | .... | assistant sound recordist | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Naomi Hashiyama | .... | still photographer | |
| Satoshi Kurikihara | .... | assistant lighting technician | |
| Tamio Matsuo | .... | assistant camera | |
| Kazuo Miyagawa | .... | consultant: photography | |
| Asakazu Nakai | .... | consultant: photography | |
| Takeji Sano | .... | lighting technician | |
Editorial Department | |||
| Yoshihiro Iwatani | .... | assistant editor | |
| Tome Minami | .... | negative cutter | |
Music Department | |||
| Kotaro Saito | .... | conductor | |
Transportation Department | |||
| Isamu Miwano | .... | transportation | |
Other crew | |||
| Audie Bock | .... | assistant to producer (international version) | |
| Francis Ford Coppola | .... | presenter | |
| Masa Furugawara | .... | scene shifter | |
| Toshi Hasegawa | .... | horseback riding instructor | |
| Shinobu Hashimoto | .... | production advisor | |
| Hiroaki Honda | .... | acting office | |
| Ishirô Honda | .... | directorial advisor | |
| Ishirô Honda | .... | production coordinator | |
| Ryû Kuze | .... | instructor: samurai etiquette | |
| George Lucas | .... | presenter | |
| Teruyo Nogami | .... | assistant to producer | |
| Teruyo Nogami | .... | script supervisor | |
| Donald Richie | .... | subtitle supervisor (US version) | |
| Donald Richie | .... | subtitler (international version) | |
| Takao Saitô | .... | production advisor | |
| Tamihei Shirai | .... | horseback riding instructor | |
| Ishirô Honda | .... | creative consultant (uncredited) | |
| Michael Rich | .... | assistant to director (uncredited) | |
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| Ran | Seven Samurai | The Last Samurai | Throne of Blood | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
This film is one of Kurosawa's masterpieces and gives an profound insight in the pre-Tokugawa period of Japan. Especially remarkable is the very elaborated atmosphere of this film to which contribute the pure and simple dialogues and the use of very well-made sceneries. Kurosawa's favorite actor Tatsuya Nakadai is here at his best. Although the atmosphere is very elaborated and almost perfectly historic; tension of the viewer is heightened by the simplicity of the scenes. Kurosawa leaves certain parts to the viewer's imagination rather than showing it. The movie is highly philosophical as well as emotionally touching and presents the soul of the way of samurai and Japan's old samurai system much better and more serious than countless cheap- and bad-made martial arts movies about samurai. This is a warning to all who expect fast martial arts action and blood covered katana. This film is a Kurosawa-style mixture between opulent costume- drama, a philosophic and tragic story and the sensitivity only Kurosawa has displaying Japan's traditional way-of-life.