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Kagemusha (1980)

 -  Drama | History | War  -  6 October 1980 (USA)
8.0
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Ratings: 8.0/10 from 20,364 users  
Reviews: 84 user | 65 critic

A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.

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Title: Kagemusha (1980)

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Nominated for 2 Oscars. Another 20 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Tsutomu Yamazaki ...
Ken'ichi Hagiwara ...
Jinpachi Nezu ...
Sohachiro Tsuchiya
Hideji Ôtaki ...
Daisuke Ryû ...
Masayuki Yui ...
...
Otsuyanokata
Mitsuko Baishô ...
Oyunokata
Hideo Murota ...
Nobufusa Baba
Takayuki Shiho ...
Masatoyo Naito
Kôji Shimizu ...
Katsusuke Atobe
Noboru Shimizu ...
Masatane Hara
Sen Yamamoto ...
Nobushige Oyamada
Shuhei Sugimori ...
Masanobu Kosaka
Edit

Storyline

When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Genres:

Drama | History | War

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

6 October 1980 (USA)  »

Also Known As:

Kagemusha (The Shadow Warrior)  »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

When Toho Studios couldn't fulfill the budget demands of the film, American film directors George Lucas and Francis Ford Coppola stepped in to help Akira Kurosawa. Kurosawa was visiting San Francisco in July 1978 and met Lucas and Coppola. The two convinced studio 20th Century-Fox, still riding high after the success of Lucas' Star Wars: Episode IV - A New Hope (1977), to advance-finance the film and fund the remaining portion of the budget. This was done in exchange for the film's world-wide distribution rights to the picture outside of Japan. This was the first time that distribution rights to a Japanese film had been pre-sold to a major Hollywood studio. See more »

Goofs

When Kagemusha is being ejected from the Takeda clan compound, he is seen with his left arm in a dark purple-colored cloth sling, which covers most of his hand and forearm. As the camera shot changes to a slightly longer shot, the sling is suddenly much narrower, exposing much more of his hand and forearm. See more »

Quotes

[the double's aides are worried that others will find out he is an impostor]
Masakage Yamagata: Little Takemaru was a problem, but the horse is worse. It can tell. Only the late lord could ride it.
Nobufusa Baba: If the double falls off, everyone will suspect.
Nobukado Takeda: Lord Shingen has been ill. He must refrain from riding.
Masakage Yamagata: Good idea.
Masatane Hara: There are many other problems. We must be careful to keep the late lord's intentions.
Katsusuke Atobe: Tonight he will have to meet the late lord's mistresses. How will he be with them?
Masakage Yamagata: Our master has been ill. He must ...
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the best serious samurai-movies
24 November 2000 | by (Vienna, Austria) – See all my reviews

This film is one of Kurosawa's masterpieces and gives an profound insight in the pre-Tokugawa period of Japan. Especially remarkable is the very elaborated atmosphere of this film to which contribute the pure and simple dialogues and the use of very well-made sceneries. Kurosawa's favorite actor Tatsuya Nakadai is here at his best. Although the atmosphere is very elaborated and almost perfectly historic; tension of the viewer is heightened by the simplicity of the scenes. Kurosawa leaves certain parts to the viewer's imagination rather than showing it. The movie is highly philosophical as well as emotionally touching and presents the soul of the way of samurai and Japan's old samurai system much better and more serious than countless cheap- and bad-made martial arts movies about samurai. This is a warning to all who expect fast martial arts action and blood covered katana. This film is a Kurosawa-style mixture between opulent costume- drama, a philosophic and tragic story and the sensitivity only Kurosawa has displaying Japan's traditional way-of-life.


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