In the World War II, the pacifist and humanist Japanese Kaji accepts to travel with his wife Michiko to the tiny Manchurian village Loh Hu Liong to work as supervisor in an iron ore mine to... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by
Keith Loh <firstname.lastname@example.org>
Final feature film of actor Takashi Shimura who was one of director Akira Kurosawa's favorite actors who used him regularly. This movie represents their final ever collaboration. Kurosawa wrote the part of Gyobu Taguchi in this film for him. The scene in which Shimura appears was cut from the international subtitled version of the film but has been put back in the modern subtitled DVD release. Shimura passed away in 1982. See more »
When Kagemusha is being ejected from the Takeda clan compound, he is seen with his left arm in a dark purple-colored cloth sling, which covers most of his hand and forearm. As the camera shot changes to a slightly longer shot, the sling is suddenly much narrower, exposing much more of his hand and forearm. See more »
How old are you, sire? Fifty-three, as I remember.
And you still behave like a five-year-old child. People gather, scatter, they go left and right following their interests. That is not surprising. But then I find you like this. With such a narrow mind, you must not dream of rulership. Go back to your own domain. You are a mountain monkey. You should be gathering nuts in the mountains of Kai.
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This is a great epic of war and a film of great emotion. At the center is a man who has nothing. He is thrust into a world he didn't create. He is a petty thief and really would like to just get on with his life. What he also has is great loyalty to his now deceased lord, and despite his great concern for his ability to carry it off, he agrees to the position. He has to know that at some point this will all come crashing down. The Samurai code makes it so that he has few options. He runs the war the best he can but occasionally falls victim to who he is. Even with advisers watching his every move, he becomes so much a part of the entire picture that he is left to destroy himself, and, in the process, the clan that he represents. The battle scenes are remindful of the other huge films like "Ran" and "Throne of Blood." They sweep across the screen with the flag carrying horsemen and the infantry fighting until there is nothing left but total carnage. Because of the complexity of the story and the wonderful acting, I would put this at or near the top of my Kurosawa list.
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