A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place.
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When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by
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Goofs
When Kagemusha is being ejected from the Takeda clan compound, he is seen with his left arm in a dark purple-colored cloth sling, which covers most of his hand and forearm. As the camera shot changes to a slightly longer shot, the sling is suddenly much narrower, exposing much more of his hand and forearm. See more »
Quotes
[the double's aides are worried that others will find out he is an impostor]
Masakage Yamagata:
Little Takemaru was a problem, but the horse is worse. It can tell. Only the late lord could ride it.
Nobufusa Baba:
If the double falls off, everyone will suspect.
Nobukado Takeda:
Lord Shingen has been ill. He must refrain from riding.
Masakage Yamagata:
Good idea.
Masatane Hara:
There are many other problems. We must be careful to keep the late lord's intentions.
Katsusuke Atobe:
Tonight he will have to meet the late lord's mistresses. How will he be with them?
Masakage Yamagata:
Our master has been ill. He must ...
See more »
What happens to the doppelganger when the original dies? Does he flitter out of existence or does he find his own. Kagemusha (shadow warrior in Japanese) is the story of a thief who is to be hanged, but is saved by a warlord's brother, Katsuyori Takeda, because of a peculiar resemblance to the king Shingen Takeda. Tatsuya Nakadai brilliantly plays both roles of Shingen and the thief. The thief is trained to fill in as Shingen's double, a position previously played by his brother Katsuyori. Shingen receives a mortal wound during a siege and the Takeda Clan retreat. His dying wish is that he wants his death not to be known for at least three years. Kagemusha eventually acquiesces to the role of not just doubling for the king, but being a figurehead twenty-four hours a day.
The intimate circle of Shingen's family and guard knows about the double. They advise him about how to be like Shingen. He plays the part well. Shingen's son Nobukado, who knows that he is the double, is convinced that his father did this to spite him. Nobukado was passed over as king and that position was granted to Shingen's grandson and Nobukado's son Takemaru as soon as he reaches of mature age. Later in the film, we realize that Shingen did this because Nobukado is too aggressive and is not leader material, not to spite him. The backing of Kagemusha helped Nobukado's one great military victory. Nobukado would forever be in Shingen's shadow.
The relationships between the thief and the Lord's men make this a fascinating film. There is a rich tapestry of multidimensional characters. To some critics the action was too slow. It was not as fast paced as The Seven Samurai or Yojimbo. I think it is a mature film from a maturing director who would go on to direct another of my favorite films Ran. This film was nominated for two academy awards and would co-win the grand prize at the Cannes Film Festival. The juxtaposition between the titanic and minute is a favorite concept of Kurosawa. Stolid men have tragic faults. Beggars can be kings.
Kurosawa is one of the world's most famous directors. Yet in the 1980's, he did not get much respect from his home country Japan. He had not had released a film since 1975 -- the beautiful and brilliant Dersu Uzala and he was reportedly suicidal. This film would not have been made if it were not for George Lucas and Francis Ford Coppola whom helped finance this film. Lucas has always been a big fan of Kurosawa. Star Wars was partially influenced by Kurosawa's film The Hidden Fortress. I am a big fan of Kurosawa too. His films always have the most beautiful cinematography, intricate plots and grand characters. Kagemusha is no exception.
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What happens to the doppelganger when the original dies? Does he flitter out of existence or does he find his own. Kagemusha (shadow warrior in Japanese) is the story of a thief who is to be hanged, but is saved by a warlord's brother, Katsuyori Takeda, because of a peculiar resemblance to the king Shingen Takeda. Tatsuya Nakadai brilliantly plays both roles of Shingen and the thief. The thief is trained to fill in as Shingen's double, a position previously played by his brother Katsuyori. Shingen receives a mortal wound during a siege and the Takeda Clan retreat. His dying wish is that he wants his death not to be known for at least three years. Kagemusha eventually acquiesces to the role of not just doubling for the king, but being a figurehead twenty-four hours a day.
The intimate circle of Shingen's family and guard knows about the double. They advise him about how to be like Shingen. He plays the part well. Shingen's son Nobukado, who knows that he is the double, is convinced that his father did this to spite him. Nobukado was passed over as king and that position was granted to Shingen's grandson and Nobukado's son Takemaru as soon as he reaches of mature age. Later in the film, we realize that Shingen did this because Nobukado is too aggressive and is not leader material, not to spite him. The backing of Kagemusha helped Nobukado's one great military victory. Nobukado would forever be in Shingen's shadow.
The relationships between the thief and the Lord's men make this a fascinating film. There is a rich tapestry of multidimensional characters. To some critics the action was too slow. It was not as fast paced as The Seven Samurai or Yojimbo. I think it is a mature film from a maturing director who would go on to direct another of my favorite films Ran. This film was nominated for two academy awards and would co-win the grand prize at the Cannes Film Festival. The juxtaposition between the titanic and minute is a favorite concept of Kurosawa. Stolid men have tragic faults. Beggars can be kings.
Kurosawa is one of the world's most famous directors. Yet in the 1980's, he did not get much respect from his home country Japan. He had not had released a film since 1975 -- the beautiful and brilliant Dersu Uzala and he was reportedly suicidal. This film would not have been made if it were not for George Lucas and Francis Ford Coppola whom helped finance this film. Lucas has always been a big fan of Kurosawa. Star Wars was partially influenced by Kurosawa's film The Hidden Fortress. I am a big fan of Kurosawa too. His films always have the most beautiful cinematography, intricate plots and grand characters. Kagemusha is no exception.