In the World War II, the pacifist and humanist Japanese Kaji accepts to travel with his wife Michiko to the tiny Manchurian village Loh Hu Liong to work as supervisor in an iron ore mine to... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by
Keith Loh <email@example.com>
"Kagemusha" literally translates into English as "double" or "shadow warrior". The movie's title in English speaking territories was subtitled "The Shadow Warrior". See more »
When Kagemusha is being ejected from the Takeda clan compound, he is seen with his left arm in a dark purple-colored cloth sling, which covers most of his hand and forearm. As the camera shot changes to a slightly longer shot, the sling is suddenly much narrower, exposing much more of his hand and forearm. See more »
To occupy Kyoto, to fly my flags in the capital, has been my long-cherished dream. But... if something should happen to me, do not pursue that dream. Remember: my death must not be made known. Keep it a secret, for at least three years. Guard our domain. Never move from it. Do not move! If you ignore my order and set out to attack, our Takeda clan will be no more. Heed my words! This... is my final wish.
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After spending a decade (or so) in solitary confinement from the Japanese Film Industry Akira Kurosawa returns to make his semi-masterpiece "Kagemusha", which he called a dress-rehearsal for "Ran", made in 1985.
Kagemusha is, probably, the best example of cinematic overkill where nobody actually cares. Cinematic overkill is when someone constructs a complex multi-layered movie, stage epic-battles, introduce likeable and complex characters without having a very complicated message. The message of "Kagemusha" is simply this: If you pretend long enough to be something else you'll become it. Too simple, maybe, for what's delivered.
Not that "Kagemusha" is a bad movie. It's haunting, it's spectacular and it's just great. I keep thinking about it over and over. I can't get it out of my head. Simply put "Kagemusha" is a masterpiece, albeit one up for debate. Not all Kurosawa fans would like it, but that's they're business. Personally, this is one of the movies currently that I'd really like to see again.
PS: Thank goodness for George Lucas and Francis Ford Copolla who funded this movie.
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