Following World War II, a retired professor, approaching his autumn years, finds his quality of life drastically reduced in war torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
When a powerful warlord in medieval Japan dies, a poor thief recruited to impersonate him finds difficulty living up to his role and clashes with the spirit of the warlord during turbulent times in the kingdom. Written by
Keith Loh <email@example.com>
When Toho Studios couldn't fulfill the budget demands of the film, American film directors George Lucas and Francis Ford Coppola stepped in to help Akira Kurosawa. Kurosawa was visiting San Francisco in July 1978 and met Lucas and Coppola. The two convinced studio 20th Century-Fox, still riding high after the success of Lucas' Star Wars: Episode IV - A New Hope (1977), to advance-finance the film and fund the remaining portion of the budget. This was done in exchange for the film's world-wide distribution rights to the picture outside of Japan. This was the first time that distribution rights to a Japanese film had been pre-sold to a major Hollywood studio. See more »
When Kagemusha is being ejected from the Takeda clan compound, he is seen with his left arm in a dark purple-colored cloth sling, which covers most of his hand and forearm. As the camera shot changes to a slightly longer shot, the sling is suddenly much narrower, exposing much more of his hand and forearm. See more »
This is a great epic of war and a film of great emotion. At the center is a man who has nothing. He is thrust into a world he didn't create. He is a petty thief and really would like to just get on with his life. What he also has is great loyalty to his now deceased lord, and despite his great concern for his ability to carry it off, he agrees to the position. He has to know that at some point this will all come crashing down. The Samurai code makes it so that he has few options. He runs the war the best he can but occasionally falls victim to who he is. Even with advisers watching his every move, he becomes so much a part of the entire picture that he is left to destroy himself, and, in the process, the clan that he represents. The battle scenes are remindful of the other huge films like "Ran" and "Throne of Blood." They sweep across the screen with the flag carrying horsemen and the infantry fighting until there is nothing left but total carnage. Because of the complexity of the story and the wonderful acting, I would put this at or near the top of my Kurosawa list.
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