| Photos (see all 14 | slideshow) | Videos |
| Neil Diamond | ... | Jess Robin | |
| Laurence Olivier | ... | Cantor Rabinovitch | |
| Lucie Arnaz | ... | Molly Bell | |
| Catlin Adams | ... | Rivka Rabinovitch | |
| Franklyn Ajaye | ... | Bubba | |
| Paul Nicholas | ... | Keith Lennox | |
| Sully Boyar | ... | Eddie Gibbs | |
| Mike Kellin | ... | Leo | |
| James Booth | ... | Paul Rossini | |
| Luther Waters | ... | Teddy | |
| Oren Waters | ... | Mel | |
| Rod Gist | ... | Timmy | |
| Walter Janovitz | ... | Rabbi Birnbaum (as Walter Janowitz) | |
| Janet Brandt | ... | Aunt Tillie | |
| John Witherspoon | ... | M.C. Cinderella Club | |
| Dale Robinette | ... | Tommy | |
| David Coburn | ... | Bar Mitzvah Boy | |
| Judy Gibson | ... | Peg | |
| Hank Garrett | ... | Police Sergeant | |
| Ernie Hudson | ... | Heckler | |
| James Karen | ... | Barney Callahan | |
| Tim Herbert | ... | Technician #1 | |
| Edward Jahnke | ... | Guard (as Ed Jahnke) | |
| Hugh Gillin | ... | Texas Bartender | |
| Jill Jaress | ... | Cowgirl | |
| Victor Paul | ... | Irate Driver | |
| Cantor Uri Frenkel | ... | The Cantor | |
| Rex Cutter | ... | Semi Driver | |
| Michael Pasternak | ... | Zany Gray (as Mike Pasternak) | |
| Sandy Helberg | ... | Sound Engineer | |
| Brion James | ... | Man in Bar | |
| Douglas Nigh | ... | Technician #2 | |
| Patrick Stansfield | ... | Stage Manager | |
| rest of cast listed alphabetically: | |||
| Steve Dash | ... | Policeman | |
| Lev Liberman | ... | Boots (uncredited) | |
Directed by | |||
| Richard Fleischer | |||
Writing credits | ||
| Samson Raphaelson | (play) | |
| Herbert Baker | (screenplay) | |
| Stephen H. Foreman | (adaptation) | |
Produced by | |||
| Jerry Leider | .... | producer | |
| Joel Morwood | .... | associate producer | |
| Martin Wiviott | .... | producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Isidore Mankofsky | (director of photography) | ||
Film Editing by | |||
| Maury Winetrobe | |||
Casting by | |||
| Harriet B. Helberg | |||
Production Design by | |||
| Harry Horner | |||
Art Direction by | |||
| Spencer Deverell | (as Spencer Deverill) | ||
Set Decoration by | |||
| Robert De Vestel | (as Robert de Vestel) | ||
| Ruby R. Levitt | (as Ruby Levitt) | ||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Leonard Engelman | .... | makeup artist | |
| Jerry Kerns | .... | hair stylist: Neil Diamond | |
| Christine Lee | .... | hair stylist | |
| B.J. Pardo | .... | hair designer: Lucie Arnaz | |
| Daniel C. Striepeke | .... | makeup artist (as Dan Striepeke) | |
Production Management | |||
| E. Darrell Hallenbeck | .... | executive production manager | |
| Patrick Stansfield | .... | concert production supervisor | |
Second Unit Director or Assistant Director | |||
| Alice Blanchard | .... | second assistant director | |
| Jack Clinton | .... | second assistant director | |
| John Eyler | .... | second assistant director | |
| James Turley | .... | assistant director | |
| Robert Webb | .... | assistant director (as Robert M. Webb) | |
Art Department | |||
| Leamon Adams | .... | lead man | |
| Wilbur Finks | .... | lead man | |
| Arthur Gelb | .... | graphic designer | |
| Christopher Horner | .... | set designer | |
| David Kirschner | .... | logo designer | |
| Mark Poll | .... | set designer | |
| John J. Rutchland III | .... | construction coordinator | |
| Vincent Shelton | .... | property master (as Vincent 'Bud' Shelton) | |
| Alan Sims | .... | assistant property master | |
Sound Department | |||
| Bill W. Benton | .... | sound assistant engineer (as Bill Benton) | |
| David Bianco | .... | sound assistant engineer | |
| Andy Bloch | .... | sound designer | |
| Jack Crymes | .... | technical assistance | |
| Mark Eshelman | .... | sound assistant engineer | |
| Bob Gaudio | .... | sound supervisor | |
| David Hawkins | .... | sound editor | |
| Ron Hitchcock | .... | sound designer | |
| Dennis Jones | .... | boom | |
| Jack Kirschner | .... | sound editor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Stan Miller | .... | concert and playback sound (as Stan R. Miller) | |
| Tom Overton | .... | production sound mixer (as T.G. Overton) | |
| James A. Sandweiss | .... | sound assistant engineer (as Jim Sandweiss) | |
| Paul Sandweiss | .... | sound assistant engineer | |
| Jack Schrader | .... | sound editor | |
| William L. Stevenson | .... | supervising sound editor | |
| John Taylor | .... | concert and playback sound | |
| Elliot Tyson | .... | adr mixer | |
| Bill Varney | .... | sound re-recording mixer | |
| Ron Hitchcock | .... | sound re-recording mixer (uncredited) | |
| Duncan McEwan | .... | sound recordist (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Lambert Powell | .... | special effects | |
| Ken Speed | .... | special effects coordinator | |
Stunts | |||
| Chris Howell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Larry Barbier | .... | still photographer (as Laurence L. Barbier) | |
| Howard Block | .... | camera operator | |
| Alfred Budniak | .... | best boy | |
| James F. Cornick | .... | electrician | |
| Don Duffield | .... | key grip | |
| Jake Jarrell | .... | gaffer (as Jacob Jarrell) | |
| Michael J. Krones | .... | concert lighting team | |
| Marilyn Lowry | .... | concert lighting team | |
| Owen Marsh | .... | camera operator | |
| Bill Masten | .... | assistant camera (as William N. Masten) | |
| Tom May | .... | second grip | |
| Benny McNulty | .... | best boy (as Bernard McNulty) | |
| Douglas L. Pope | .... | concert lighting team | |
| Herb Roberts | .... | camera operator (as Herbert C. Roberts) | |
| Mike Tapp | .... | dolly grip | |
| Rick Tschudin | .... | assistant camera (as Rich Tschudin) | |
| Ronald Vidor | .... | Steadicam operator | |
| Jonathan West | .... | additional camera operator | |
Casting Department | |||
| Janice Spitzer | .... | extras casting (as Jan Spitzer) | |
| Peter Spitzer | .... | extras casting | |
| Bryan Buchanan | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Bruce Ericksen | .... | costumer: men | |
| Peggy Thorin | .... | costumer: women (as Margaret Thorin) | |
| James W. Tyson | .... | costumer: men | |
| Bill Whitten | .... | wardrobe designer: Neil Diamond | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Derek Brechin | .... | assistant editor (as Derek G. Brechin) | |
| Mark Eggenweiler | .... | assistant editor | |
| Dennis E. Lew | .... | assistant editor | |
| Eric A. Sears | .... | assistant editor | |
| Alec Smight | .... | apprentice editor | |
| Frank J. Urioste | .... | supervising editor | |
Music Department | |||
| Andy Bloch | .... | music recording mixer: remote | |
| Vince Charles | .... | musician: percussion/steel drums (with The Neil Diamond Band) | |
| King Errisson | .... | musician: percussion (with The Neil Diamond Band) | |
| Bob Gaudio | .... | music producer | |
| Tom Hensley | .... | conductor | |
| Tom Hensley | .... | musician: keyboards, with The Neil Diamond Band | |
| Ron Hitchcock | .... | music mixer | |
| Linda Press | .... | vocals (with The Neil Diamond Band) | |
| Reinie Press | .... | musician: bass (with The Neil Diamond Band) | |
| Doug Rhone | .... | music collaborator | |
| Doug Rhone | .... | musician: guitar, with The Neil Diamond Band | |
| John Rosenberg | .... | music contractor | |
| William Saracino | .... | supervising music editor | |
| Dennis St. John | .... | musical director | |
| Dennis St. John | .... | musician: drums, with The Neil Diamond Band | |
Transportation Department | |||
| E.O. Braden | .... | transportation | |
Thanks | |||
| Max Gordon | .... | acknowledgment: produced on the stage by | |
| Sam Harris | .... | acknowledgment: produced on the stage in association with (as Sam H. Harris) | |
| Albert Lewis | .... | acknowledgment: produced on the stage by | |
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I love Neil Diamond. I had always heard of this film, but never knew what it was about, what type of reviews it got... anything. So I Netflixed it this weekend, and I loved it. There were even times where I got choked up in parts.
So I came on here, saw the negative overall reviews, and was SHOCKED when I learned Neil won the Razzie Award for Worst Actor for this. I thought he did a very fine job. The story unfolded very nicely, the love story was genuine... I would say this film was even better than the "music" genre film Dreamgirls.
Sure it had it's glitches here and there, but for the most part I was very pleased.