| Anne Baxter | ... | Lilliana Zorska | |
| Robert Powell | ... | Pierre | |
| Michael Wager | ... | George Midash | |
| Tim Choate | ... | Jamie | |
| John Guerrasio | ... | Gregory | |
| Katrina Hodiak | ... | Katya | |
| Kurt Johnson | ... | Victor Charlton | |
| Philip Lenkowsky | ... | Fritz | |
| Charles McCaughan | ... | Billie | |
| Nancy New | ... | Jenny | |
| Sean Young | ... | Ariadne Charlton | |
| Bernard Barrow | ... | Mr. Polson | |
| Lee H. Doyle | ... | Mr. Jarvis (as Lee Doyle) | |
| Bella Jarrett | ... | Miss Klein | |
| Naomi Riordan | ... | Mrs. Polson | |
| David Redden | ... | Auctioneer | |
| Gael Hammer | ... | Unsuccessful Bidders | |
| Peter McPherson | ... | Unsuccessful Bidders | |
| John Boyle | ... | Chair Carriers | |
| Tim Burke | ... | Chair Carriers | |
| Iman | ... | Sufi Leader | |
| Brenda Holmes | ... | Dancers | |
| Michon Peacock | ... | Dancers | |
| Christina Stolberg | ... | Dancers | |
| Michael Shawn | ... | Choreographer | |
| Susan Hovey | ... | Marianne | |
| Sarallen | ... | Fairbanks | |
| Jacquelyn Roberts | ... | Mis Auberry | |
| Sandra Seacat | ... | Thrift-Shop Lady | |
| Jimmy Raitt | ... | Pianist (as James Riatt) | |
| Wayne Tuthill | ... | Clergyman's Clerk | |
| Jane Bryden | ... | Mezzo-soprano (voice) | |
| Joyce Andrews | ... | Soprano (voice) | |
| Frank Hoffmeister | ... | Tenor (voice) | |
| David Evitts | ... | Bass (voice) |
Directed by | |||
| James Ivory | |||
Writing credits | ||
| Jane Austen | (libretto Sir Charles Grandison) & | |
| Samuel Richardson | (libretto Sir Charles Grandison) | |
| Ruth Prawer Jhabvala | (written by) | |
| Jane Austen | (text Sir Charles Grandison, or The Happy Man) | |
Produced by | |||
| Connie Kaiserman | .... | associate producer | |
| Ismail Merchant | .... | producer | |
Original Music by | |||
| Richard Robbins | |||
Cinematography by | |||
| Larry Pizer | (opera sequence) | ||
| Ernest Vincze | |||
Film Editing by | |||
| David E. McKenna | |||
Casting by | |||
| Judy Abbott | |||
Art Direction by | |||
| Jeremiah Rusconi | |||
Costume Design by | |||
| Jenny Beavan | |||
Makeup Department | |||
| Mona Orr | .... | hair stylist | |
| Jeanne Richmond | .... | makeup artist | |
Production Management | |||
| Ron Palazzo | .... | production manager (as Ronald Palazzo) | |
Second Unit Director or Assistant Director | |||
| Janet E. Fishman | .... | second assistant director (as Janet Fishman) | |
| Ron Palazzo | .... | first assistant director (as Ronald Palazzo) | |
Art Department | |||
| Joe Petruccio Jr. | .... | props (as Joseph Petruccio) | |
| Tom Randol | .... | assistant to art director | |
| Michael Yeargan | .... | stage settings | |
Sound Department | |||
| Neil Fallon | .... | boom operator | |
| Jack Higgins | .... | re-recording | |
| Cabell Smith | .... | sound | |
Camera and Electrical Department | |||
| Maurice Brown | .... | focus puller | |
| Richard Falk | .... | electrician | |
| Richard Falk | .... | grip (as Rick Falk) | |
| Mitchell Klebanoff | .... | assistant camera | |
| James McGrath | .... | electrician | |
| James McGrath | .... | grip | |
| Darryl Peck | .... | electrician | |
| Donald Sweeney | .... | camera operator (as Don Sweeney) | |
Costume and Wardrobe Department | |||
| Bill Beattie | .... | wardrobe (as William Beattie) | |
| Nancy Lawson | .... | costume assistant | |
Editorial Department | |||
| Angelique Armand-Delille | .... | second assistant editor | |
| Michael Fields | .... | assistant editor: rushes | |
| Rita Stern | .... | assistant editor | |
Music Department | |||
| Katrina Hodiak | .... | composer: songs "It's Alright" and "Stay Beside Me" | |
| Jonathan Rose | .... | music producer | |
| Carmine Stippo | .... | composer: song "Here We Are Again" | |
Other crew | |||
| Jane Buck | .... | script supervisor | |
| Wendy G. Glickstein | .... | production office coordinator (as Wendy Glickstein) | |
| Philip Haas | .... | assistant to director | |
| Mark Potter | .... | jack-of-all-trades | |
| Andrei Serban | .... | stager: workshop sequence | |
| Michael Shawn | .... | choreographer | |
| Susie Simons | .... | location manager | |
| Dorothea Swope | .... | script assistant | |
Thanks | |||
| Ellen Stewart | .... | thanks | |
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| Heights | Playing by Heart | Funny Girl | Definitely, Maybe | These Foolish Things |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This very long1980 movie isn't the worst Merchant/Ivory/Jhabvala movie (that would be "Jefferson in Paris") but is numbingly dull even to an admirer of many of their movies. I'd assign blame mostly to Jhabvala's screenplay about two radically different troupes vying for the chance to première a (real) recently discovered play written at age twelve by Jane Austen. From what we see of it, Austen wasn't much of a playwright at age 12 (who is?!).
Jhabvala imagines a charismatic experimentalist Svengali (Robert Powell) pitted against a socially well-connected aging actress whom he had used and abandoned earlier (Anne Baxter in her last big-screen role paying off the sins of Eve Harrington?). She wants to stage an operatic version. It defies plausibility that the experimentalist actors have operatic voices, but the audience has to simply accept that, while trying to care about any of the characters struggling to survive whimsical arts patronage. I could muster a bit of sympathy for Baxter, and more for the very handsome spurned husband played by Kurt Johnson, but couldn't care less about the "star" played by Sean Young (in her first screen role) or about which absurd production got supported and mounted off- Broadway.