4.8/10
187
8 user 3 critic

Jane Austen in Manhattan (1980)

Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.

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Writers:

(libretto Sir Charles Grandison), (libretto Sir Charles Grandison) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Lilliana Zorska
...
Pierre
Michael Wager ...
George Midash
Tim Choate ...
Jamie
John Guerrasio ...
Gregory
Katrina Hodiak ...
Katya
Kurt Johnson ...
Victor Charlton
Philip Lenkowsky ...
Fritz
Charles McCaughan ...
Billie
Nancy New ...
Jenny
...
Ariadne Charlton
Bernard Barrow ...
Mr. Polson
Lee H. Doyle ...
Mr. Jarvis (as Lee Doyle)
Bella Jarrett ...
Miss Klein
Naomi Riordan ...
Mrs. Polson
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Storyline

Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

Country:

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Language:

Release Date:

July 1980 (UK)  »

Also Known As:

Jane Austen  »

Filming Locations:


Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Actress Katrina Hodiak is the daughter of the movie's leading lady Anne Baxter with her father being John Hodiak. See more »

Connections

Featured in The Wandering Company (1984) See more »

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User Reviews

 
A very boring movie about arts funding and theater troupe acting out
31 July 2005 | by (San Francisco) – See all my reviews

This very long1980 movie isn't the worst Merchant/Ivory/Jhabvala movie (that would be "Jefferson in Paris") but is numbingly dull even to an admirer of many of their movies. I'd assign blame mostly to Jhabvala's screenplay about two radically different troupes vying for the chance to première a (real) recently discovered play written at age twelve by Jane Austen. From what we see of it, Austen wasn't much of a playwright at age 12 (who is?!).

Jhabvala imagines a charismatic experimentalist Svengali (Robert Powell) pitted against a socially well-connected aging actress whom he had used and abandoned earlier (Anne Baxter in her last big-screen role paying off the sins of Eve Harrington?). She wants to stage an operatic version. It defies plausibility that the experimentalist actors have operatic voices, but the audience has to simply accept that, while trying to care about any of the characters struggling to survive whimsical arts patronage. I could muster a bit of sympathy for Baxter, and more for the very handsome spurned husband played by Kurt Johnson, but couldn't care less about the "star" played by Sean Young (in her first screen role) or about which absurd production got supported and mounted off- Broadway.


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