6.7/10
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Inferno (1980)

R | | Horror | 2 April 1980 (USA)
An American college student in Rome and his sister in New York investigate a series of killings in both locations where their resident addresses are the domain of two covens of witches.

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Cast

Cast overview, first billed only:
...
...
...
Sara
...
Elise De Longvalle Adler
...
Kazanian (as Sacha Pitoeff)
...
Carol, the caretaker
Veronica Lazar ...
...
...
Professor Arnold / Dr. Varelli (as Feodor Chaliapin)
Leopoldo Mastelloni ...
John, the Butler
...
James Fleetwood ...
Cook
Rosario Rigutini ...
Man
Ryan Hilliard ...
Shadow
...
Music Teacher
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Storyline

Young poetess Rose Elliot buys a book from a local antique dealer, a diary in Latin of an architect, E. Varelli. She learns of the Three Mothers, and believes her apartment building is one of their houses. She pleads her brother Mark, who is studying musicology in Rome, to come, because she is afraid. Mark's friend Sara reads her letter, which he left behind in class, and discovers the school is run by the Mater Lacrimarum, and is murdered for this knowledge. The house of Mater Suspiriorum has already been destroyed, and by the time Mark arrives in New York City, he is investigating his sister's murder. Written by Scott Hutchins <scottandrewh@home.com>

Plot Summary | Plot Synopsis

Taglines:

Terror that's hotter than hell! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

2 April 1980 (USA)  »

Also Known As:

Inferno  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

(Dolby Stereo) (5.0 Surround Sound) (L-R)| (5.0 Surround Sound) (L-R)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

To keep the fairy tale approach set by 'Suspiria', Dario conceived the idea of using Grimms fairy tale 'Hansel and Gretel' as a basis for the story and plot. Leigh and Irene as Hansel and Gretel, but instead of being set in a pan cake house it was set in a demonic labyrinth. Thus leading the main characters to act like children. See more »

Goofs

Towards the beginning, when the character played by Irene Miracle is swimming through the lost cellar room, she clearly is not wearing a bra; however, a few minutes later, after surfacing and returning to the building lobby, you can see that a bra has magically appeared under her dress. See more »

Quotes

Kazanian: There are mysterious parts in that book, but the only true mystery is that our very lives are governed by dead people.
See more »

Connections

Featured in Cinemassacre's Monster Madness: Suspiria (2015) See more »

Soundtracks

Va' pensiero...
(from opera "Nabucco")
Music by Giuseppe Verdi'
Performed by Orchestra Sinfonica della Radiotelevisione Italiana (as Symphonic Orchestra and Chorus of Rome Radio Televisione Italiana)
Chorus master by Gaetano Riccitelli
Conducted by Fernando Previtali
Courtesy of Fonit Cetra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmospheric and visionary
21 August 2002 | by (Uppsala, Sweden) – See all my reviews

'Inferno' is the kind of movie - like Gilliams 'Brazil' - where a few of us will leave the theater enriched by the experience, but there's also the sour-faced crowd dismissing it as the worst crap ever.

I came upon Argento's movies just recently, looking for good horror films. Now I've enjoyed Suspiria, Tenebre and Inferno. At first his original style came as a shock. I can understand those that, accustomed to hollywoodian narrative, find his movies to be full of faults. I wouldn't even recommend them if you're looking for 'ordinary', mainstream horror.

'Suspiria' reminded me of the 1933 'Vampyr' by danish director Carl Dreyer. 'Inferno' has echoes of German director Fritz Lang, for instance his 1933 The 'Testament of Doctor Mabuse'. Much of the Argento way of doing things has a silent movie era feel to it. The acting is visually exaggerated, and the dialogue is often wooden - the awful dubbing of english voices in the versions I saw added to this effect.

Argento makes different choices. The music, for instance, is not adding atmosphere as a soundtrack - it is a full frontal assault, meant to be noticed and impossible to ignore. The cinematic choices of camera angles, lightning and so on are stylish and unique in their unrelenting artistic ambition. I can't even begin to describe the style. Even if I mentioned Dreyer and Lang, Argento is more expressionist than impressionist, but for lack of good words I'll shut my mouth about this subject.

I have to defend Argento against the claims that 'Inferno' has an incoherent plot. It simply doesn't - the story is fairly straight and linear. The evil depicted is not rational, and we are often left in the dark as to the acts and motives of the evil forces. But this is part of the horror and suspense. I won't go into more details about the plot, as there are many excellent user comments here, and this is not really a review, just some comments.

Some parts of 'Inferno' are pure beauty - exact scenes, feeling more like a storyboard coming to life in the imagination than as a real movie. The design of the house of the second Mother is fascinating - modern and medieval at the same time.

Finally, some individual scenes are truly scaring, which is rare in horror movies - especially the underwater scene.








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