MOVIEmeter
SEE RANK
Up 62,493 this week

The Age of the Earth (1980)
"A Idade da Terra" (original title)

7.0
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.0/10 from 221 users  
Reviews: 3 user | 2 critic

Add a Plot

Director:

Writers:

(poem), (screenplay), 1 more credit »
0Check in
0Share...

Editors' Spotlight

Emmy Awards 2014

We have the winners, photos and more in our 2014 Emmys section.


User Lists

Related lists from IMDb users

a list of 41 titles
created 09 Jun 2011
 
a list of 7617 titles
created 13 Aug 2011
 
a list of 1014 titles
created 03 Apr 2012
 
a list of 806 titles
created 24 Aug 2012
 
list image
a list of 1000 titles
created 05 Feb 2013
 

Related Items


Connect with IMDb


Share this Rating

Title: The Age of the Earth (1980)

The Age of the Earth (1980) on IMDb 7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Age of the Earth.
1 nomination. See more awards »
Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Macabea has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time she listens... See full summary »

Director: Suzana Amaral
Stars: Marcelia Cartaxo, José Dumont, Tamara Taxman
Adventure | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »

Director: Glauber Rocha
Stars: Geraldo Del Rey, Yoná Magalhães, Othon Bastos
Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

In 1594 in Brazil, the Tupinambás Indians are friends of the Frenches and their enemies are the Tupiniquins, friends of the Portugueses. A Frenchman (Arduíno Colassanti) is captured by the ... See full summary »

Director: Nelson Pereira dos Santos
Stars: Arduíno Colassanti, Ana Maria Magalhães, Eduardo Imbassahy Filho
Comedy
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape.

Director: Tomás Gutiérrez Alea
Stars: Salvador Wood, Silvia Planas, Manuel Estanillo
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »

Director: Glauber Rocha
Stars: Jardel Filho, Paulo Autran, José Lewgoy
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Period piece about a Brazil that is no more. This movie is the sequel to "God and the Devil in the Land of the Sun" (Deus e o diabo na terra do sol), and takes place 29 years after Antonio ... See full summary »

Director: Glauber Rocha
Stars: Maurício do Valle, Odete Lara, Othon Bastos
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Banker, acting as an international front, lives dangerously among a blonde, a brunette and a dark woman, his lover.

Director: Rogério Sganzerla
Stars: Helena Ignez, Jorge Loredo, Maria Gladys
Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A man lives in conflict as he deals with his friends and love interests against the backdrop of São Paulo.

Director: Luís Sérgio Person
Stars: Ana Esmeralda, Eva Wilma, Otelo Zeloni
1968 (1968)
Documentary | Short
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: Glauber Rocha
Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A good but simple Christian dies, trying to keep his vow to Saint Barbara for her to save his donkey.

Director: Anselmo Duarte
Stars: Leonardo Villar, Glória Menezes, Dionísio Azevedo
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.

Director: Rogério Sganzerla
Stars: Helena Ignez, Jô Soares, Stênio Garcia
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Union leader's son doesn't want to engage in a strike, because his wife is pregnant, thus disregarding his father's tradition of political activism.

Director: Leon Hirszman
Stars: Gianfrancesco Guarnieri, Fernanda Montenegro, Carlos Alberto Riccelli
Edit

Cast

Credited cast:
Maurício do Valle ...
Brahms
Jece Valadão ...
Indian Christ
Antonio Pitanga ...
Black Christ
Tarcísio Meira ...
Military Christ
Geraldo Del Rey ...
Revolutionary Christ
Ana Maria Magalhães ...
Aurora Madalena
Norma Bengell ...
Amazon Queen
Danuza Leão ...
Brahms' Wife
Carlos Petrovicho ...
Mário Gusmão ...
Babalaô
Paloma Rocha ...
Young Woman
Rest of cast listed alphabetically:
Carlos Castelo Branco ...
Himself
Tetê Catalão
Vanderley dos Santos Catalão
Adelmo Rodrigues da Silva
Edit

Storyline

Add Full Plot | Add Synopsis
Edit

Details

Country:

Language:

Release Date:

17 November 1980 (Brazil)  »

Also Known As:

The Age of the Earth  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Final film of Glauber Rocha. See more »

Quotes

Brahms' Wife (Danuza Leão): Tyrants are always good at bed.
See more »

Connections

Featured in Glauber o Filme, Labirinto do Brasil (2003) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Glauber's (and Cinema Novo's) last film: the dying words of a revolutionary Third World artist
9 March 2006 | by (Rio de Janeiro, Brazil) – See all my reviews

"This film is a portrait of Brazil and of myself", stated director Glauber Rocha about his final film "A Idade da Terra", in an interview shortly before his sudden death in 1981, at 42, of pneumonia. "Idade..." is his grand epitaph: here you'll find the best and worst of Glauber's exuberant, allegoric, compulsive, revolutionary, verbose, ambitious and very individual style. There is no story-line: it's a collage of long scenes (mostly improvised) with the purpose of "reinventing Brazilian cinematic art, in the same way Villa-Lobos did with Brazilian music, Portinari and Di Cavalcanti did with Brazilian painting". Some have called it an "anti-symphony", where cinematic "noise" and "cacophony" would be part of a revolutionary artistic style. He was outraged by the fact that mainstream cinema still followed 19th-century literary paradigms (the predominance of dialog, narrative and plot over formal experiments) and wanted the movies to "finally enter the 20th century", to be as ground- breaking as the modernist painting movements. Glauber's original project for "Idade..." included having the 16 reels of the film being presented at random order, at the discretion of each projectionist in each movie session, never actually put into practice (the copy we see in VHS today is in the same order he screened at the Venice Film Festival).

"Idade..." had a long troubled genesis, as it began in 1978 and was only finalized two years later. Glauber was at the time a walking paradox: he was Brazil's most prestigious filmmaker on an international level, admired by Bertolucci, Godard and Buñuel; he had revolutionized Brazilian cinema at 24 y.old with his 2nd feature "Deus e o Diabo na Terra do Sol" (1964) becoming the leader of the Brazilian New Wave ("Cinema Novo"), creating a whole new aesthetics for third- world cinema, consolidated in his famous manifesto "Estética da Fome" (The Hunger Aesthetics). He had won two big prizes at Cannes (best director in 1969 for "Antonio das Mortes", and the Jury Prize for his 1977 iconoclast short "Di Cavalcanti"). And yet, by 1978 he was completely broke: he couldn't get financing, as his films were highly controversial and commercially unsuccessful. By then, he was in the habit of verbally attacking film critics and powerful media corporations, which didn't help matters. He was also living a private hell, as he -- a militant leftist -- was shunned by a league of important artists and intellectuals for expressing "sympathy" for the military regime in a 1975 controversial interview, as well as for hailing the new Pope (John Paul II), and was thought to be mentally disturbed. Still, he managed to raise enough money to buy a good amount of film stock and began shooting frantically with a shoe-string budget (he filmed a total of 36 hours, which he reluctantly reduced to the final version of 140 minutes).

Urgency is the key word here: it's as if he prophetically sensed this would be his last film. Glauber points his intellectual machine-gun at a multitude of themes: capitalism, militarism, imperialism, revolutionarism, Marxism, racism, sexism, religion and religious myths, pollution, the bourgeoisie, politicians, etc. Visually, the film has tints of cinéma-vérité (in the crowd scenes), expressionism (the 15-minute opening sequence representing the massacre of native indigenous peoples) and cubism (in some sequences, ALL the takes are included one after the other). Glauber's idea of acting was measured in decibels: not only the actors shout all the time, but he himself yells directions off-screen at the actors with his booming voice ("Fala mais alto, Danuza!!!").

"Idade…" is one of the last films to "believe" in avant-garde, experimental, uncompromising art films (as opposed to the omnipresent sense of commercialism we witness today, even from beginning filmmakers). It's from the days when films with political statements and philosophical discussions were welcome and relevant, when intellectual complexity was a plus and not "boring stuff". "Idade..." doesn't strive to be coherent, logical, accessible, entertaining: Glauber wants to provoke bewilderment and discomfort – and he certainly succeeds. It's a film of excesses: it's overlong, overly repetitive, overly digressive. It's a loud film from a loud man who didn't believe in subtlety. Glauber didn't even bother to write down his voice-over comments in "Idade...": he goes on and on ad libbing, thinking out loud in messianic speeches that are alternately lucid and maddeningly over the top. His famous inability to be succinct – both in films and real life – pays a price in his last film and it's no wonder that, by the end of the movie, we feel exhausted.

This is a film for audiences not afraid of experimentalism and controversy -- it's mandatory viewing for all interested in Glauber Rocha and as perhaps the last breath of Brazilian "Cinema Novo" movement. DO NOT watch this if you like conventional story-telling, clarity and subtlety. For the curious, open-minded, patient viewer, trust me: you've never seen a film quite like this.


30 of 34 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss The Age of the Earth (1980) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?