Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
Henry Graham lives the life of a playboy. When his lawyer tells him one day that his lifestyle has consumed all his funds, he needs an idea to avoid climbing down the social ladder. So he intends to marry a rich woman and - murder her.
CIA agent Miles Kendig decides to get out of 'the game' and to ensure he's left alone he threatens to send his memoirs to the world's intelligence agencies. When the CIA doesn't believe him, he calls their bluff and starts writing and sending out chapters one by one. Realizing that their operations would be compromised, the CIA (led by Myerson and Cutter) set out to put an end to Kendig's plan by whatever means necessary. The heart of the movie follows a game of cat and mouse between a fumbling CIA and an artful Kendig. Written by
P. Wong <firstname.lastname@example.org>
The film features a number of excerpts of classical music from composers Gioachino Rossini, Giacomo Puccini and Wolfgang Amadeus Mozart. These include Rossini's aria "Largo al Factotum" from the opera "The Barber of Seville"; Puccini's aria "Un Bel Di Vedremo" ("One Beautiful Day") from "Madame Butterfly"; and from Mozart, the K331 first movement of Mozart's Piano Sonata No.11; the K320 Posthorn Serenade; the andante movement from "Eine kleine Nachtmusik"; a K382 Rondo in D and the aria "Non Più Andrai" from the opera "The Marriage of Figaro", a fact that Mathau's character alludes to in a scene. Fraser based most of the film's entire score on Mozart. See more »
The Mrs. Myerson's voice in the two phone calls is different from that of actress Anne Haney who actually plays the part in a later scene. See more »
Hey Yaskov, how are ya?
Kendig. What as unexpected pleasure.
May I have it please?
I got it all on film, Yaskov. You don't want to deal with the West Germans, they don't like Russian Intelligence, you know that. Just give it to me, and we'll forget all about it.
I could make a run for it, you know.
Come on, Yaskov. You running, me chasing? We'd look like Laurel and Hardy.
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I think many of us were really surprised to see Criterion release Hopscotch, but glad, were all glad they did. Here Walter Matthau is reprimanded for allowing a wanted KGB agent to walk. Matthau's integrity is too precious to take guff from even the CIA. Subsequently, he does not take the news of being reassigned to the job of file clerk very well so he begins to write his memories, leaking secret information to the opposition. The ensuing chase is slapstick, a Spy vs. Spy comedy with great international locations. Frankly, using the cold war as a catalyst for comedy was long overdue by 1980. A great travel piece.
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