Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
Joseph Kotcher, a retired traveling salesman, lives with his son Gerald and daughter-in-law Wilma in Los Angeles. He dotes upon his young grandson Duncan irritating high-strung Wilma to the... See full summary »
CIA agent Miles Kendig decides to get out of 'the game' and to ensure he's left alone he threatens to send his memoirs to the world's intelligence agencies. When the CIA doesn't believe him, he calls their bluff and starts writing and sending out chapters one by one. Realizing that their operations would be compromised, the CIA (led by Myerson and Cutter) set out to put an end to Kendig's plan by whatever means necessary. The heart of the movie follows a game of cat and mouse between a fumbling CIA and an artful Kendig. Written by
P. Wong <email@example.com>
The photograph of Ned Beatty on the desk where Matthau is typing his book is first seen with a smiling face. As the writing continues throughout the film, the expression gradually changes to anger and is finally shot off the desk, the bullet hitting the middle of his forehead. See more »
The Mrs. Myerson's voice in the two phone calls is different from that of actress Anne Haney who actually plays the part in a later scene. See more »
Hey Yaskov, how are ya?
Kendig. What as unexpected pleasure.
May I have it please?
I got it all on film, Yaskov. You don't want to deal with the West Germans, they don't like Russian Intelligence, you know that. Just give it to me, and we'll forget all about it.
I could make a run for it, you know.
Come on, Yaskov. You running, me chasing? We'd look like Laurel and Hardy.
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I think many of us were really surprised to see Criterion release Hopscotch, but glad, were all glad they did. Here Walter Matthau is reprimanded for allowing a wanted KGB agent to walk. Matthau's integrity is too precious to take guff from even the CIA. Subsequently, he does not take the news of being reassigned to the job of file clerk very well so he begins to write his memories, leaking secret information to the opposition. The ensuing chase is slapstick, a Spy vs. Spy comedy with great international locations. Frankly, using the cold war as a catalyst for comedy was long overdue by 1980. A great travel piece.
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