Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe. But the Khazi of Kalabar... See full summary »
Leslie Howard plays Sir Percy Blakeney, an 18th century English aristocrat who leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground ... See full summary »
CIA agent Miles Kendig decides to get out of 'the game' and to ensure he's left alone he threatens to send his memoirs to the world's intelligence agencies. When the CIA doesn't believe him, he calls their bluff and starts writing and sending out chapters one by one. Realizing that their operations would be compromised, the CIA (led by Myerson and Cutter) set out to put an end to Kendig's plan by whatever means necessary. The heart of the movie follows a game of cat and mouse between a fumbling CIA and an artful Kendig. Written by
P. Wong <email@example.com>
The Oktoberfest scene at the beginning of the film was not staged. The filmmakers hid cameras to prevent people from knowing they were being filmed. See more »
There's a scene at Myerson's house in Savannah where Kendig is getting ready to start typing and sees a photo of Myerson. When the photo is first shown, Myerson is facing to the left of the screen, but when Kendig picks it up Myerson is facing to the right. The photograph changes several times later. In fact, each change is intentional, and is intended to show Myerson getting more frustrated and dour as the plot wears on, culminating in the picture being shot in the forehead (as explained in the introductory video on the DVD). See more »
Hey Yaskov, how are ya?
Kendig. What as unexpected pleasure.
May I have it please?
I got it all on film, Yaskov. You don't want to deal with the West Germans, they don't like Russian Intelligence, you know that. Just give it to me, and we'll forget all about it.
I could make a run for it, you know.
Come on, Yaskov. You running, me chasing? We'd look like Laurel and Hardy.
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A rare movie jewel, quirky, funny, intelligent, interesting, with a well paced, and well-developed in-depth story line. Realistic characters believably conveyed by the actors and full of great dialogue. There is no excess un-necessary fluff or overkill in this movie! All players carry their weight and are completely believable in their characterizations, operating, as one would expect normal people to communicate with each other, with intelligence and humor. All of this serves to amplify (Ned Beatty's) Myerson character making him look all the more obnoxious a lifelike caricature when compared to the other key players. This film is a creative alternative to the stale ridiculous explosions, un-necessary violence and 'shoot em ups' seen in many movies. Every aspect of the movie compliments the story line; it is shot on location in the natural settings of Europe and the U.S., which makes it visually attractive. There are no studio backdrops, with dark unrealistic settings. It is unendingly interesting and can be seen many times a year, without becoming old and tired. The only problem it has is the poor picture quality as film sometimes appears out of focus.
Jackson and Matthau are brilliant foils for each other, because despite their obvious age difference they are well matched by intelligence and wit, therefore coming off as a believable pairing as players of equal stature, eclipsing the obvious age issue altogether. This is a delightful movie has an apparent absence of Hollywood movie politics. This is one of the very best films I have ever seen for the all of above reasons.
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