James Hatcher embezzles ten million dollars from a joint mafia/CIA operation, leaving them squabbling with each other. Unemployed Lewis Kinney gets caught up in the intrigue, and must try ...
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Aboard the cargo vessel converted into a luxury cruise ship SS Campari somewhere in the Caribbean is lying in port due to a succession of delays. Chief Officer Johnny Carter, who has to put... See full summary »
In a post-apocalyptic world divided between two groups called the Flockers and the Ravagers, an adventurer and his "pleasure girl" try to find their way to a rumored safe haven called the Land of Genesis.
Threatened with recapture after a prison escape, Martin Stechert grabs a 12-year-old as hostage. He proves to be named Martin, too - a quiet "good little boy" always obeying the rules, whom... See full summary »
In the 19th century London, a young girl falls for a famous womanizing criminal and they decide to get married. Her family strongly disapproves so her father "the king of thieves" gets the gangster arrested.
An influential businessmen is stressed out by work. This leads to him being unable to perform in bed. He gets paranoid that his wife will start cheating on him. This idea, however, slowly becomes more and more appealing to him.
Richard Harris portrays Eitan, yesterday's football hero waiting for tomorrow. A man who has nothing left but guts. He consults the unheroic prospects of having to find a new profession and... See full summary »
James Hatcher embezzles ten million dollars from a joint mafia/CIA operation, leaving them squabbling with each other. Unemployed Lewis Kinney gets caught up in the intrigue, and must try to recover the money, while saving the beautiful Lise Hatcher (hopefully for himself). Written by
The Canadian movie "Highpoint" is a strange movie. On one hand, it wants to be a serious homage to the kind of thrillers Alfred Hitchcock made. But on the other hand, it also wants to be a kind of spoof of those Hitchcock movies. Needless to say, mixing the two tones results in quite a mess. It's obvious that the filmmakers tried to save this in the editing room, but the different tones still result in an inconsistent feeling. It doesn't help that each tone isn't very well done. The mystery angle isn't very clear, and the comedy is painfully unfunny (they even try doing a chase sequence Keystone Kops style.) The movie looks a lot better than most other Canadian movies from the same period (it obviously had an ample budget), but its slickness doesn't hide its unsatisfying soul. Only for viewers who really want to see how Canadians would do Hitchcock... or who want to see Christopher Plummer sport a ridiculous-looking moustache.
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