Michael Reynolds is a rich oncologist who has a $175,000 sports car, a multi-million dollar home, and a new boost in his career. Brandon 'Blue' Monroe is a dying patient who kidnaps ... See full summary »
An inside look at the hectic production of Heaven's Gate, the media circus that turned it into a synonym for movie flop and how it added to the tectonic change that occurred in Hollywood film studios after it infamously flopped.
In Michael Cimino's bleak anti-western based on events in 1890s Wyoming, Sheriff James Averill attempts to protect immigrant farmers from wealthy cattle interests, and also clashes with a hired gun, Nathan Champion, over the woman they both love. Both men find themselves questioning their roles in the furious conflict between wealthy landowners and European immigrants attempting to build new lives on the American frontier, which culminates in a brutal pitched battle. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
Michael Cimino had a very public falling out with production manager and longtime friend Charlie Okun at the wrap party. See more »
The pool table over which James and Nathan had their defining discussion in the landowners' club, is a Brunswick Regina model, which was produced between 1922 and 1925 - over 30 years after when the scene was set. See more »
A Masterpiece - I Thought There Were Only Three Of Us
Until today, I thought there only three people, including me, who considered Heaven's Gate (1980)to be a masterpiece and perhaps the last great western, (since the 1970), after, Little Big Man (1970), Jeremiah Johnson (1972), The Outlaw Josey Wales (1976) and The Long Riders (1980).
I was stunned and pleased to see that 22.5% of those voting at IMDB rate this movie a 10, as do I. A recent book, the Worst Movies of All Time, includes Heaven's Gate. Through it's production and release it was vilified, as no movie since Cleopatra, almost twenty years before. At one time it was considered the most expensive over-budget movie of all time, surpassing even Cleopatra. It was blamed for the downfall of its studio, United Artists, until everyone finally saw all the studios were falling. Michael Cimino, fresh from his glory with the Deer Hunter was hated and despised for his success and movie making excess, but clearly, that was petty jealousy at its worst.
Cimino ended up fashioning one of the great expositions of the American experience. This film is not to be missed but any serious student of American filmmaking.
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