It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to... See full summary »
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Monterey, California in the 1940's. Cannery Row - the section of town where the now closed fish canneries are located - is inhabited primarily by the down and out, although many would not ... See full summary »
In 1958, two teenagers take their pride and joy, a hopped-up Chevy, and start a cross-country journey to enter it in the National Championship drag races in California. Along the way they ... See full summary »
A seeming good Samaritan (Debra Winger) hires a private detective (Nolte) to prove a teen sitting in prison on a murder charge is innocent. His investigation discovers deep corruption in a ... See full summary »
Beat Legend William S. Burroughs visited the set one day, and wrote about it in 'Rolling Stone' magazine, feeling "the past hung in the air" due to the realism in the film. When sitting with Nick Nolte who played Neal, Burroughs "felt Neal sitting there in his cheap 1950s suit with the sleeves pulled up." (source: 'Literary Outlaw - The Life and Times of William S. Burroughs'.) See more »
Writer director John Byrun's Hollywood whitewash of the Beat Generation completely ignores its most conspicuous trait, settling for routine conformity over the uninhibited freedom, which gave the movement its energy and impetus. Instead of following their example the film tiptoes respectfully through the rebellious antics of Jack Keruac and Neil Cassidy, in tepid portraits calculated not to offend anyone, least of all Carolyn Cassidy, whose memoirs inspired the film and whose blessing the makers obviously courted. Nick Nolte (as Cassidy) fares best, but only for lack of adequate comparison; John Heard's portrayal of Keruac makes the over-indulgent writer seem a confused but nice young man unable to measure up to his own legend, and Byrun apparently never bothered to give Sissy Spacek a character at all. Each is simply a two-dimensional reduction of a historical archetype, and none is able to save the film from cardiac arrest.
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