It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to... See full summary »
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic ... See full summary »
In 1958, two teenagers take their pride and joy, a hopped-up Chevy, and start a cross-country journey to enter it in the National Championship drag races in California. Along the way they ... See full summary »
Monterey, California in the 1940's. Cannery Row - the section of town where the now closed fish canneries are located - is inhabited primarily by the down and out, although many would not ... See full summary »
A seeming good Samaritan (Debra Winger) hires a private detective (Nolte) to prove a teen sitting in prison on a murder charge is innocent. His investigation discovers deep corruption in a ... See full summary »
When _Sissy Spacek_ was told that she did not have the role in _Heart Beat_, she broke a glass of wine in her hands. The producer was so impressed by the gesture, that he ultimately gave Spacek the role. He handed her a piece of shattered glass and said "this clinched the deal". See more »
This was a find with On-Demand. The price was right (free)and I could watch it without leaving the house, so nothing was lost except time. That being said, this is probably a film that fans of Nick Nolte, Ray Sharkey and Beat Generation culture would enjoy. Nolte is in the waning days of his "pretty boy" phase, but he gives a gritty performance. Ray Sharkey's maniacal turn as Ira makes you wonder "what-if" all the more. The Beat Generation backdrop seems a little too clean at times, but it gets a fair shot. However, Sissy Spacek is handed a character that she can't do anything with. This comes from the overly broad brush strokes that the filmmaker uses, which leaves little room for Spacek to work.
All in all, not a bad film; just not one for the ages.
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