Monterey, California in the 1940's. Cannery Row - the section of town where the now closed fish canneries are located - is inhabited primarily by the down and out, although many would not ... See full summary »
Murderous, sadistic London gang leader Vic Dakin, a mother-obsessed homosexual modeled on real-life gangster Ronnie Kray, is worried about potential stool pigeons that may bring down his ... See full summary »
Just released from prison, a young woman arrives in town to "start a new life", but soon begins stalking a married construction worker for no apparent reason, turning his life inside out and eventually terrorizing him and his wife.
In 1958, two teenagers take their pride and joy, a hopped-up Chevy, and start a cross-country journey to enter it in the National Championship drag races in California. Along the way they ... See full summary »
Fed up with the inhumane prison living conditions, a general prison riot breaks out, leading to hostage-taking, a stand-off with the guards and eventual negotiations with the prison administration officials.
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
In this tense story of an unusual romantic triangle, middle-aged Ann (Vanessa Redgrave) and her teenage daughter Joanna (Susan George) manage a failing hotel on an island off the British ... See full summary »
Near-brilliant production design and art direction; the rest is middling...
Fictionalized account of the friendship between writers Nick Cassady and Jack Kerouac, members of the so-called Beat Generation of the late 1950s. Writer-director John Byrum takes a sketchy, connect-the-dots approach to these famous people, and his opaque screenplay, adapted from Carolyn Cassady's memoirs, leaves the actors (Nick Nolte as Cassady, John Heard as Kerouac, Sissy Spacek as Carolyn) often looking as if they haven't been clued-in. There are moments when the cast and the well-realized surroundings warrant far more interest than the story or the dialogue, and that's a weak obstacle in a film about writers. The film is also extremely somber, with only bits and pieces of quirky humor (thanks to a supporting turn by Ray Sharkey) to elevate the depressive air of self-conceit. Visually impressive production, solid work from the men, but Spacek's role is underwritten. ** from ****
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