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The Happy Hooker Goes Hollywood (1980)

R | | Comedy | 4 June 1980 (USA)
A madcap comedy about Xaviera's attempt to make a film in Hollywood based on her book. Getting mixed up with some of the biggest crooked producers in town, she beats them all at their own game, and makes the film without them.

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(screenplay), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Robby Rottman
...
Lionel Lamely
...
Joseph Rottman
...
...
George
...
Laurie
Alexandra Morgan ...
Max
Tanya Boyd ...
Sylvie
Susan Kiger ...
Susie
Randi Brough ...
Twin
Candi Brough ...
Twin
Lindsay Bloom ...
Chris
Betty Jean Samuelson ...
Joy Pecker
Jack Perkins ...
Drunk Conventioner
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Storyline

A madcap comedy about Xaviera's attempt to make a film in Hollywood based on her book. Getting mixed up with some of the biggest crooked producers in town, she beats them all at their own game, and makes the film without them.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

4 June 1980 (USA)  »

Also Known As:

Giarrettiera tutta matta  »

Company Credits

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Technical Specs

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Did You Know?

Goofs

On the audio track, Xaviera says, "Call Jake at the lab and make sure we'll have the film by six", but you can see her mouth the words "by four". A few seconds later, Maxine says "six o'clock" twice, but you can see she said "four o'clock" both times. See more »

Quotes

Warkoff: [to Xaviera] I'm willing to let bygones by like spilled milk, so why don't you let sleeping dogs do that and let me make it up to you?
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Connections

References Last Rites (1980) See more »

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User Reviews

Dreadful...
10 May 2002 | by See all my reviews

This movie purports to show us the background to how the orginal "Happy Hooker" movie was made (with Lynn Redgrave in the original). Hollywood parties abound with producers telling Xavier how successful the movie will be. Imn fact, both movie, this and original look like they were made on about $30 budget, with compellingly awful 1970's cheapo production values. Martine Beswick has a nice figure, but hardly worth the intellectual insult required to make it to those scenes. Absolutely ghastly in about every sense.


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