Hamlet, Prince of Denmark (1980) (TV)

Director:

Rodney Bennett

Writer:

William Shakespeare (play)

Release Date:

10 November 1980 (USA)

Genre:

Drama

Plot:

Hamlet comes home from university to find his uncle married to his mother, and his father's ghost haunting the battlements and scaring the watch...

Plot Keywords:

Ghost | Revenge | Brother Sister Relationship | Friendship | Queen

Cast

Derek Jacobi	...	Hamlet
Claire Bloom	...	Gertrude
Patrick Stewart	...	Claudius
Eric Porter	...	Polonius
Lalla Ward	...	Ophelia
David Robb	...	Laertes
Patrick Allen	...	Ghost of Hamlet's Father
Robert Swann	...	Horatio
Jonathan Hyde	...	Rosencrantz
Geoffrey Bateman	...	Guildenstern
Emrys James	...	First Player (King)
Jason Kemp	...	Second Player (Queen)
Geoffrey Beevers	...	Third Player (Lucianus)
Bill Homewood	...	Player in the mime, King
Peter Richard	...	Player in the mime, Queen

Also Known As:

Hamlet
The Complete Dramatic Works of William Shakespeare: Hamlet, Prince of Denmark (USA) (video title)

Runtime:

USA:210 min

Country:

UK | USA

Language:

English

Color:

Color

Company:

British Broadcasting Corporation (BBC)

Trivia:

Patrick Stewart plays Derek Jacobi's stepfather despite actually being two years younger.

Movie Connections:

Version of Hamlet (2000/II) (TV)

The Doughnut Has A Hole In It

What a great play! Shakespeare really is more rich and detailed here than just about anywhere else.This particular production of Hamlet has great virtues. It also has a vacuum at the center that really kills it.

Eric Portman, who usually played mournful death's heads like Soames Forsyte, here plays the best Polonius I've ever seen - a man of gravity and wisdom floating off into dottiness. Claire Bloom as Gertrude is, as usual, faultless in Shakespeare, completely natural in both language and understanding. Patrick Allen is a restrained and powerful Ghost, thinning out his rich voice into a dry and austere insistence. Robert Swann brings warmth and dignity to Horatio.

That being said, there are problems. Patrick Stewart early in his career seems a bit lost, often setting the Indoor Iambic Pentameter Speed Record by simply gabbling his speeches at the expense of meaning.

Lalla Ward's Ophelia is acceptable in her Mad Scene, but not so in what leads up to it, where she enjoys being watched a little too much. David Robb's Laertes is OK when quiet, without resources at top volume.

Rodney Bennett, more at home with Dr. Who episodes, hasn't a clue about directing Shakespeare. Shot out of sequence in 8 days, the scenes lack emotional flow from one to the next, unusual in this BBC series. Patrick Stewart's hairpiece migrates distractingly up and down his pate, and Hamlet himself has two different haircuts. But the real problem is the star.

Derek Jacobi followed a West End run as Hamlet with a two-year tour that took him all over the UK and the Far East. Taped immediately after his return, this DVD shows him ossified and stale, gimmicky and unable or unwilling to scale his performance down for TV.

Hamlet's soliloquies are directed to the camera, which works only if we are addressed as individual viewers, not as a public gathering. Here they are overstated and wearisome.

Especially in the first half, Jacobi's performance is often trivial silliness, as one audience-tested piece of shtick follows another with trip-hammer inevitability. Hamlet's bawling during the Ghost's speech is mere scene-stealing, and his subsequent collapse in a fit is just awful to watch, like diving off the high board into an empty swimming pool. Hamlet's scene with Ophelia is remarkably vicious, the one with Gertrud genuinely distasteful. Only as events speed up to a final climax does Jacobi even begin to pull himself together.

Throughout, Derek Jacobi performs with one hand holding a mirror, so he can watch what he's doing. Worse, he likes what he sees. I presume this kind of calculation of effect can work on stage, but with a camera up his nose, it's unbearable.

This is probably why Sir Ian McKellan has made a screen career and Jacobi hasn't. A film or TV actor doesn't project to the audience, he lets the camera read his mind. Jacobi, by contrast, alternates between megaphone and sledgehammer. For me, Jacobi remains a superficial, inconsequential Hamlet compared to Olivier or Burton.

A strong director might have been able to bring all this under control, but that's not what happens here. A humane Polonius and genuine Gertrude can't compensate for a self-indulgent Hamlet, a tentative Claudius and a weak hand on the tiller.

The BBC is sitting on a 1964 Hamlet actually filmed at Elsinore Castle with Christopher Plummer, Robert Shaw, Michael Caine and Donald Sutherland. May we see that please?