A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be ... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Sharon Stone plays a street-wise, middle-aged moll standing up against the mobs, all of which is complicated by a 6 year old urchin with a will of his own who she reluctantly takes under ... See full summary »
Ghost is an idealogical musician who would rather play his blues in the park to the birds than compromise himself. However, when he meets and falls in love with beautiful singer, Jess ... See full summary »
Psychologist Dr. Matthew Clark is the head of the Crawthorne State Training Institute, one of the first boarding schools for developmentally challenged children. Dr. Clark is sympathetic ... See full summary »
Mild mannered Jack Dawn has been secretly working as an accountant for the mob. He, his Puerto Rican wife Jeri, his teen-aged daughter Joan and his mother-in-law, all who were planning on going on the run, are murdered by the mob because Jack was going to inform on them to the FBI. Before they're killed, Jack and Jeri are able to send their six-year old son Phil to Jeri's friend and their neighbor, Gloria Swenson, for safe keeping. Also with Phil is the book which contains all the information Jack was going to turn over. Gloria and Phil have an antagonistic relationship, not so much for who they are but what they are, Phil a kid, and Gloria a strange white woman who hates kids. As an ex-mistress of a mobster, Gloria learns that the people that killed the Dawns are old friends of hers. As Gloria and Phil go on the run both from the mob and from the authorities (who believe she kidnapped Phil) throughout New York City, Gloria has to come up with a plan on how best to save themselves, ... Written by
Principal photography on the picture was marred by conflict between writer-director John Cassavetes and the Columbia Pictures studio. The film's cinematographer Fred Schuler has said: "If you'd talk about money, well, that was exactly what John didn't want to hear". See more »
I'm not going with you.
Hey; I got no time to play games with you, kid.
I am the man. I am the man. I am the man, do you hear me? I am the man! I am the man! Not you, you're not the man! Do you hear me?I'll do anything I can. I am the man!
Hey. Hey! Hey... come on, let me see. Come on. Come on, kid. You are not the man. You don't listen, you don't know everything. You're driving me crazy.
See more »
I caught this on TV once and was blown away by its energy and spontaneity. Gena Rowlands is as good in it as everyone says, with some real surprises. The point about the kid coming out with "grown up" mock-heroic phrases at some points is that he's picked all that stuff up from the movies and listening to his parents' gangster friends. It's supposed to be funny - he keeps shouting "I'm the Man" when he patently isn't.
The movie takes action/gangster movie genre conventions by the scruff of the neck and shakes them till interesting stuff falls out. The editing and cinematography are great. New York looks gritty but beautiful.
True the film is kind of rough round the edges, I guess down to Cassavetes' improvisatory style, however it's a lot more accessible than most of his work and you should see it if you get the chance.
27 of 29 people found this review helpful.
Was this review helpful to you?