| Cast overview, first billed only: | |||
| Julie Carmen | ... |
Jeri Dawn
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Tony Knesich | ... |
1st Man - Gangster
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Gregory Cleghorne | ... |
Kid in Elevator
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| Buck Henry | ... |
Jack Dawn
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John Adames | ... |
Phil Dawn
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Lupe Garnica | ... |
Margarita Vargas
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Jessica Castillo | ... |
Joan Dawn
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| Tom Noonan | ... |
2nd Man - Gangster
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Ronald Maccone | ... |
3rd Man - Gangster
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George Yudzevich | ... |
Heavy Set Man
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| Gena Rowlands | ... | ||
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Gary Howard Klar | ... |
Irish Cop
(as Gary Klar)
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William E. Rice | ... |
TV Newscaster
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Frank Belgiorno | ... |
Riverside Drive Man #5
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J.C. Quinn | ... |
Riverside Drive Man #4
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Mild mannered Jack Dawn has been secretly working as an accountant for the mob. He, his Puerto Rican wife Jeri, his teen-aged daughter Joan and his mother-in-law, all who were planning on going on the run, are murdered by the mob because Jack was going to inform on them to the FBI. Before they're killed, Jack and Jeri are able to send their six-year old son Phil to Jeri's friend and their neighbor, Gloria Swenson, for safe keeping. Also with Phil is the book which contains all the information Jack was going to turn over. Gloria and Phil have an antagonistic relationship, not so much for who they are but what they are, Phil a kid, and Gloria a strange white woman who hates kids. As an ex-mistress of a mobster, Gloria learns that the people that killed the Dawns are old friends of hers. As Gloria and Phil go on the run both from the mob and from the authorities (who believe she kidnapped Phil) throughout New York City, Gloria has to come up with a plan on how best to save themselves, ... Written by Huggo
I caught this on TV once and was blown away by its energy and spontaneity. Gena Rowlands is as good in it as everyone says, with some real surprises. The point about the kid coming out with "grown up" mock-heroic phrases at some points is that he's picked all that stuff up from the movies and listening to his parents' gangster friends. It's supposed to be funny - he keeps shouting "I'm the Man" when he patently isn't.
The movie takes action/gangster movie genre conventions by the scruff of the neck and shakes them till interesting stuff falls out. The editing and cinematography are great. New York looks gritty but beautiful.
True the film is kind of rough round the edges, I guess down to Cassavetes' improvisatory style, however it's a lot more accessible than most of his work and you should see it if you get the chance.