| Gilda Radner | ... | Herself / Various Characters | |
| Don Novello | ... | Father Guido Sarducci | |
| Paul Shaffer | ... | Don Kirshner / The Candy Slice Group | |
| Nils Nichols | ... | Roadie | |
| Bob Christianson | ... | Audition scene pianist | |
| Howard Shore | ... | The Candy Slice Group (as The Candy Slice Group) | |
| Diana Grasselli | |||
| Miriam Valle | |||
| Maria Vidal | |||
| rest of cast listed alphabetically: | |||
| Johnny Caruso | ... | The Candy Slice Group (as The Candy Slice Group) | |
| G.E. Smith | ... | The Candy Slice Group (as The Candy Slice Group) | |
Directed by | |||
| Mike Nichols | |||
| Lorne Michaels | (uncredited) | ||
Writing credits | ||
| Anne Beatts | and | |
| Lorne Michaels | and | |
| Marilyn Suzanne Miller | and | |
| Don Novello | and | |
| Michael O'Donoghue | and | |
| Gilda Radner | and | |
| Paul Shaffer | and | |
| Rosie Shuster | and | |
| Alan Zweibel | ||
Produced by | |||
| Barbara Burns | .... | associate producer | |
| Ron Delsener | .... | producer | |
| Burtt Harris | .... | associate producer | |
| Lorne Michaels | .... | producer | |
Original Music by | |||
| Marvin Hamlisch | |||
| Cheryl Hardwick | |||
| Michael O'Donoghue | |||
| Paul Shaffer | |||
Cinematography by | |||
| Ted Churchill | |||
Film Editing by | |||
| Ellen Hovde | |||
| Lynzee Klingman | |||
| Muffie Meyer | |||
Production Design by | |||
| Eugene Lee | |||
| Franne Lee | |||
Costume Design by | |||
| Franne Lee | |||
| Karen Roston | |||
Makeup Department | |||
| Lyndell Quiyou | .... | hair designer (as Lyn Quiyou) | |
Production Management | |||
| Burtt Harris | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | first assistant director | |
Art Department | |||
| Basil Pao | .... | logo designer | |
Sound Department | |||
| Stan Bochner | .... | sound editor | |
| Jon Christodoulou | .... | sound recordist | |
| Abe Jacob | .... | sound designer | |
| Hal Levinsohn | .... | sound editor | |
| Robert Liftin | .... | sound re-recording mixer | |
| Harry Peck Bolles | .... | apprentice sound editor | |
Camera and Electrical Department | |||
| Richard Avedon | .... | still photographer | |
| Edie Baskin | .... | still photographer | |
| Roger Morgan | .... | lighting design | |
| Gary Muller | .... | camera coordinator | |
Costume and Wardrobe Department | |||
| Laurie Hudson | .... | wardrobe | |
Editorial Department | |||
| Harry Peck Bolles | .... | apprentice editor | |
Music Department | |||
| Bob Christianson | .... | assistant conductor | |
| Bob Christianson | .... | musician | |
| Jack Fitzstephens | .... | music editor | |
| Diana Grasselli | .... | musician | |
| Paul Shaffer | .... | music consultant | |
| Earl Shendell | .... | music coordinator | |
| G.E. Smith | .... | musician: guitar | |
| Miriam Valle | .... | musician | |
| Maria Vidal | .... | musician | |
Other crew | |||
| Alisa Adler | .... | production stage manager | |
| Patricia Birch | .... | choreographer | |
| Ron Delsener | .... | original Broadway production presented by | |
| Rick Derby | .... | production assistant | |
| Cherie Fortis | .... | production assistant | |
| Gary Gunas | .... | assistant general manager | |
| Kenneth Hunter | .... | title designer | |
| Kenneth Kneitel | .... | slide projectionist | |
| Marvin A. Krauss | .... | general manager | |
| Lorne Michaels | .... | original Broadway production produced and directed by | |
| Sheldon Roskin | .... | general press representative | |
| Lee Solters | .... | general press representative | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
For years I watched this movie on a personal videotape with all the dross edited out---most of which contains Don Novello (aka Father Sarducci) filling up time while Gilda Radner changes costumes backstage. Recently seeing the film "uncut", I cannot begin to say how Novello drags this down. He is the worst kind of unfunny comedian, with smug, pothead observations about life stemming from the obviousness of the human condition and dated bits of politics which are no longer topical. Radner, on the other hand, is amazing in her sets: rarely frantic or desperate for laughs, she plows right through if a joke happens to bomb. If only Hollywood could've tapped into this bottle of unabashed energy and self-delight, we might've seen Gilda in some hot comedies. Her takes on Emily Litella and Roseanne Roseannadanna are outrageously funny, her timing so sweet when she sings "The Way We Were" as Lisa Loopner, her wit sharp but always tempered with love. She clearly was one-of-a-kind, proving that Hollywood does make mistakes--one of them being its inability to turn this crowd-pleasing woman into a star. **1/2 from ****