It's been three years since the destruction of planet La Maetel, but the Machine Empire is as great of a threat as ever. Teen Tetsuro, now a rebel fighter, learns that Galaxy Express 999 is returning and that Maetel is on it.
In 2977, mankind has space colonies, machines do all the work and everyone just wants to have fun. When deadly plant-based aliens that look like women attack the Earth in order to colonize it, only one rogue captain can stop them.
Cobra, a famous space pirate with a psycho-gun hidden in his left arm, supposed dead for two years, is back in action. He falls for bounty huntress Jane Flower, whom crime lord Necron wants dead, and tries to help her save her world.
In this extended version of Galaxy Express 999 third episode, the main character, a boy Tetsuro, befriends Crystal Claire who works on the space train and has a glass body. He thinks he also saw his mother, but he's dead wrong.
Lum is a cheerful alien who now lives with her human fiancée, Ataru and her goods friends on earth. The night before the school festival, the world begins to change, things seem to be ... See full summary »
Tetsuro Hoshino, orphaned by the Cyborgs, lives in a slum in the shadow of their megapolis. He steals a pass for Galaxy Express 999, and is saved by a mysterious woman called Maitre, a living image of his mother who had been killed by the Cyborgs. Wearing a special pendant, he sets out for Andromeda where he can obtain eternal life and avenge his parents' death. On his odyssey, he meets a gallery of fantastic characters that help him exterminate the evil Star of Andromeda which had been giving mechanical bodies to rich human beings. Written by
L.H. Wong <email@example.com>
I saw this as a child in the late eighties and I must say, Galaxy Express is one of those films that sticks in your imagination for a long time. If you've never understood the appeal of anime, discovering this film may be your golden ticket to Otaku-town.
The story is as delicate and poetic as Ridley Scott's Blade Runner. The cell animation, while somewhat traditional, possesses a vivid style that explosively portrays Leiji Matsumoto's great talent for character design and visual storytelling.
This is one of those unique children's films like Star Wars, The Dark Crystal and The Wizard of Oz that completely transcends 'family entertainment' status and stands as a classic of cinema on its own terms.
I highly recommend this film.
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