A military-engineered virus, released during a plane crash, kills the entire human population. The only survivors are scientists in Antarctica, who desperately try to find a cure and save ... See full summary »
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After five years of searching, a very disturbed man seeks revenge on a hacker over a computer virus that destroyed his life and family. Follow along on this psychological thriller and watch... See full summary »
A military-engineered virus, released during a plane crash, kills the entire human population. The only survivors are scientists in Antarctica, who desperately try to find a cure and save what is left of the planet from further destruction. Written by
Purprtedly a version of this film begins with the submarine Nereid visiting Japan, allowing Yoshizumi a last look at his homeland. The trip does not fit in with the sequence this scene fits into, in which the sub is on a desperate race against time from Antarctica to Washington, DC to deactivate a doomsday device. It is improbable that the sub would detour to the other side of the world for nostalgic reasons. However, the extended (Japanese) version begins with a flash-forward to Dr. Yoshizumi walking down to Patagonia and his last trip in the Nereid takes the direct route from Palmer Station to Washington, DC. See more »
The Japanese version mixes English and Japanese writing during the opening credit sequence. The English-speaking actors' names are in English and the Japanese cast and crew members' names are in Japanese. See more »
I played a Russian army officer. I remember the director chewing me out in Japanese and with animated gestures, because I was not standing with as rigid and military a posture as was expected of an army officer. I was on set with many of the lead actors: Chuck Connors, well past his "Rifleman" days, quipped between takes: "Not bad for fourteen grand a day." Bo Svenson: He carried a whoopie cushion and sidled up to people, making fart sounds, which he thought was hilarious. He also took a lot of pride in showing us his underwater demolition license. George Kennedy: Self-absorbed, sullen and forbidding, spoke with no one. Those three were all really big, tall men. Edward J. Olmos: Nice guy, friendly, engaging. Cec LInder: Liked to play poker between scenes. A very elegant gentleman, exuded mentshlekhkayt. Olivia Hussey: Stayed in her dressing room most of the time, listening to Bob Dylan on a cassette-player. One time, she made her way to the set to watch a scene being filmed and said "hello." She was a breathtakingly beautiful woman, famous for being in Zefirelli's "Romeo and Juliet."
This, I'll never forget ( and no disrespect intended): Local Toronto actor Ara Hovanessian was cast in a small part. He had a dressing room with his name written on a piece of paper tacked to the door. Figuring it would be a positive career move -???- he tore off the "essian," and re-named himself there and then. I can still that crudely ripped piece of paper in my mind. Ah, show-business . . .
Wolf Krakowski Kame'a Media: www.kamea.com
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