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Directed by | |||
| John Carpenter | |||
Writing credits | ||
| John Carpenter | (written by) and | |
| Debra Hill | (written by) | |
| Edgar Allan Poe | quotation (uncredited) | |
Produced by | |||
| Barry Bernardi | .... | associate producer | |
| Charles B. Bloch | .... | executive producer | |
| Pegi Brotman | .... | associate producer | |
| Debra Hill | .... | producer | |
Original Music by | |||
| John Carpenter | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Charles Bornstein | |||
| Tommy Lee Wallace | |||
Production Design by | |||
| Tommy Lee Wallace | |||
Art Direction by | |||
| Craig Stearns | |||
Costume Design by | |||
| Stephen Loomis | (as Steven Loomis) | ||
| Bill Whitten | |||
Makeup Department | |||
| Rob Bottin | .... | special makeup | |
| Tina Cassady | .... | hair stylist | |
| Dante Palmiere | .... | makeup artist | |
| Edward Ternes | .... | makeup artist (as Ed Ternes) | |
| Erica Ueland | .... | makeup artist | |
| Steve Johnson | .... | special makeup effects assistant (uncredited) | |
Production Management | |||
| Don Behrns | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director | |
| James van Wyck | .... | second assistant director (as James Van Wyck) | |
Art Department | |||
| Kathleen Hughes | .... | props | |
| Randy Moore | .... | assistant art director (as Charles R. Moore) | |
Sound Department | |||
| Gregg Barbanell | .... | foley artist | |
| Gregg Barbanell | .... | supervising sound editor | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Ken Dufva | .... | foley artist | |
| Craig Felburg | .... | sound mixer | |
| Ron Horwitz | .... | supervising sound editor | |
| Bob Minkler | .... | sound re-recording mixer | |
| Bob Newlan | .... | assistant sound editor | |
| Frank Serafine | .... | special sound effects | |
| William L. Stevenson | .... | sound designer: Stevensound Inc. (as William Stevenson) | |
| Richard Tyler | .... | sound re-recording mixer (as Dick Tyler) | |
| Elliot Tyson | .... | foley mixer | |
| Ray West | .... | sound re-recording mixer | |
Special Effects by | |||
| Richard Albain | .... | special effects: A. & A. Special Effects (as Richard Albain Jr.) | |
| Rob Bottin | .... | effects: Blake | |
| Dean Cundey | .... | effects: Blake | |
Visual Effects by | |||
| James F. Liles | .... | special photographic effects | |
Stunts | |||
| James Winburn | .... | stunt driver (as James Windburn) | |
| Mags Kavanaugh | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Scott Buttfield | .... | electrician (as Scott Butfield) | |
| Tim Doughten | .... | grip | |
| Steven Fierberg | .... | electrician (as Steve Fierberg) | |
| Kim Gottlieb | .... | still photographer | |
| Ben Haller | .... | key grip | |
| Steve Mathis | .... | best boy electric | |
| David Michels | .... | grip (as Dave Michels) | |
| Krishna Rao | .... | second assistant camera | |
| Dylan Shephard | .... | best boy (as Dylan Shepherd) | |
| Stephen St. John | .... | first assistant camera (as Steve St. John) | |
| Raymond Stella | .... | camera operator | |
| Raymond Stella | .... | director of photography: second unit | |
| Mark Walthour | .... | gaffer | |
Costume and Wardrobe Department | |||
| Richard Bloore | .... | wardrobe master | |
Editorial Department | |||
| Joe Woo Jr. | .... | assistant editor | |
Music Department | |||
| Jim Cypherd | .... | music mixer | |
| Bob Walters | .... | music coordinator (as Bob Walter) | |
| Dan Wyman | .... | electronic orchestrator | |
Other crew | |||
| Donald P. Borchers | .... | production accountant (as Don Borchers) | |
| Mary Francis Flynn | .... | production assistant | |
| Alexandra Hawler | .... | production assistant | |
| Burke Mattsson | .... | title designer | |
| Steve McMillian | .... | production assistant | |
| Ed Pine | .... | unit publicist | |
| Jeanne Rosenberg | .... | script supervisor | |
| Katy Sweet | .... | unit publicist | |
| Dan Wyman | .... | electronic realization | |
| Randy Zook | .... | production assistant | |
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| Darkness Falls | The Howling | Twitch of the Death Nerve | Kill Bill: Vol. 1 | The Night of the Hunter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The Fog is an instant horror classic from the first scene- a salty, old sailor tells a group of young children the true story of a ghostly, wrecked ship. The scene was so simple yet so thrilling that the viewer is hooked (no pun intended) for the rest of the film. The cast is great and the music sets the tone just as it did for Halloween. The best part of the film is that it made no attempt to explain everything away in a hokey horror sense (Why are the bodies returning to life?). Things happen simply because they happen. Much like Night of the Living Dead, the characters are not concerned with why they are in danger, but more concerned with getting out of danger. On a side note, John Carpenter has the best endings of any filmmaker on the market. Just as Halloween and The Thing both ended with a sense of foreboding and silent terror, The Fog ends with style and allows the viewer one final scare. A definite hit!!!