The inhabitants of Antonio Island, off the coast of Oregon, are about to unveil a statue honoring the four men (Castle, Wayne, Williams and Malone) who founded their town in 1871. Nick ... See full summary »
The centenary of the small seaside town of Antonio Bay, California is approaching. One hundred years ago, the wealthy leper Blake bought the clipper ship Elizabeth Dane and sailed with his people to form a leper colony. However, while sailing through a thick fog, they were deliberately misguided by a campfire onshore, steering the course of the ship toward the light and crashing her against the rocks. While the townsfolk prepare to celebrate, the victims of this heinous crime that the town's founding fathers committed rise from the sea to claim retribution. Under cover of the fog, they carry out their vicious attacks, searching for what is rightly theirs. Written by
Mark Harding <email@example.com>
While celebrating its centenary birthday, a small Californian coastal town is visited by a ghostly fog containing an army of murderous spirits who take revenge for a terrible injustice.
Released on a wave of expectation following the worldwide success of John Carpenter's HALLOWEEN (1978), THE FOG surprised everyone by generating only moderate returns at the US box-office, though it's arguably the better of the two films. Beautifully photographed by Carpenter stalwart Dean Cundey (BACK TO THE FUTURE, JURASSIC PARK, etc.), this unassuming 'ghost story' opens on a lonely clifftop at midnight, where crusty old sea dog John Houseman tells an audience of wide-eyed children how their home town was built on the foundations of tragedy. As with HALLOWEEN, the pace is slow but steady, punctuated by a series of well-judged scares, and there's a relentless accumulation of details which belies the script's modest ambitions.
Jamie Lee Curtis headlines the movie opposite her real life mother Janet Leigh, though Hal Holbrook takes the acting honors as a frightened priest who realizes the town was founded on deception and murder. As the fog rolls in, the narrative reaches an apocalyptic crescendo, as the film's principal cast are besieged by zombie-like phantoms inside an antiquated church, in scenes reminiscent of NIGHT OF THE LIVING DEAD (1968). Scary stuff, to be sure, though Carpenter was forced to add new material during post-production in an effort to 'beef up' the movie's horror quotient, including a memorable late-night encounter between a fishing boat and the occupants of a ghostly schooner which looms out of the swirling fog (similar scenes would be added to HALLOWEEN II in 1981 for the same reasons, though under less agreeable circumstances). Production values are solid, and Carpenter cranks up the tension throughout, resulting in a small masterpiece of American Gothic. Highly recommended.
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