5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
In this update of the 1930s comic strip, Flash Gordon is a football hero who is skyjacked aboard Dr. Hans Zarkov's rocketship along with beautiful Dale Arden. The threesome are drawn into the influence of the planet Mongo, ruled by Emperor Ming the Merciless. Ming has been testing the Earth with unnatural disasters, and deeming it a threat to his rule, he plans to destroy it. He also intends to take Dale as his concubine. Flash must avoid the amorous attentions of Ming's daughter, and unite the warring kingdoms of Mongo to rescue Dale and save our world. Written by
David Thiel <firstname.lastname@example.org>
The movie came about when producer Lou Scheimer, seeking additional funding for his animated NBC movie of the week Flash Gordon: The Greatest Adventure of All (1982), turned to Dino De Laurentiis, who agreed to help out if Scheimer could finagle the rights for him to make a theatrical film. Impressed with Scheimer's results and the prospect of cashing in on the theatrical version, NBC shelved the animated movie for a handful of years, had Scheimer's company recut it and turn it into the Saturday morning series Flash Gordon (1979). See more »
During the fight between Flash and Prince Barin, the cuts on both men from the whips (especially the cuts on the face) change positions and sometimes disappear altogether. See more »
The Emperor Ming:
Klytus, I'm bored. What play thing can you offer me today?
An obscure body in the S-K System, Your Majesty. The inhabitants refer to it as the planet Earth.
The Emperor Ming:
How peaceful it looks.
[He activates a console, and watches as earthquakes, floods, etc. start to occur. They both get a good laugh out of it]
Most effective, Your Majesty. Will you destroy this Earth?
The Emperor Ming:
Later. I like to play with thing a while before annihilation.
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The opening credits are being played along with various clips of the original comic book strips, along with drawings of character models, all accompanied by the trademark song "Flash" by Queen. See more »
Some people aren't too fond of this version; it failed at the box office and many fans hate the camp, which, for me, works in this case. Unlike the Christopher Reeves SUPERMAN and others, the camp makes fun of the heroes, and not the villains (some of us like to take our villains seriously, and do not like them to made to look silly, thank you very much).
The filmmakers were obviously aware of, and aimed to incorporate, everything attached to Flash Gordon---from Raymond's comic strip, to the old Universal serials, to the semi-pornographic parody "Flesh Gordon," to even the post-STAR WARS mythology that audiences in the eighties would expect. Surprisingly, for such a diverse melange, it actually works.
Unlike the other space movies of the time, this film emphasized sets and costumes rather than visual effects, and as a result its overall look dates less than many spaceoperas of the late seventies/early eighties. For those who dismiss it--and there are many--be aware that there are also many of us who love it and have re-watched more than you. It's deligtfully rewatchable and nowadays is an indisputable example of what is termed a cult film.
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