| Photos (See all 17 | slideshow) |
Directed by | |||
| Don Taylor | |||
Writing credits | ||
| Thomas Hunter | (story) & | |
| Peter Powell | (story) and | |
| David Ambrose | (story) | |
| David Ambrose | (screenplay) & | |
| Gerry Davis | (screenplay) and | |
| Thomas Hunter | (screenplay) & | |
| Peter Powell | (screenplay) | |
Produced by | |||
| Peter Douglas | .... | producer (as Peter Vincent Douglas) | |
| Lloyd Kaufman | .... | associate producer | |
| Richard R. St. Johns | .... | executive producer | |
Original Music by | |||
| John Scott | |||
Cinematography by | |||
| Victor J. Kemper | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Production Design by | |||
| Fernando Carrere | |||
Set Decoration by | |||
| Dennis Peebles | |||
Costume Design by | |||
| Ray Summers | |||
Makeup Department | |||
| Irving Buchman | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Bob Mills | .... | makeup supervisor | |
| Bob Mills | .... | special makeup designer | |
Production Management | |||
| John W. Hyde | .... | executive in charge of production | |
| Lloyd Kaufman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| J. David Jones | .... | second unit director (as David Jones) | |
| Pat Kehoe | .... | first assistant director | |
| Robert K. Lambert | .... | second unit director | |
| Mark McGann | .... | assistant director trainee | |
| Ed Milkovich | .... | second assistant director | |
| Douglas E. Wise | .... | second assistant director (as Doug Wise) | |
Art Department | |||
| Robert Boettcher | .... | assistant property master (as Bob Boettcher) | |
| Kent H. Johnson | .... | property master (as Kent Johnson) | |
| Nikita Knatz | .... | production illustrator | |
| Dale Koeppe | .... | assistant art director | |
| William Maldonado | .... | construction coordinator | |
Sound Department | |||
| Richard L. Anderson | .... | sound effects editor | |
| Bruce Bisenz | .... | sound mixer | |
| Robert Crosby | .... | boom operator (as Robert Crosby Jr.) | |
| Stephen Hunter Flick | .... | sound effects editor (as Stephen Flick) | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Alan Howarth | .... | special sound effects (as Alan S. Howarth) | |
| David J. Kimball | .... | re-recording mixer | |
| Robert J. Litt | .... | re-recording mixer | |
| Mark A. Mangini | .... | sound effects editor (as Mark Mangini) | |
| Robert Nichols II | .... | sound recordist | |
| Norman B. Schwartz | .... | dialogue supervisor | |
| Howard S. Wollman | .... | re-recording mixer | |
| Richard L. Anderson | .... | supervising sound editor (uncredited) | |
| Samuel C. Crutcher | .... | sound effects editor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Joe Day | .... | special effects | |
| Garry Elmendorf | .... | special effects (as Gary Elmendorf) | |
| Pat Elmendorf | .... | special effects | |
| Doug Hubbard | .... | special effects (uncredited) | |
| Peter Jaques | .... | producer: special effects (uncredited) | |
Visual Effects by | |||
| Jim Allsop | .... | optical technician | |
| Maurice Binder | .... | special visual effects | |
| Maurice Binder | .... | storm sequence | |
| Tom Pullinger | .... | optical editor | |
| Louis Schwartzberg | .... | time lapse special effects | |
| Marv Ystrom | .... | optical effects (uncredited) | |
Stunts | |||
| Bill Couch | .... | stunt coordinator | |
| Orwin C. Harvey | .... | stunt double (as Orwin Harvey) | |
| Colby Smith | .... | stunt double | |
| J. David Jones | .... | aerial stunts (uncredited) | |
Camera and Electrical Department | |||
| David L. Butler | .... | director of photography: second unit | |
| Jim Coe | .... | still photographer | |
| Earl Gilbert | .... | gaffer | |
| Rhio Haessig | .... | best boy | |
| Robert Horne | .... | camera assistant (as Bob Horne) | |
| Stan Lazan | .... | director of photography: second unit | |
| Robert Marta | .... | camera assistant (as Bob Marta) | |
| Gaylin P. Schultz | .... | key grip (as Gaylin Schultz) | |
| Bernie Schwartz | .... | best boy | |
| Robert C. Thomas | .... | camera operator (as Bob Thomas) | |
Casting Department | |||
| Dee Miller | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cynthia Bales | .... | costumer | |
| James W. Tyson | .... | costumer (as James Tyson) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Leslie Dennis Bracken | .... | assistant editor (as Leslie Dennis) | |
| Mike Dobie | .... | assistant editor (as Michael Dobie) | |
| Robert K. Lambert | .... | post-production executive | |
| Virgil A. Tanner | .... | color timer (as Virgil Tanner) | |
| Tim Tobin | .... | assistant editor (as Timothy Tobin) | |
Music Department | |||
| George Craig | .... | music supervisor | |
| Milton Lustig | .... | music editor | |
| John Richards | .... | music mixer | |
| Alan Howarth | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Frank 'Cat' Ballou | .... | transportation coordinator (as Frank 'Cat' Ballou) | |
Other crew | |||
| Lynn A. Aber | .... | script supervisor (as Lynn Aber) | |
| Fred Baillie | .... | production assistant | |
| Mike Batzler | .... | production assistant | |
| Susan Becton | .... | secretary to the producer | |
| Steven Bridges | .... | production assistant | |
| Benjamin Bruce | .... | location coordinator | |
| Judi Bunn | .... | second unit coordinator | |
| Jack Casey | .... | unit publicist | |
| Gerry Costello | .... | technical unit: Grumman | |
| Michael Durant | .... | production assistant | |
| Lyn J. Fink | .... | assistant production coordinator (as Lyn Fink) | |
| Gary Gero | .... | animal trainer | |
| Tony Gittelson | .... | location coordinator | |
| William S. Graves | .... | technical advisor: U.S. Navy (as Capt. William S. Graves USN) | |
| B.J. Johnson | .... | location coordinator | |
| Douglas J. Kenny | .... | location assistant (as Doug Kenny) | |
| Rob Mays | .... | production assistant | |
| Jim McMahon | .... | location auditor | |
| Richard C. Milligan | .... | technical advisor: Grumman (as Richard Milligan) | |
| Bruce Montgomery | .... | technical unit: Grumman | |
| Kate Morris | .... | production administrator | |
| Pat Moseman | .... | production secretary | |
| Florence Nerlinger | .... | production coordinator | |
| Richard R. St. Johns | .... | presenter | |
| Tony Tenreiro | .... | technical unit: Grumman | |
| Clair Ward | .... | production assistant | |
| Mark Winter | .... | location assistant | |
| Boots Hart | .... | post-production accountant (uncredited) | |
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| Pearl Harbor | Tora! Tora! Tora! | Air Force | Empire of the Sun | Task Force |
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There are great films ("Citizen Kane," eg), and there are "big films", like "ET" or "Star Wars." Then there are absolute crap films (eg, WAY too-many to list!). I propose another legitimate category: "Guilty Pleasure Films." These are movies that one can see over and over, through countless repetitions on cable and broadcast channels, and enjoy the experience every time.
For example, I have probably seen "Brighton Beach Memoirs" 40 times. I loved it during its first run, and I've loved it each of the 39 times I've seen it on the small screen. No, it's not a great movie, but it's one that brings me pleasure when I watch it. Same with (blush) "Bill & Ted's Excellent Adventure": the movie's stupid, but it just always entertains me!
Similarly, nobody is going to compare "The Final Countdown" to "2001: A Space Odyssey" as far as absolute quality, but "The Final Countdown" is a classic example of an unabashed "guilty pleasure" movie.
The story is intriguing--what would YOU do if you were commanding a nuclear-powered aircraft carrier full of supersonic jets, etc, when you were transferred through a time-warp (ref: a CHEESY looking laser and smoke effect storm!) to December 6, 1941?? Would you alter history, just to win a battle against those attacking Pearl Harbor? Or would you hold back because you'd change history if you did anything?
Interesting point! Kirk Douglas, as the ship's captain, looks like he's having a ball acting in this, and Martin Sheen does a great job as the "civilian consultant," Mr. Laskey.
No, this movie isn't an Oscar-winner, nor did it really deserve to be. But I'll put it this way. A local independant station showed "The Final Countdown" tonight at the same time TNN was showing "The Godfather 2" uncut.
I spent maybe five minutes on the Oscar-winning Godfather 2. Yes, it is an empirically great film, but I've seen it once before. But with American fighter jets dogfighting 1941 Japanese Zeros, I was FAR more entertained watching "The Final Countdown" for the 10th time!