In 1915, frustrated with the German air-raids on London, British Intelligence sends Scots officer Geoffrey Richter-Douglas, who has German ancestry, to Germany, to find information about the latest German Zeppelin.
While Old England is being ransacked by roving Danes in the 9th century, Alfred is planning to join the priesthood. But observing the rape of his land, he puts away his religious vows to ... See full summary »
In a future United States, the only transport available to an individual is public transportation. Predicated on an assertion that "the oil has run out", an increasingly totalitarian ... See full summary »
'Northern Borders' tells the story of ten year-old Austen Kittredge who is sent by his father to live on his grandparents' Vermont farm, where he experiences wild adventures and uncovers ... See full summary »
A story about an English businessman in 1930s Germany who encounters a financier who has forged his career on greed, corruption and opportunism, rather than the traditional British principles of decency and fair play.
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
Thieves fall out when over a half million dollars goes missing after the daring and carefully planned robbery of the Los Angeles Coliseum during a football game, each one accusing the other of having the money.
AN ORDEAL, BUT MORE FOR VIEWERS THAN FOR THE CHARACTERS.
This is an example of what Canadians describe as a "Stars and Stripes" movie, that is, a film shot on Canadian soil functioning as surrogate for other lands, Quebec filling in for Russia in this instance, with non-Canadian actors being principals, as here when England's Michael York portrays a Soviet official, others being Americans Colleen Dewhurst and Burgess Meredith. Production difficulties troubled the piece from its beginnings and, after a week of shooting, director Paul Almond is called upon to take the helm of "Iron Curtain", its working title (changed to "Moscow Chronicles", eventually to "Final Assignment"), but Almond is faced with two forbidding obstacles; a woeful script and a shallow performance by his wife, Genevieve Bujold, as Canadian journalist Nicole Thomson. Nicole convinces her employer to assign her to cover a Moscow-based disarmament conference between the U.S.S.R. and Canadian governments, and while in the Soviet capital she becomes romantically enmeshed with the press liaison officer (York) and also discovers a research program whereby scientists are utilizing young children as subjects for steroid experimentation, a dangerous project that Nicole chooses to investigate at the risk of her safety. She commits espionage by attempting to smuggle from the country the ailing granddaughter of a prominent scientist (Dewhurst) along with a video tape that reveals detailed research proceedings, and with assistance from a Canadian fur merchant (Meredith) she leads the K.G.B upon a merry chase. The film is of a genre that depicts a large agency, historically successful in its ordained purpose, e.g., Gestapo, S.S., C.I.A., K.G.B., et alia, that readily becomes befuddled and completely accommodating to an individual's plans to undermine it: seldom even remotely believable, and certainly not in this picture that surprisingly was nominated for Canada's Genie awards for best actress (Bujold), screenplay, editing, and sound editing, leading one to deduce that pickings must have been lean that year since Bujold is as unfocussed as is the scenario, while the sound dubbing and mixing are below par; Dewhurst handily outshines other members of the cast.
7 of 9 people found this review helpful.
Was this review helpful to you?