A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He's preoccupied with a career and a mistress, she with a career and caring for ... See full summary »
Portraying one of the shadier details of American history, this is the story of Jack McGurn, who comes to Los Angeles in 1936. He gets a job at a movie theatre in Little Tokyo and falls in ... See full summary »
The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
Based on the best selling autobiography by Irish expat Frank McCourt, Angela's Ashes follows the experiences of young Frankie and his family as they try against all odds to escape the ... See full summary »
Everyone dreams of fame. From the nail-biting freshman auditions to the spectacular year-end performances, Fame High captures the in-class and at-home drama, competition, heartbreak, and ... See full summary »
At the New York City High School for the Performing Arts, students get specialized training that often leads to success as actors, singers, etc. This movie follows four students from the time when they audition to get into the school, through graduation. They are the brazen Coco Hernandez, shy Doris Finsecker, sensitive gay Montgomery MacNeil, and brash, abrasive Raul Garcia. Written by
The school is based on the real-life Fiorello LaGuardia High School of Music and Art and Performing Arts in Manhattan. It is a public school, and therefore available to any New York City high school student who successfully auditions. See more »
When Coco is talking to François Lafete, she starts playing with her hair in one shot, but in the next shot her right arm is in her lap and her left arm is over the back of her chair. See more »
It builds up--and then insults--its own characters
"Fame", about teenage kids in Manhattan's School for the Performing Arts, looks right, feels right, and it sometimes sounds right--but too soon the film becomes a muddled soap opera about talented children reaching too far for their stars. The large cast does good work, and director Alan Parker has alert eyes, but sharper editing might have left some of Parker's pretensions out of the mix. After one student admits to being homosexual (not just once, to a girl student, but twice, to his entire class and teacher), he is seen in tight close-up putting on lipstick; this is done for a sniggering effect, which is stupefying once you realize the ENTIRE CLASS is dolled-up to look like characters from "Rocky Horror". The gay kid, bullied by the class loudmouth, isn't the only one we see humiliated. This manufactured slapping-down is then used several more times, against the promising disco queen, the wealthy white ballerina, the talkative dancer, the stand-up comedian, and the illiterate who may not graduate because of his failing grades. It's a big, smelly cart full of aged clichés. If people respond, it's due to the cinematography (which captures some of New York's squalor and dusty classrooms with a bracing realism), the propulsive soundtrack, and the cynical-funny talk. The characters are quite a different matter; probably resembling no real student at the actual school, they are plot-mechanisms, their pitfalls punctuated by a director who can almost be heard saying, "Look! See!" ** from ****
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