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Luke Skywalker, Han Solo, Princess Leia and Chewbacca face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader. Written by
According to the Dutch director Paul Verhoeven at a Q&A session in Helsinki, Finland during the 2012 Night Visions Film Festival, he was under consideration to direct The Empire Strikes Back, based on his work on his film -Soldier of Orange (1977)_. He was invited for a meeting with the producers and brought with him his newest film Spetters (1980), that he was proud of and wanted to screen for the producers. After the screening he never heard from them again and the film would eventually be directed by Irvin Kershner. See more »
During the Battle for Hoth, several rebel soldiers fall down without being hit. See more »
Echo Three to Echo Seven. Han, old buddy, do you read me?
Loud and clear, kid. What's up?
Well, I finished my circle. I don't pick up any life readings.
There isn't enough life on this ice cube to fill a space cruiser. Sensors are placed. I'm going back.
Right. I'll see you shortly. There's a meteorite that hit the ground near here. I want to check it out. It won't take long.
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The stars form the backdrop for the end credits. See more »
It's NOT the darkest of the trilogy - it's the most mature
`It avoids having the standard shoot-'em-up ending,' says a friend of mine, `by not having an ending.' I suppose this is what most people think, but all the same the film manages to form a satisfying whole; or at least, a whole that satisfies me. I'm therefore inclined to think it DOES have an ending. Obviously, I can't discuss this without giving things away to those few who don't know what happens. If you're one of those few, then believe me: your ignorance is precious enough to be worth guarding until you see the film. Stop reading now.
After the surprise attack on the rebel base, Luke Skywalker splits with Han, Leia, et al. Han's party gets away first (is it just me, or is the shot of Luke watching the Falcon flying off while he stands stranded on the ground, a poignant one?), but thereafter they face one narrow escape after another, while Luke slinks off quietly and safely to train with Yoda.
The training scenes are many and Yoda talks a great deal of rubbish. But somehow it doesn't matter. The film is ambivalent in its attitude towards Yoda, anyway. Our sympathy clearly lies with the entirely non-spiritual concerns of Han, Leia and the adolescent Luke. The main story concerns the understanding that builds between Han and Leia. In the end they are honest with one another; and if Han's being frozen and shipped back to Tatooine is the price to pay for this, well, it's the price to pay. It was very important NOT to end with the dashing rescue that opens `Return of the Jedi', which would be dramatically beside the point. Instead we end with the promise that the rescue will some day occur. That's enough.
As for Luke: he abandons Yoda to rescue Han and Leia, and achieves NOTHING WHATEVER. This was my favourite touch. All five Jedis - Luke, Obi-Wan, Yoda, Vader, and the Emperor - find that their conflicting instincts are all entirely wrong. The film is really about the temporary triumph of human impulses over the mystical Force. Luke's human idealism is vindicated, but his supernatural powers, just this once, are not.
When George Lucas gave his Star Wars trilogy a fresh coat of varnish in 1997 he felt he had to justify the expense by making needless changes. You'll notice he made precious few changes to episode V. There just wasn't room. He added a few extra shots of the ice monster, which of course weakened that one scene; but even with those changes in place the Special Edition is virtually identical to the original edition. Since Lucas was so keen on making changes wherever he could this is obviously a tribute to the tightness of the story and the direction. It's also a tribute to the perfection of the original special effects, more innovative than the effects in the first Star Wars movie and better than the effects in any subsequent one.
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