A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
John Merrick (whose real name was Joseph, as this is based on a true story) is an intelligent and friendly man, but he is hated by his Victorian-era English society because he is severely deformed. Once he is discovered by a doctor, however, he is saved from his life in a freak show and he is treated like the human being that he really is. Written by
David Lynch narrowed his choices for the film's Cinematographer down to two names; Christopher Challis, who was considered a safe pair of hands, or Freddie Francis, who Lynch considered to be a much more talented Cinematographer, but hadn't worked in that role since 1964. Lynch decided to go with his gut instinct and hire Francis after Producer Stuart Cornfeld told him that, "No one ever made it big by being a pussy." See more »
Bytes threw Merrick's mask out of the caravan. The mask then fell under the caravan's stair. But when Bytes' boy picked Merrick's cloth, we can see the mask (white one) is among the clothes. See more »
Get rid of them! I don't want to see them!
Darling, don't be difficult! Let's take our sweet lovely children on an outing.
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Closing disclaimer: This has been based upon the true life story of John Merrick, known as The Elephant Man, and not upon the Broadway play of the same title or any other fictional account. See more »
Man, this is a powerful and great movie. We are all moved different degrees by different things, but to witness sincerely nice people being treated cruelly always bothers me big- time....so this film is tough to watch in spots. Some scenes are just painful and depressing to view.
Whatever your sensitivity, the movie is very involving and hauntingly shown with eerie black-and-white photography. Eerie, and downright beautiful camera-work in here, so kudos to cinematographer Freddie Francis, one of the best in the business.
A young Anthony Hopkins is very likable and John Hurt is, well, someone you won't soon forget as John Merrick, "The Elephant Man."
This is an uplifting movie at times, too, not just a tear-jerker or horrific in showing man's cruelty to man. Be prepared for an emotional experience and an amazing story.
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