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Dressed to Kill (1980)

X  |   |  Mystery, Thriller  |  25 July 1980 (USA)
7.1
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Ratings: 7.1/10 from 20,685 users  
Reviews: 182 user | 98 critic

A mysterious blonde woman kills one of a psychiatrist's patients, and then goes after the high-class call girl who witnessed the murder.

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Title: Dressed to Kill (1980)

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Nominated for 1 Golden Globe. Another 1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Ken Baker ...
Susanna Clemm ...
Brandon Maggart ...
Amalie Collier ...
Cleaning Woman
Mary Davenport ...
Woman in Restaurant
Anneka Di Lorenzo ...
Nurse (as Anneka De Lorenzo)
Norman Evans ...
Ted
Robbie L. McDermott ...
Man in Shower
Bill Randolph ...
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Storyline

While taking a shower, Kate Miller, a middle-aged, sexually frustrated New York City housewife, has a rape fantasy while her husband stands at the sink shaving. Later that day, after complaining to her psychiatrist Dr. Robert Elliott about her husband's pathetic performance in bed, she meets a strange man at a museum and returns to his apartment where they continue an adulterous encounter that began in the taxicab. Before she leaves his apartment, she finds papers which certify that the man has a venereal disease. Panicked, Kate rushes into the elevator, but has to return to his apartment when she realizes she's forgotten her wedding ring. When the elevator doors open, she's brutally slashed to death by a tall blonde woman wearing dark sunglasses. Liz Blake, a high-class call girl, is the only witness to the murder and she becomes the prime suspect and the murderess's next target. Liz is rescued from being killed by Kate's son Peter, who enlists the help of Liz to catch his mother's ... Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

Every nightmare has a beginning...This one never ends. See more »

Genres:

Mystery | Thriller

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 July 1980 (USA)  »

Also Known As:

Vestida para matar  »

Box Office

Budget:

$6,500,000 (estimated)

Gross:

$31,899,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (R-rated)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Keith Gordon (Peter Miller) appeared in Jaws 2. Michael Caine (Dr. Elliott) appeared in Jaws: The Revenge. See more »

Goofs

Although Peter Miller uses a suction-cup audio pickup to overhear the closed-door conversation between Detective Marino and Dr. Elliott, it's apparent in the view from inside Marino's office, as they get up to leave, that the large windowed door does not actually have any glass in it.

Reflections off the door glass can be seen during outside shots, but it was presumably removed for the interior scene in order to keep the waist-level, upward camera angle from revealing all the overhead lights when the door is swung open. See more »

Quotes

Doctor Robert Elliott: How are things going with you and Mike?
Kate Miller: Fine.
Doctor Robert Elliott: Good.
Kate Miller: [considering for a moment] No, they're not fine. What a stupid word that is. He gave me one of his wham-bang specials today and I'm mad at him. Isn't that right? Shouldn't I be mad at him?
Doctor Robert Elliott: Yeah. Did you tell him?
Kate Miller: Of course not. I moaned with pleasure at his touch - isn't that what every man wants?
Doctor Robert Elliott: I don't know. Is it?
Kate Miller: Don't start that stuff with me.
See more »

Connections

Spoofed in Deuce Bigalow: European Gigolo (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Worth viewing, but it hasn't aged well
21 February 2005 | by (New York City) – See all my reviews

Kate Miller (Angie Dickinson) is having problems in her marriage and otherwise--enough to see a psychologist. When her promiscuity gets her into trouble, it also involves a bystander, Liz Blake (Nancy Allen), who becomes wrapped up in an investigation to discover the identity of a psycho killer.

Dressed to Kill is somewhat important historically. It is one of the earlier examples of a contemporary style of thriller that as of this writing has extensions all the way through Hide and Seek (2005). It's odd then that director Brian De Palma was basically trying to crib Hitchcock. For example, De Palma literally lifts parts of Vertigo (1958) for Dressed to Kill's infamous museum scene. Dressed to Kill's shower scenes, as well as its villain and method of death have similarities to Psycho (1960). De Palma also employs a prominent score with recurrent motifs in the style of Hitchcock's favorite composer Bernard Herrmann. The similarities do not end there.

But De Palma, whether by accident or skill, manages to make an oblique turn from, or perhaps transcend, his influence, with Dressed to Kill having an attitude, structure and flow that has been influential. Maybe partially because of this influence, Dressed to Kill is also deeply flawed when viewed at this point in time. Countless subsequent directors have taken their Hitchcock-like De Palma and honed it, improving nearly every element, so that watched now, after 25 years' worth of influenced thrillers, much of Dressed to Kill seems agonizingly paced, structurally clunky and plot-wise inept.

One aspect of the film that unfortunately hasn't been improved is Dressed to Kill's sex and nudity scenes. Both Dickinson and Allen treat us to full frontal nudity (Allen's being from a very skewed angle), and De Palma has lingering shots of Dickinson's breasts, strongly implicit masturbation, and more visceral sex scenes than are usually found in contemporary films. Quite a few scenes approach soft-core porn. I'm no fan of prudishness--quite the opposite. Our culture's puritanical, monogamistic, sheltered attitude towards sex and nudity is disturbing to me. So from my perspective, it's lamentable that Dressed to Kill's emphasis on flesh and its pleasures is one of the few aspects in which others have not strongly followed suit or trumped the film. Perhaps it has been desired, but they have not been allowed to follow suit because of cultural controls from conservative stuffed shirts.

De Palma's direction of cinematography and the staging of some scenes are also good enough that it is difficult to do something in the same style better than De Palma does it. He has an odd, characteristic approach to close-ups, and he's fond of shots from interesting angles, such as overhead views and James Whale-like tracking across distant cutaways in the sets. Of course later directors have been flashier, but it's difficult to say that they've been better. Viewed for film-making prowess, at least, the museum scene is remarkable in its ability to build very subtle tension over a dropped glove and a glance or two while following Kate through the intricately nested cubes of the Metropolitan Museum of Art.

On the other hand, from a point of view caring about the story, and especially if one is expecting to watch a thriller, everything through the museum scene and slightly beyond might seem too slow and silly. Because of its removal from the main genre of the film and its primary concern with directorial panache (as well as cultural facts external to the film), the opening seems like a not very well integrated attempt to titillate and be risqué. Once the first murder occurs, things improve, but because of the film's eventual influence, much of the improvement now seems a bit clichéd and occasionally hokey.

The performances are mostly good, although Michael Caine is underused, and Dickinson has to exit sooner than we'd like (but the exit is necessary and very effective). Dressed to Kill is at least likely to hold your interest until the end, but because of facts not contained in the picture itself, hasn't exactly aged well. At this point it is perhaps best to watch the film primarily as a historical relic and as an example--but not the best, even for that era--of some of De Palma's directorial flair.


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