Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
Filmed stageplay based on the ancient greek play The Bacchae written by Euripides. This play is performed by members of The Performance Group, an NYC experimental theater group who has made... See full summary »
While taking a shower, Kate Miller, a middle-aged, sexually frustrated New York City housewife, has a rape fantasy while her husband stands at the sink shaving. Later that day, after complaining to her psychiatrist Dr. Robert Elliott about her husband's pathetic performance in bed, she meets a strange man at a museum and returns to his apartment where they continue an adulterous encounter that began in the taxicab. Before she leaves his apartment, she finds papers which certify that the man has a venereal disease. Panicked, Kate rushes into the elevator, but has to return to his apartment when she realizes she's forgotten her wedding ring. When the elevator doors open, she's brutally slashed to death by a tall blonde woman wearing dark sunglasses. Liz Blake, a high-class call girl, is the only witness to the murder and she becomes the prime suspect and the murderess's next target. Liz is rescued from being killed by Kate's son Peter, who enlists the help of Liz to catch his mother's ... Written by
Angie Dickinson said on The Tonight Show that of all the movies she was in, Dressed to Kill is her favorite. See more »
Once the action heightens during the museum sequence, and we have now switched from tracking shots to steadicam shots, there is one steadicam pan in particular (from Dickinson's point of view) that reveals the on-set lighting equipment at the top of the frame. See more »
Look, Liz, I've got to get home and get to work.
Gee, I'm gonna miss having you on my tail. You made me feel kind of safe.
Want to come home with me? I'd love the company.
Wouldn't Mike mind?
Mike's out of town on a business trip. We've got plenty of room.
Great. I could sure use the vacation.
Good, good. I'll get the check.
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"Dressed to Kill" is an intense, dreamy, erotically charged thriller, and clearly another of filmmaker Brian De Palma's homages to the works of Alfred Hitchcock. It manages the neat trick of being fairly classy and rather trashy at the same time, as De Palma brings all of his directing skill to bear. This may not be his best but it's certainly one of his most well known, thanks in no small part to the excellent star trio of Michael Caine, Angie Dickinson, and Nancy Allen; Allen, of course, was married to De Palma at the time. Caine plays an eminent psychiatrist, Dr. Robert Elliott, and Dickinson portrays Kate Miller, one of his patients who's not getting any sexual fulfillment in her life. Unfortunately, once she is able to experience an afternoon of passion the satisfaction is short lived, as a tall, cold looking blonde woman in sunglasses and trenchcoat slashes her to death with a straight razor. (This has to rank as one of the scariest ever elevator rides captured on film.) A witness on the scene is high priced call girl Liz Blake (Allen), who's accused of the crime after stupidly picking up the murder weapon. So she ends up working with Kate's son Peter (Keith Gordon) to try to identify the woman, who Liz and Peter guess to be another of Elliott's patients. In the opening minutes of his film De Palma shows you what you're going to be in for, showing Dickinson pleasuring herself in the shower (intercutting shots of Dickinson with those of a body double) until a male stranger materializes behinds her and starts forcing himself on her. The combination of sex and danger is always stressed in this movie; as we will learn our killer has some severe psycho sexual problems. There are some highly memorable sequences, such as an extended seduction taking place inside an art museum, that being followed by a steamy coupling in the back of a cab. Other aspects that make it effective are Jerry Greenberg's editing (this was the man that cut "The French Connection", after all), Ralf Bode's widescreen cinematography, and Pino Donaggio's haunting music. The actors each get an impressive showcase; both Dickinson and Allen look amazing to boot. Included in the cast are Dennis Franz as the investigating detective, David Margulies as the psychiatrist who explains everything for us in the end in case we didn't already get it, William Finley who does some uncredited voice work, and Brandon Maggart in a brief bit as a john.Overall, the film has a definite ability to get under one's skin. It's often genuinely spooky and could easily shock more sensitive viewers due to the level of sexual frankness on display. While subtlety may be in short supply, it's hard to deny the ability of "Dressed to Kill" to manipulate us into a state of excitement and expectation. Eight out of 10.
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