A deeply disturbed photographer and Vietnam veteran, named Kirk Smith, terrorizes Los Angeles by going around strangling lingerie-clad young women in their homes while taunting Lindsay Gale... See full summary »
A wealthy, fatherless British clan kidnaps bums and hippies and forces them to participate in an elaborate role-playing game in which they are the perfect family; those who refuse or attempt escape are ritualistically murdered.
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A little girl's brother kills the whole family but her (she escapes by hiding in the basement). He is committed, and she grows up with a new family, eventually going to college, where she ... See full summary »
A deeply disturbed photographer and Vietnam veteran, named Kirk Smith, terrorizes Los Angeles by going around strangling lingerie-clad young women in their homes while taunting Lindsay Gale, a young psychologist, by calling her on a radio call-in show to describe his sexual hang-ups and misogynistic ways, while a local police detective, Lt. McCable, is always two steps behind in trying to catch the psycho. Written by
Don't Answer the Phone is yet another film from the late 70s and early 80s about a psychotic, demented, socially awkward killer who brutalizes women because of his "problems" - whatever those problems might be. This time around we have a muscular, fat Vietnam vet who was never good enough for his father butcher pretty girls just after they have stripped from their little clothing. Nicolas Worth plays the wheezing, maniacal killer with a bizarre almost interesting quality. He is not a good actor yet is able to hold your attention throughout. I wish I could say something pleasant about the rest of the cast, but none of the rest are very competent. The police detectives who are looking for Worth - one which falls in love with the pretty radio psychiatrist that can shed light on the killer's identity - were particularly bad. The girls are pretty but the misogynistic flair devoted to their deaths is particularly degrading and unpleasant. The film is at least not overtly gory and had me interested until the end. The story was compelling enough and Worth is worth a look if nothing else.
12 of 15 people found this review helpful.
Was this review helpful to you?