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Dian zhi gong fu gan chian chan (1980)

R  |   |  Action, Comedy  |  1985 (USA)
5.9
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Ratings: 5.9/10 from 1,140 users  
Reviews: 17 user | 8 critic

A young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and conquer the enemies he has inherited.

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Cast

Credited cast:
...
Jiang (as Jacky Chan)
Chung-Erh Lung ...
Fong
Jeong-Nam Kim
Rest of cast listed alphabetically:
Chih-Ping Chiang
Kang Chin ...
Thousand-Faces (as Kong Kam)
Kang Ho
Ti Hsieh
Hang Hsu
Han Chang Hu
Chiang Kao
Sae Ok Kim
Chi-Lun Li
Hai Lung Li
Min-Lang Li
Wen Tai Li ...
Beggar
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Storyline

Mostly a Kung-fu showcase; a loose script describes Jackie Chan's character learning Kung-fu from a beggar-master and his pupil while guarding a caravan from bandits. Chan's early comedic beginnings are shown here. Written by <jasona@sco.com>

Plot Summary | Add Synopsis

Genres:

Action | Comedy

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

1985 (USA)  »

Also Known As:

Half a Loaf of Kung Fu  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(VHS)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Quotes

Jiang: If I'm lying, then I'm a son of a bitch.
See more »

Connections

Spoofs Jesus Christ Superstar (1973) See more »

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User Reviews

Jackie is finally given creative control...
27 May 2002 | by (Swindon, UK) – See all my reviews

Jackie is finally given creative control under the constraints of Lo Wei and here's the result: an early key to the new direction which sees Chan clowning about in his own distinct fashion, less Bruce Lee and more Charlie Chaplin, ridiculing the stifling pictures that were forced onto him at the same time as sending up the genre as a whole. Straight from the slapstick titles we know what we're in for; Chan perfecting his underdog happy-go-lucky character that would later make him such a huge star. Yet like all beginnings, HALOKF isn't a polished piece, certainly dragging in places with the Lo Wei influence still clearly evident (namely in the souped-up story concerning the transportation of sacred treasures the Evergreen Jade and the Soul Pill, much in demand by nasty bandits). Lo Wei's reaction was open detest resulting in the picture being shelved, only to be given a successful theatrical release after Chan had finally re-defined the kung fu movie.


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