| Jan-Michael Vincent | ... | Tommy (as Jan Michael Vincent) | |
| Theresa Saldana | ... | Marsha | |
| Danny Aiello | ... | Carmine | |
| Rudy Ramos | ... | Angel Cruz | |
| Lenny Montana | ... | Whacko | |
| Art Carney | ... | Abe | |
| Santos Morales | ... | Paolo | |
| Frank Pesce | ... | Herbie | |
| Don Blakely | ... | Abbie | |
| James Victor | ... | Father Rivera | |
| Randy Hermann | ... | Tito (as Randy Herman) | |
| Lee Fraser | ... | Bandana (as Lee Yuro) | |
| Joseph Campanella | ... | Karenski (as Joe Campanella) | |
| Fernando López | ... | Kid (as Fernando Lopez) | |
| Alberto Vazquez | ... | Slagg (as Alberto Vasquez) | |
| Church Ortiz | ... | Luis | |
| Ismael 'East' Carlo | ... | El Bravo (as East Carlo) | |
| Tom Reese | ... | 1st Cop | |
| Ernie F. Orsatti | ... | 2nd Cop (as Ernie Orsatti) | |
| Tony Sirico | ... | Davey (as G. Anthony Sirico) | |
| E. Brian Dean | ... | Rondini (as Brian Dean) | |
| Margarita García | ... | Cashier (as Margarita Garcia) | |
| Philip Levy | ... | Earnie (as Phil Levy) | |
| Chino 'Fats' Williams | ... | Local #2 | |
| David Cadiente | ... | Eloy | |
| Pamela Gatell | ... | Angel's Lady | |
| Wendy Oates | ... | Carmine's Wife | |
| Barbara Smith | ... | Herbie's Wife | |
| Dawn Adams | ... | Priest's Assistant | |
| James Oscar Lee | ... | Police Officer | |
| Victor Mendez | ... | Window Singer | |
| rest of cast listed alphabetically: | |||
| Fred J. Lincoln | (as Fred Lincoln) | ||
| Satir González | ... | Gang Member (uncredited) | |
Directed by | |||
| John Flynn | |||
Writing credits | ||
| Thomas Michael Donnelly | (screenplay) | |
| Thomas Michael Donnelly | (story) & | |
| Mark Tulin | (story) | |
Produced by | |||
| Jerry Bruckheimer | .... | producer | |
| Thomas Michael Donnelly | .... | associate producer | |
| William S. Gilmore | .... | producer (as William S. Gilmore Jr.) | |
| Robert J. Wunsch | .... | executive producer | |
Original Music by | |||
| Dominic Frontiere | |||
Cinematography by | |||
| Ric Waite | (director of photography) | ||
Film Editing by | |||
| David Finfer | |||
Casting by | |||
| Joyce Agu | (as Joyce Robinson) | ||
| Sam Christensen | |||
Production Design by | |||
| Bill Malley | |||
Set Decoration by | |||
| Rick Gentz | (as Rick T. Gentz) | ||
Makeup Department | |||
| Verne Caruso | .... | hair stylist: New York | |
| Nick Crimi | .... | makeup artist: New York | |
| Emile LaVigne | .... | makeup artist (as Emile R. La Vigne) | |
| June Miggins | .... | hair stylist | |
Production Management | |||
| Salvatore Billitteri | .... | in charge of post-production | |
| William Davidson | .... | production manager (as William C. Davidson) | |
| Jere Henshaw | .... | executive in charge of production | |
| Dick Moses | .... | production manager: New York | |
Second Unit Director or Assistant Director | |||
| Peter Bogart | .... | first assistant director | |
| Peter Gries | .... | second assistant director: New York | |
| Lorraine Senna | .... | second assistant director | |
Art Department | |||
| Jack Cornwell | .... | art director: New York | |
| Delbert Diener | .... | assistant property master (as Delbert Deiner) | |
| Mark Wade | .... | property master | |
| Serge Genitempo | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Gordon Daniels | .... | sound effects | |
| Jeff Haas | .... | boom operator: New York | |
| Gilbert D. Marchant | .... | sound effects (as Gil Marchant) | |
| William L. McCaughey | .... | dubbing mixer (as William McCaughey) | |
| Al Mian | .... | sound mixer: New York | |
| Bill Nelson | .... | sound mixer (as William Nelson) | |
| Anthony Palk | .... | sound effects (as Tony Palk) | |
| Earl Sampson | .... | boom operator | |
Special Effects by | |||
| Bob Dawson | .... | special effects | |
Stunts | |||
| Mickey Alzola | .... | stunt player | |
| Everett Creach | .... | stunt coordinator | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Chris Howell | .... | stunt player | |
| Alan Marcus | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jack Anderson | .... | second assistant camera | |
| King Baggot | .... | camera operator | |
| Bruce Birmelin | .... | still photographer | |
| Peter Garbarini | .... | camera operator: New York (as Peter Gabarini) | |
| Harvey Genkins | .... | associate director of photography: New York (as Harvey Jenkins) | |
| Michael Ginsburg | .... | still photographer: New York (as Michael Ginsberg) | |
| Marlin Hall | .... | key grip | |
| Willie Meyerhoff | .... | gaffer: New York | |
| Jonathan O'Neil | .... | best boy | |
| Al Stetson | .... | grip: New York | |
| Alex Touyarot | .... | first assistant camera | |
| Rodney Veto | .... | second grip | |
| Jim Wuertemburg | .... | gaffer (as James T. Wuertemburg) | |
| Ron Zarilla | .... | assistant camera: New York | |
Casting Department | |||
| Joy Todd | .... | extras casting: New York | |
Costume and Wardrobe Department | |||
| Ellis Cohen | .... | costumer | |
| Ruth E. Doering | .... | wardrobe: women, New York (as Ruth Doering) | |
| Melissa Franz | .... | wardrobe | |
| Al Spalinski | .... | wardrobe: men, New York | |
Editorial Department | |||
| Gina Brown | .... | assistant editor | |
| Cari Coughlin | .... | apprentice editor | |
Music Department | |||
| John Beal | .... | orchestrator | |
| Buddy Epstein | .... | music director | |
| Ken Johnson | .... | music editor | |
| Greg Sill | .... | music coordinator | |
| Joel Soifer | .... | recording engineer | |
| John Beal | .... | composer: additional music (uncredited) | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Walter Charleston | .... | teamster captain: New York | |
| Dale Henry | .... | transportation captain | |
Other crew | |||
| Arlene Albertson | .... | production office coordinator: New York | |
| Samuel Z. Arkoff | .... | presenter | |
| Wilma Arnold | .... | assistant: John Flynn | |
| Chris Silver Finigan | .... | location auditor (as Christopher Finigan) | |
| Bert Ford | .... | publicist | |
| Gary Gillingham | .... | production controller | |
| Adam Greenman | .... | location manager | |
| Julian F. Myers | .... | publicist | |
| Myrna Post | .... | publicist | |
| Jim Richardson | .... | location manager: New York | |
| Sylvio Tabet | .... | presenter | |
| Terry Terrill | .... | script supervisor | |
| Jill Vandermeer | .... | production coordinator | |
| Kurt Woolner | .... | location auditor: New York | |
| Neil R. Lipes | .... | production assistant (uncredited) | |
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| Death Wish | Death Wish 3 | King of New York | Angel Town | Original Gangstas |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
For me, DEFIANCE was/is a film that delivered. Is it 'high art'?--I dunno. But it sure held my interest. JMV is our reluctant hero, 'Tom'. A merchant seaman, stranded in New York because of a beef on the job, near penniless Tom is forced to seek cheap digs in a slum rental while he waits for another ship assignment. He quickly crosses paths with 'The Souls', the Latino gang that holds the neighborhood in a grip of terror.
Tom is no white knight or crusader. A world weary pragmatist, he's just a guy trying to keep to himself until he can catch that much-needed next freighter out to sea. Though not an immediate champion of justice, neither is Tom indifferent to the suffering of others and gradually he finds himself being drawn into the lives of several of the local residents.
It is the leader of the Souls gang, 'Angel', with his determination to maintain his grip on his turf, and interloper Tom, with his stubborn refusal to abandon his newly made friends, who ignite the inevitable final--and highly satisfying--confrontation.
Is DEFIANCE a film filled with startling plot twists and dazzling production value? No. But I found it to be highly entertaining with real sincerity--and it continues to please me after repeated viewings. All hands involved in this production deserve praise for working within their limited budget to craft a tough, tender and edgy action/drama where an average fella, who cannot ignore his heart, takes a huge risk to correct a great injustice.
Is it SHANE?--Naw. (But what is?) I will tell you this: this flick delivers a whole fist-full of solid scenes. Fer instance: the moment when Tom draws his 'line in the sand'. Waiting until cover of darkness, Tom strides out of the shadows, club in hand, and begins to demolish Angel's beloved 'low rider' as an invitation to the gang--"Come and get me."
That scene works on EVERY level: script, direction, photography, JMV's smoldering fury, the startling, hot musical score that punctuates the moment--IT ALL WORKS! It gave me goose bumps the first time and it still gives me a kick to this day. DEFIANCE had me in it's grip: "Yeah, Tom! Screw the consequences! Let's take it to these vicious punks."
This flick never had anywhere near the budget or status of say, a DIE HARD, but it sure has the heart. In the early '80s, as I lived in my tiny apartment in Hollywood and struggled to write, I kept a tattered DEFIANCE poster tacked to my wall for inspiration.
DEFIANCE: a solid, commendable script, in the hands of a no-nonsense, focused director, who's leading a sincere and supportive cast--all in pursuit of a simple, but meaningful, action/morality tale that can't help but touch you on some level if you believe in justice and decency. Not too shabby, folks. Not too shabby at all.
Now I just wish somebody would get DEFIANCE onto a proper DVD (and throw in a few extras like cast/crew interviews, a trailer, maybe even some out-takes). I'd buy a copy in a heartbeat. And five more for some friends.