New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Throughout the summer of 1979, members of New York's gay community protested against the production of the film. Gay people were urged to disrupt filming and gay-owned businesses to bar the filmmakers from their premises. People attempted to interfere with shooting by pointing mirrors from rooftops to ruin lighting for scenes, blasting whistles and air horns near locations, and playing loud music. One thousand protesters marched through the East Village demanding the city withdraw support for the film. Al Pacino said that he understood the protests but insisted that upon reading the screenplay he never at any point felt that the film was anti-gay. He said that the leather bars were "just a fragment of the gay community, the same way the Mafia is a fragment of Italian-American life", referring to The Godfather (1972), and that he would "never want to do anything to harm the gay community". See more »
Just before the first murder happens you can see the blood tube for a few moments as the first stabs are going into his back. See more »
This is a FRIEDKIN movie. Consequently, it is soulless, dark and physical. There are no heroes, the range goes from unclear/mixed up/tortured souls/loonies to the dephts of hell. It is also highly interpretative, you can not expect a logical script and a "I did it" smile or a "walk towards the sun" type of ending. So, it's a question of taste if you like his movies or not. I DO. I very much doubt that Pacino or Sorvino regret making this film. It is riveting. For one, characters are not even gray, they are a mystery. Sorvino's character, for instance is so blank, that you even wonder if he cares about anything, including Burns' fate. Pacino's character is pretty ambitious, but other than that he is completely controversial. Although he shows some kind of goodness (towards his neighbor, for instance), the ending even kinda questions that (was it because he had sexual intentions with the guy or that he just wanted to do some good?). Also, he sometimes feels overwhelmed by the undercover job ("I don't know if I can do this") but then he starts to adapt. One of the possible ideas of this movie is: you dance with the devil and then you start to like it. In any case, it leaves conclusions to the viewer. The atmosphere and especially the music are truly amazing and original. 9/10
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