New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find... See full summary »
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In an effort to make the scenes of gay "leather bars" as real as possible, actual leather bars in New York City that catered to gay men were used. These locations are in Manhattan's lower West Side neighborhoods in the meat packing district, most of which remain open to this day. The extras in full black leather and chaps, among other provocative sexual attire, were actual patrons of the bars recruited for the scenes a few days before filming began. They were instructed to act as they would normally act in gay bars, but to tone down sexually-oriented activities because of the likelihood these acts would give the film an "X" rating. See more »
Blonde transvestite hooker DaVinci and his brunette transvestite hooker friend are forced into Patrolemen DiSimone and Dresher's police car. When DiSimone, DaVinci and DaVinci's friend are in the back seat, Dresher orders DaVinci into the front seat for implied fellatio. Later, at the police station, DaVinci erroneously says it was DiSimone who forced him to perform fellatio. See more »
This is a FRIEDKIN movie. Consequently, it is soulless, dark and physical. There are no heroes, the range goes from unclear/mixed up/tortured souls/loonies to the dephts of hell. It is also highly interpretative, you can not expect a logical script and a "I did it" smile or a "walk towards the sun" type of ending. So, it's a question of taste if you like his movies or not. I DO. I very much doubt that Pacino or Sorvino regret making this film. It is riveting. For one, characters are not even gray, they are a mystery. Sorvino's character, for instance is so blank, that you even wonder if he cares about anything, including Burns' fate. Pacino's character is pretty ambitious, but other than that he is completely controversial. Although he shows some kind of goodness (towards his neighbor, for instance), the ending even kinda questions that (was it because he had sexual intentions with the guy or that he just wanted to do some good?). Also, he sometimes feels overwhelmed by the undercover job ("I don't know if I can do this") but then he starts to adapt. One of the possible ideas of this movie is: you dance with the devil and then you start to like it. In any case, it leaves conclusions to the viewer. The atmosphere and especially the music are truly amazing and original. 9/10
79 of 93 people found this review helpful.
Was this review helpful to you?
| Report this