La città delle donne
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City of Women (1980) More at IMDbPro »La città delle donne (original title)

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2 items from 2017

NYC Weekend Watch: ‘Stalker,’ Goldie Hawn, Jean-Pierre Melville, Jiang Wen & More

4 May 2017 7:07 PM, PDT | The Film Stage | See recent The Film Stage news »

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

Andrei Tarkovsky’s seminal Stalker has been restored and is now screening.

Film Forum

The Melville series continues, while a print of the Harold Lloyd-led Grandma’s Boy plays with live piano accompaniment on Sunday morning.

Quad Cinema

Larry Cohen films are given their due in a retrospective., while »

- Nick Newman

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Giallo Norms and Deviations: Close-up on "Deep Red" and "The Strange Color of Your Body’s Tears"

26 February 2017 6:39 AM, PST | MUBI | See recent MUBI news »

Close-Up is a column that spotlights films now playing on Mubi. Hélène Cattet & Bruno Forzani's The Strange Colour of Your Body's Tears (2013) is showing February 4 - March 6 and Dario Argento's Deep Red (1975) is showing February 5 - March 7, 2017 in the United Kingdom in the double feature Giallo/Meta Giallo.“I know it when I see it.” Like film noir, the giallo is one of those genres as easy to pin down as it is difficult to define. More often than not, what constitutes a giallo rests on a given film’s balance of emblematic imagery and an archetypal storyline, while other factors like tone, score, and setting will also play a part in its classification. Arguably no filmmaker has had a more stylish and deftly rigorous hand in establishing these defining traits than Dario Argento. And his 1975 film, Deep Red (Profondo Rosso), is perhaps as good as it gets, »

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